Adam S Bridge

Adam's Bridge offers the first comprehensive transdisciplinary study of the famous eponymous tombolo (also known as Ram Setu) combining its sacral, historical, geological, political, performative, and heritage aspects into one framework, viewed under the critical lenses of island studies and cultural theory. The book elucidates the entanglement of Adam's Bridge's discursive history with India's colonial history, contemporary geology, domestic politics, and the nation's emerging position in complex geopolitical order in and around the Indian Ocean region, vis a vis increasing Sino-American involvement in Indo-Sri Lanka relations. Without foregrounding any absolute scientific claims on the location of the sandbars that inspired sage Valmiki's Ram Setu and the Ramayan legacy, or hindering narratives of religious faiths and folklore revolving around the structure, this intellectual historiography traces the parallel evolution of traditions of compassionate questioning and devotion for Indic sacred beliefs among commentators across the millennia from both Indian and non-Indian spectra, in juxtaposition with the biotic and abiotic diversity of the Gulf of Mannar and Palk Bay. Looking beyond secular-versus-religious debates, this book will be of interest to scholars of ocean and island studies, coastal economies, archipelagic geographies, environmental history, heritage studies, colonial studies, and cultural theory. Adam's Bridge unifies a consortium of themes, ranging across ecological and livelihood sustainability, environmentalism, soteriology, economic and geostrategic history, and the United Nations Convention on the Law of the Sea, in conceptualizing a compellingly nuanced chronicle for India's enchanted 'bridge.'

Adam’s Bridge offers the first comprehensive transdisciplinary study of the famous eponymous tombolo (also known as Ram Setu) combining its sacral, historical, geological, political, performative, and heritage aspects into one framework, viewed under the critical lenses of island studies and cultural theory. The book elucidates the entanglement of Adam’s Bridge’s discursive history with India’s colonial history, contemporary geology, domestic politics, and the nation’s emerging position in a complex geopolitical order in and around the Indian Ocean region, vis-à-vis increasing Sino-American involvement in Indo-Sri Lankan relations. Without foregrounding any absolute scientific claims on the location of the sandbars that inspired sage Valmiki’s Ram Setu and the Ramayan legacy or hindering narratives of religious faiths and folklore revolving around the structure, this intellectual historiography traces the parallel evolution of traditions of compassionate questioning and devotion for Indic sacred beliefs among commentators across the millennia from both Indian and non-Indian spectra, seen in juxtaposition with the biotic and abiotic diversity of the Gulf of Mannar and Palk Bay. Looking beyond secular-versus-religious debates, this book will be of interest to scholars of ocean and island studies, coastal economies, archipelagic geographies, environmental history, heritage studies, colonial studies, and cultural theory. Adam’s Bridge unifies a consortium of themes, ranging across ecological and livelihood sustainability, environmentalism, soteriology, economic and geostrategic history, and the United Nations Convention on the Law of the Sea, in conceptualizing a compellingly nuanced chronicle for India’s enchanted ‘bridge.’

Traces the history of mapmaking while offering insight into the role of cartography in human civilization and sharing anecdotes about the cultural arenas frequented by map enthusiasts.

From the author of the “full-throttle thriller” (A. J. Finn) No Exit—a riveting new psychological page-turner featuring a fierce and unforgettable heroine. Three months ago, Lena Nguyen’s estranged twin sister, Cambry, drove to a remote bridge seventy miles outside of Missoula, Montana, and jumped two hundred feet to her death. At least, that is the official police version. But Lena isn’t buying it. Now she’s come to that very bridge, driving her dead twin’s car and armed with a cassette recorder, determined to find out what really happened by interviewing the highway patrolman who allegedly discovered her sister’s body. Corporal Raymond Raycevic has agreed to meet Lena at the scene. He is sympathetic, forthright, and professional. But his story still seems a bit off. For one thing, he stopped Cambry for speeding just an hour before she supposedly leaped to her death. Then there are the sixteen attempted 911 calls from her cell phone, made in what was unfortunately a dead zone. But perhaps most troubling of all, the state trooper is referred to by name in Cambry’s final enigmatic text to her sister: Please Forgive Me. Lena will do anything to uncover the truth. But as her twin’s final hours come into focus, Lena’s search turns into a harrowing tooth-and-nail fight for her own survival—one that will test everything she thought she knew about her sister and herself...

This volume is a unique compendium of the works of Robert and James Adam, both built and unbuilt. It includes 900 illustrations. The Complete Works of Robert and James Adam is reprinted here in its entirety, updated and corrected. This title covers every one of the 230 or so built works, including 12 that have been recently discovered. It is complemented by a completely new title, Unbuilt Adam. This mentions all the brothers' important unbuilt projects, and it discusses and illustrates 130 of them. This volume gives an exceptionally thorough review of the brothers' designs. From public buildings to country houses, and monuments to ceilings, it is well informed and erudite. It provides a mine of information for both the expert and the general reader, and it uses the works covered to give an understanding of the Adam manner.

Fall in love with one of the bestselling novels of all time -- the legendary love story that became a beloved film starring Clint Eastwood and Meryl Streep. If you've ever experienced the one true love of your life, a love that for some reason could never be, you will understand why readers all over the world are so moved by this small, unknown first novel that they became a publishing phenomenon and #1 bestseller. The story of Robert Kincaid, the photographer and free spirit searching for the covered bridges of Madison County, and Francesca Johnson, the farm wife waiting for the fulfillment of a girlhood dream, The Bridges of Madison County gives voice to the longings of men and women everywhere -- and shows us what it is to love and be loved so intensely that life is never the same again.

During the second half of the eighteenth century British architecture moved away from the dominant school of classicism in favour of a more creative freedom of expression. At the forefront of this change were architect brothers Robert and James Adam. Kondo’s work places them within the context of eighteenth-century intellectual thought.