After Elias

2021 Edmund White Award for Debut Fiction — Finalist A modern queer tragedy about a pilot's last words, an interrupted celebration, and the fear of losing everything. “Utterly engrossing. Coen is a hero for our era, darkly struggling amid the aftershocks of loss, but doing so with dignity, humanity, and passion.” — Timothy Taylor, author of The Rule of Stephens When the airplane piloted by Elias Santos crashes one week before their wedding day, Coen Caraway loses the man he loves and the illusion of happiness he has worked so hard to create. The only thing Elias leaves behind is a recording of his final words, and even Coen is baffled by the cryptic message. Numb with grief, he takes refuge on the Mexican island that was meant to host their wedding. But as fragments of the past come to the surface in the aftermath of the tragedy, Coen is forced to question everything he thought he knew about Elias and their life together. Beneath his flawed memory lies the truth about Elias — and himself. From the damp concrete of Vancouver to the spoiled shores of Mexico, After Elias weaves the past with the present to tell a story of doubt, regret, and the fear of losing everything.

Winner of the 1926 Novel Prize for Literature After serving time in mainland Italy for a minor theft, Elias Portolu returns home to Nuoro, in rural Sardinia. Lonely and vulnerable after his prison exile, he falls in love with his brother's fiancée. But he finds himself trapped by social and religious strictures, his passion and guilt winding into a spiral of anguish and paralyzing indecision. For guidance he turns first to the village priest, who advises him to resist temptation; then he turns to the pagan "father of the woods," who recognizes the weakness of human will and urges him to declare his love before it is too late.

More than any other sport, baseball has developed its own niche in America’s culture and psyche. Some researchers spend years on detailed statistical analyses of minute parts of the game, while others wax poetic about its players and plays. Many trace the beginnings of the civil rights movement in part to the Major Leagues’ decision to integrate, and the words and phrases of the game (for example, pinch-hitter and out in left field) have become common in our everyday language. From AARON, HENRY onward, this book covers all of what might be called the cultural aspects of baseball (as opposed to the number-rich statistical information so widely available elsewhere). Biographical sketches of all Hall of Fame players, owners, executives and umpires, as well as many of the sportswriters and broadcasters who have won the Spink and Frick awards, join entries for teams, owners, commissioners and league presidents. Advertising, agents, drafts, illegal substances, minor leagues, oldest players, perfect games, retired uniform numbers, superstitions, tripleheaders, and youngest players are among the thousands of entries herein. Most entries open with a topical quote and conclude with a brief bibliography of sources for further research. The whole work is exhaustively indexed and includes 119 photographs.

In 1962 Norbert Elias was invited as a temporary professor at the University of Ghana in Legon, Accra. He taught, employed fieldwork, travelled, and met many people in postcolonial Africa. When Elias left Ghana in 1964, he had laid the basic groundwork for a fundamental sociological argument on human societies. The volume on hand is a selection of his unpublished writings based on these experiences. Together they touch upon not only the well-known criticism of Eurocentrism and a developmental perspective but also what could be considered the core of Elias’s work: the concept of civilisation. In a foreword, Dieter Reicher and Adrian Jitschin have endeavoured to explain and break down the relations of Elias’s African experience to the rest of his work and biography. They also clarified some misleading interpretations of Elias’s time in Africa. Finally, Arjan Post has uncovered the previously unknown fascinating story of Elias’ encounter with Malcolm X in an epilogue.