After Image

In the humid dog days of a Pittsburgh summer weekend, Richard Christie, Head of Homicide, faces not one, but two mysterious murders. The victims---a polite woman and an angelic child---do not seem to be connected in any obvious way. Christie is short-handed, the clues don't stack up, and he's got a rookie detective, Colleen Greer, to look out for. These are his problems. Colleen has problems, too. Her boyfriend is trying to break up with her, she's got a serious crush on her mentor, Christie, and it turns out she knew both victims slightly. Early in the investigation, she gets an alarming idea about the perpetrator's identity, but the man she suspects has no obvious connection to the victims. She has to move carefully with nothing but a gut feeling to go on---all the while disturbed by a series of memories of her own childhood. Kathleen George's novels have been praised for their subtle rendering of character and relationships---whether those relationships are among detectives or in the families of criminals. Boldly and elegantly written, Afterimage is a startling thriller.

"This tale deserves a prominent place on sci-fi shelves."—SLJ “[This] high-action, science-fiction thriller starts with a bang and never slows for a beat. ...[P]lot twists, flashbacks, and alternate timelines keep the story full of surprises. A wild, fast-paced ride full of unexpected turns.” —Kirkus Reviews A horrific explosion levels part of the city and Camryn Kingfisher is the sole survivor. Amidst controversy, conspiracy theories, and threats from government officials, Camryn longs for the truth. But the only person who she can turn to is a transparent boy in a lab coat named Quint. Unsure whether he’s a hallucination or a ghost, Camryn has no choice but to trust him as they become embroiled in a plot that is bigger than either of them realize. In a race where the fabric of time and space is at stake, they must figure out who caused the explosion before the culprit comes back to finish Camryn—and her city—off for good.

Inspired by the photographs of Julia Margaret Cameron, Afterimage is a provocative, passionate, yet delicate Victorian novel. When the young Irish maid Annie Phelan arrives at the country home of Isobelle and Eldon Dashell, she is swept into a world of artistic ambitions and hidden passions. But she also discovers a marriage that has grown distant and two people who see her as a blank slate upon which to project their own desires and failed dreams. Jealousy, longing and sensuality intertwine in this mesmerizing novel of aesthetic obsession and unfulfilled dreams.

Criticism on the textual and iconographic construction of the city is extensive, yet the problem of historical change in representations of "the urban" has received little attention. Believing traditional accounts are limited by their reflection of a specific historical moment, Joan Ramon Resina and Dieter Ingenschay focus, by contrast, on transition. In essays written for this volume, scholars of literary and visual studies, the history of architecture, cultural theory, and urban geography explore the ways perceptual or conceptual paradigms of the city supersede or replace others, while at the same time retaining the "after-image" of what went before. The writers touch on a wide variety of issues related to contemporary urban cultures as they journey through cities including New York, Barcelona, Madrid, Paris, Tijuana, Berlin, and London. Drawing on the work of Roland Barthes, Walter Benjamin, Camilo José Cela, Honoré de Balzac, and Alfred Stieglitz, their approach is broadly cultural rather than technical. After-Images of the City takes into account the intrinsic instability of the image and reveals that representations of the modern metropolis cannot be fixed in time and history.

before, and surviving the after, of losing her husband to cancer, Carla Malden takes us on a journey through grief to gratitude that alerts the entire forever-young generation: this is not your mother’s widowhood. AfterImage is a story of love more than loss, memory more than sorrow, life more than death.

The term "process art" describes a moment of radical, a formal experimentation in postwar American sculpture. Through the medium of drawing, Afterimage revisits process art in terms of the artists who defined the movement and suggests a transitional moment when many of its practitioners anticipated the feminist and postminimalist art of the 1970s. Nancy Grossman's use of language, for example, suggests a kind of material abstraction, and Nancy Holt's earth works and related drawings introduced content into a minimalist vocabulary. The book also explores the drawing as a residual object in works in which the process of making dictates the form of the drawing. Examples include Gordon Matta-Clark's stacked cuttings, Robert Morris' "blind time" drawings, and Sol Lewitt's folded construction drawings. Other works, such as those by Bruce Nauman and Robert Smithson, record a particular approach to body-based and process-oriented sculpture. The book, which accompanies an exhibition, contains an essay by Cornelia H. Butler on the historical ambiguity surrounding process art and one by Pamela M. Lee on temporality in work of the late1960s. The artists included in the book are William Anastasi, Richard Artschwager, Mel Bochner, Agnes Denes, Nancy Grossman, Robert Grosvenor, Marcia Hafif, Eva Hesse, Nancy Holt, Barry LeVa, SolLewitt, Lee Lozano, Sylvia Plimack Mangold, Gordon Matta-Clark, Robert Morris, Bruce Nauman, Yvonne Rainer, Dorothea Rockburne, Alan Saret, Joel Shapiro, Robert Smithson, Michelle Stuart, Richard Tuttle, and Jack Whitten. Copublished with The Museum of Contemporary Art. Los Angeles.

Los Angeles lives largest in the world's imagination. It can be a projection, a solution, a temporary fix, a long-term goal. For Lynell George--and millions of others--it's simply home. After/Image: Los Angeles Outside the Frame by Lynell George is the result of this award-winning journalist's years of contemplating and writing about the arts, culture, and social issues of Los Angeles, always with an emphasis on place and the identity of the people who live in--or leave--L.A. As a staff writer for the Los Angeles Timesand LA Weekly,Lynell George explored place after place that makes the city tick, met person after person, and encountered the cumulative heart of the city. After/Imageis her collection of essays, evocative photographs, profiles, and reportage focused on Los Angeles beneath-the-surface--both the past and the here-and-now. In its pages, Lynell George explores a set of questions about her native city: After decades of wholesale rethinking, what distinguishing features of the city remain deeply rooted? What rituals, details, passed-on lifestyles persist outside the edges of the frame--beyond the projected idea of Los Angeles? What are the lasting memories, the essential "afterimages" upon which we reflect? What do its people carry around in their own imagination and their hearts? How does the rest of the country look at L.A.--and why? Lynell George's contemplations about Los Angeles are deeply in sync with the Angel City Press mantra: no one book can capture the scope of the city--a place with many stories to tell. And yet, with After/Image: Los Angeles Outside the Frame,Lynell George proves every mantra can be re-examined.

The mass media make it possible for fame to be enhanced and transformed posthumously. What does it mean to fans when a celebrity dies, and how can death change the way that celebrities are perceived and celebrated? How do we mourn and remember? What can different forms of communication reveal about the role of media in our lives? Through a provocative look at the lives and legacy of popular musicians from Elvis to Tupac and from Louis Prima to John Lennon, Afterlife as Afterimage analyzes the process of posthumous fame to give us new insights into the consequences of mediation, and it illuminates the complex nature of fandom, community formation, and identity construction.