After James

"Focussing on the intense period of raised hopes and dashed expectations between Christmas 1602 and Christmas 1603, Leanda de Lisle tells in detail the story of Elizabeth's death and how the suffocating conservatism of her rule was replaced with that of the energetic, seemingly fair-minded James." "As James journeys south from Scotland, he is confronted with the extraordinary wealth of his new kingdom, but also with English contempt for his Scots entourage and a stubborn rejection of his hopes for the union of Britain. As the welcome turns sour, those who are disappointed in James turn to intrique and hatch plots against him before the crown is even on his head. Lives are lost and fortunes won in the struggle for power and influence."--BOOK JACKET.

Shortlisted for the 2016 Rogers Writers' Trust Fiction Prize Globe & Mail "Best Canadian Fiction of 2016" This breakout novel from Giller Prize finalist Michael Helm is a genre-bending work of astonishing vision and a dazzling story of our times. A neuroscientist retreats to a secluded cabin in the woods, intending to blow the whistle on a pharmaceutical company and its creativity drug gone wrong. A failed poet is lured to Rome as a "literary detective" to decode the work of a mysterious Internet poet who seems to write about murders with precise knowledge of private details. On the heels of a life crisis, a virologist discovers her identity has been stolen by a conceptual artist in whose work someone always goes missing. After James is an audacious, masterful novel, told in three connected parts, each gesturing toward a type of genre fiction -- the gothic horror, the detective novel, and the apocalyptic. As the novel unfolds in great cities, remote regions, and deadly borderlands, it weaves connections both explicit and subtle, pulling us deeper into a greater mystery that has come to define our times. Gorgeously written, alive with intelligence and wit, full of adventure and suspense, After James confirms Michael Helm's reputation as one of the most electrifying writers of his generation

Leading scholars chart the complex, multifaceted cultural impact of the King James Bible over its 400 years.

As the title indicates, Essays in Honor of James A. Graaskamp: Ten Years After, is a collection of essays written to honor Graaskamp's major contributions to the field of real estate education and practice over the course of three decades. Upon his death in 1988, the industry lost a major influence for advancing the real estate discipline, both as an academic field and a professional field. The authors in this volume seek to extend Graaskamp's contributions and move the real estate discipline forward. The papers address the challenges posed by the market to return our attention to real estate fundamentals, and to strike a proper balance between Main Street and Wall Street. The authors and editors hope that this book will influence the industry to incorporate many of Grasskamp's ideas into mainstream real estate education and practice. Over the course of his career, Graaskamp made many noteworthy contributions to real estate theory and practice, ideas that if resurrected could offset some of the pressure in the industry to move away from market fundamentals. The authors try to capture the essence of Graaskamp's messages, and intend that the papers serve as a point of departure for discussing the future role and nature of real estate education. Part I focuses on the major contributions to the real estate discipline made by Graaskamp and the Wisconsin Real Estate Program. Part II contains some personal recollections and photos of Graaskamp, and also a summary of the groups that make up the Wisconsin Real Estate Program, a major co-sponsor of this volume. The rest of the book's three main parts are structured around major topics that reflect the multidisciplinary nature of real estate as espoused by Graaskamp. Part III treats real estate feasibility and development, Part IV concentrates on real estate valuation, and Part V discusses institutional economics.

James Joyce and After: Writer and Time is a volume of essays examining various aspects of time in literature, starting with the modernist revolution in fictional time initiated, among others, by Joyce, up until the present. In Part One: “James Joyce and Commodius Vicus of Recirculation,” the largest group of essays offers new and insightful readings of Finnegans Wake, Ulysses, Dubliners and Pomes Penyeach, reflecting a variety of Joyce’s experiments with time as well as demonstrating patterns and cross-references in his lifelong artistic explorations. Part Two: “Writer and Private Time,” focuses on selected literary responses to subjective experience of time. The articles analyse Joyce’s epiphanies, Elizabeth Bishop’s rendition of a lyrical moment in her poetry, as well as the interplay of fiction and autobiography in the writings of Joseph Conrad and J. M. Coetzee. Another article in this section uses the Bakhtinian concept of chronotope to emphasise simultaneity of reading and writing in the newly defined genre of liberature. At the other end of the (temporal) spectrum, the articles in Part Three: “Writer and Public Time,” devoted to recent fiction, testify to the constant need for seeking new ways of recording the temporal dimension of collective experience. It is argued that the engagement with Victorianism in contemporary fiction has resulted in a special treatment of time involving duality of temporal levels, while the emerging post-9/11 genre takes account of the new audiovisual media in order to respond to one of the most traumatic experiences in contemporary history.

The King James Version has proved itself for 400 years. The greatest translators in history translated it. A king directed them to translate it into English reproducing the original language of God's Word as close as possible. One must use a literal translation. My review suggests only three qualify: The King James Version, English Standard Version, and the New Revised Standard Version. The Dynamic Equivalent translations are not recommended because they omit or add words to God's original Words. . "First things" are put first with a technique of presenting God's Word to an individual who has never heard the name of Jesus. . The best criteria for selecting a Bible translation are outlined including a back-up Bible. . "Five bits of knowledge" needed for Bible study are given. . The spirituality of the translators including Wycliffe and Tyndale are noted. The King James Bible used today is the 1769 edition by Blayney. . Over 50 martyrs who died for God's Word are reviewed. . One of the greatest military battles for the preservation of God's Word is reviewed in detail. There have been no manuscript discoveries that change the doctrine of the King James Bible."

“Much like Donna Tartt’s The Secret History, M. L. Rio’s sparkling debut is a richly layered story of love, friendship, and obsession...will keep you riveted through its final, electrifying moments.” —Cynthia D’Aprix Sweeney, New York Times bestselling author of The Nest "Nerdily (and winningly) in love with Shakespeare...Readable, smart.” —New York Times Book Review On the day Oliver Marks is released from jail, the man who put him there is waiting at the door. Detective Colborne wants to know the truth, and after ten years, Oliver is finally ready to tell it. A decade ago: Oliver is one of seven young Shakespearean actors at Dellecher Classical Conservatory, a place of keen ambition and fierce competition. In this secluded world of firelight and leather-bound books, Oliver and his friends play the same roles onstage and off: hero, villain, tyrant, temptress, ingénue, extras. But in their fourth and final year, good-natured rivalries turn ugly, and on opening night real violence invades the students’ world of make-believe. In the morning, the fourth-years find themselves facing their very own tragedy, and their greatest acting challenge yet: convincing the police, each other, and themselves that they are innocent. If We Were Villains was named one of Bustle's Best Thriller Novels of the Year, and Mystery Scene says, "A well-written and gripping ode to the stage...A fascinating, unorthodox take on rivalry, friendship, and truth."

M. R. James wrote his ghost stories to entertain friends on Christmas Eve, and they went on to both transform and modernise a genre. James harnesses the power of suggestion to move from a recognisable world to one that is indefinably strange, and then unforgettably terrifying. Sheets, pictures, carvings, a dolls house, a lonely beach, a branch tapping on a window, ordinary things take on more than a tinge of dread in the hands of the original master of suspense.