Africans In Exile

“This rich volume will interest scholars and students of Africa, the African diaspora, world history, legal history, and international affairs.” —Lorelle Semley, author of To Be Free and French: Citizenship in France’s Atlantic Empire The enforced removal of individuals has long been a political tool used by African states to create generations of asylum seekers, refugees, and fugitives. Historians often present such political exile as a potentially transformative experience for resilient individuals, but this reading singles the exile out as having an exceptional experience. This collection seeks to broaden that understanding within the global political landscape by considering the complexity of the experience of exile and the lasting effects it has had on African peoples. The works collected in this volume seek to recover the diversity of exile experiences across the continent. This corpus of testimonials and documents is presented as an “archive” that provides evidence of a larger, shared experience of persecution and violence. This consideration reads exiles from African colonies and nations as active participants within, rather than simply as victims of, the larger global diaspora. In this way, exile is understood as a way of asserting political dissidence and anti-imperial strategies. Broken into three distinct parts, the volume considers legal issues, geography as a strategy of anticolonial resistance, and memory and performative understandings of exile. The experiences of political exile are presented as fundamental to an understanding of colonial and postcolonial oppression and the history of state power in Africa.

For the vagabond pack of ex-pat Europeans, Indian Tanzanians and wealthy Africans at Moshi's International School, it's all about getting high, getting drunk and getting laid. Their parents - drug dealers, mercenaries and farmers gone to seed - are too dead inside to give a damn. Outwardly free but empty at heart, privileged but out of place, these kids are lost, trapped in a land without hope. They can try to get out, but something will always drag them back - where can you go when you believe in nothing and belong to nowhere? Exile is the first of three powerful novels about growing up as an ex-pat in Tanzania. Ejersbo's first novel, Nordkraft, the Danish Trainspotting, was a phenomenal bestseller. Ejersbo's trilogy, only published after his death in 2008, has proved to be another cult and critical sensation.

In cities throughout Africa, local inhabitants live alongside large populations of "strangers." Bruce Whitehouse explores the condition of strangerhood for residents who have come from the West African Sahel to settle in Brazzaville, Congo. Whitehouse considers how these migrants live simultaneously inside and outside of Congolese society as merchants, as Muslims in a predominantly non-Muslim society, and as parents seeking to instill in their children the customs of their communities of origin. Migrants and Strangers in an African City challenges Pan-Africanist ideas of transnationalism and diaspora in today's globalized world.

This book contributes to the current discourse about immigration, xenophobia, globalization, and cultural exchanges. The contributors explore the varied immigration experiences of Africans from neighboring African and western countries while recognizing the social, cultural, e...

Between the eighteenth and mid-twentieth centuries, countless African Americans passed as white, leaving behind families and friends, roots and community. It was, as Allyson Hobbs writes, a chosen exile, a separation from one racial identity and the leap into another. This revelatory history of passing explores the possibilities and challenges that racial indeterminacy presented to men and women living in a country obsessed with racial distinctions. It also tells a tale of loss. As racial relations in America have evolved so has the significance of passing. To pass as white in the antebellum South was to escape the shackles of slavery. After emancipation, many African Americans came to regard passing as a form of betrayal, a selling of one’s birthright. When the initially hopeful period of Reconstruction proved short-lived, passing became an opportunity to defy Jim Crow and strike out on one’s own. Although black Americans who adopted white identities reaped benefits of expanded opportunity and mobility, Hobbs helps us to recognize and understand the grief, loneliness, and isolation that accompanied—and often outweighed—these rewards. By the dawning of the civil rights era, more and more racially mixed Americans felt the loss of kin and community was too much to bear, that it was time to “pass out” and embrace a black identity. Although recent decades have witnessed an increasingly multiracial society and a growing acceptance of hybridity, the problem of race and identity remains at the center of public debate and emotionally fraught personal decisions.

Chinedu Ogoke's book discusses the psychic, physical, and metaphorical exile of the African writer. Its starting point is the fact that African writers face numerous problems in their desire to be creative. In the post-colonial era, global politics and the quest for profits have led to social disorders, persecution, and worsening economic conditions in Africa. This has forced writers from the continent to move to the West in search of peace and a chance to reach a larger audience. But while the West offers improved access to publishers, exiled writers have to deal with difficult issues of language and culture in their work. Lacking the support of the traditional African family, many feel unfulfilled and simply lost in their new surroundings. Ironically, they also feel excluded from literary activities in the place they have left. African Writers in Exile traces the paths taken by these excluded artists and the implications they may have for the future of African literature. Ogoke also analyzes their arguments for economic and political reform in various African countries. At the root of these proposals is a desire to establish political structures that will remove barriers to creative pursuits while enhancing social and political progress for all in Africa.

An American Jesuit combines spiritual writing, travel narrative, history, and humor to describe his time working with refugees in the slums of Nairobi, Kenya.

After 1948 many opponents of apartheid were forced out of South Africa. This accessible and readable account draws upon interviews with many of those involved to examine how those activists who came to the United Kingdom developed political organisations, social networks, ideologies and identities that supported their time in exile. It examines the Anti-Apartheid Movement and the African National Congress in exile and documents the violent attempts by the South African government to control exile activity. Finally, it investigates how exiles came to terms with the possibility that they might return.