After Ideology

The crises of the twentieth century - wars, genocide, the proliferation of atomic weapons, the rise and fall of communism, the breakup of the family - have shaken our faith in modernity and in the fundamental conceit upon which it is grounded: that human beings are capable of providing their own moral and political order. Ideologies based on this conceit have at their heart the revolt against God that has so characterized modern history, and these ideologies have failed us. Walsh contends that the solution is to recover the spiritual foundations of freedom and order. To make his case, he draws lessons from the intellectual pilgrimages of four contemporary thinkers who overcame the modern spirit of revolt against God: Dostoevsky, Solzhenitsyn, Camus, and Voegelin. He shows how each confronted the full consequences of secular messianism and found within his own experience the means of overcoming it. In the process of mounting a critique of modernity and articulating the direction in which the alternative lies, the four recovered what is in essence philosophic Christianity. They show us that beyond nihilism, beyond the revolt against God, there is the existential rediscovery of transcendent truth. Walsh believes liberal democracy is redeemable, but that its redemption hinges on our return to a proper understanding of human nature and to a spiritual foundation based on Christian principles. We must first recognize, however, that without God, without moral absolutes, without divine order, we can not resolve our worldwide modern crisis.

Claims of ideology's end are, on the one hand, performative denials of ideology's inability to end; while, on the other hand, paradoxically, they also reiterate an idea that 'ending' is simply what all ideologies eventually do. Situating her work around the intersecting publications of Daniel Bell's The End of Ideology (1960) and J.D. Salinger's Franny and Zooey (1961), Laurie Rodrigues argues that American novels express this paradox through nuanced applications of non-realist strategies, distorting realism in manners similar to ideology's distortions of reality, history, and belief. Reflecting the astonishing cultural variety of this period, The American Novel After Ideology, 1961 - 2000 examines Franny and Zooey, Carlene Hatcher Polite's The Flagellants (1967), Leslie Marmon Silko's Almanac of the Dead (1991), and Philip Roth's The Human Stain (2001) alongside the various discussions around ideology with which they intersect. Each novel's plotless narratives, dissolving subjectivities, and cultural codes organize the texts' peculiar relations to the post-ideological age, suggesting an aesthetic return of the repressed.

British Party Politics and Ideology after New Labour brings together academics and politicians to debate the intellectual roots of the ideas that currently drive the main UK political parties. With major players responding to the arguments raised in each chapter, the book will be a must-read for anyone interested in or teaching British politics.

Ideology was proposed by Count de Tracy in 1796 as "a unified science of ideas" and has lived on as a theoretical concept among many social and political theorists, but has spurred the opprobrium of poststructuralist theorists. Malesevi'c (political science and sociology, NUI, UK) and MacKenzie (politics, Queen's U. of Belfast, Northern Ireland) present eight contributions from equal numbers of poststructural and ideology theorists. Efforts are made to critique ideology theory from a poststruc tural standpoint without a blanket rejection of the theory. Other chapters attempt to integrate some poststructural criticisms in order to maintain ideology theory as a relevant analytical concept. Distributed by Stylus. Annotation copyrighted by Book News, Inc., Portland, OR

This book traces the economic ideology of the UK Labour Party from its origins to the current day. Through its analysis, the book emphasises key crises, including the 1926 General Strike, the 1931 Great Depression, the 1979 Winter of Discontent and the 2007/2008 economic crisis. In analysing this history, the ideology of the Labour Party is examined through four core themes: • the party’s definition of socialism; • the role of the state in economic decision making; • the party’s understanding of inequalities; and • its relationship with the trade union movement. The result is a systematic exploration of the drivers and key ideas behind the Labour Party’s economic ideology. In demonstrating how crises have affected the party’s economic policy, the book presents a historical analysis of the party’s evolution since its formation and offers insights into how future changes may occur.

This study is intent on depicting major aspects concerning the Chinese Communist Party’s (CCP) organizational arrangement and explaining some key concepts in the ideological framework constructed by the CCP leadership over time.

Widely assigned and taught in senior capstone and social theory courses, Sociology After the Crisis offers the first systematic theory of social differences built on the sociological traditions by embracing to Durkheim, Weber and other familiar figures. The first edition was acclaimed for its nuanced and original rereading of Durkheim in relation to the theoretical reasons he and his contemporaries neglected race and gender. This new edition features two chapters of new material written in the summer of 2003, as the new social structures of the 21st century became increasingly clear. The new Chapter Ten draws upon 9-11, the "new world order" of two Bush presidencies, and globalization to show how individuals' lives and sociologies must be thought about in new ways. These events also highlight how American society and sociology have responded and sometimes failed in the struggle over the crisis of modernism. Reviews for the First Edition: "[This] expansive reimagining of the historical roots of sociological imagination - especially as it embraces voices and visions long lost to our most important national debates - is balm to the fractured soul of American society. Lemert's elegant and passionate volume will aid immeasurably in our nation's search for sane solutions to the crises of purpose and perspective he so skillfully explores." Michael Eric Dyson, author of Making Malcolm and Between God and Gangsta' Rap "Elegantly crafted." Steven Seidman, State University of New York at Albany

On how to rebuild theory and criticism in the wake of postmodernism