After Rape

A top-selling, best-reviewed book about women's recovery from rape trauma, "Resurrection After Rape" is an ideal resource for counselors, treatment centers, college course texts, and survivors of rape.

What happens after rape? In After I Was Raped, we meet five individuals: a four-year-old girl, two Dalit women, an eight-month-old infant and a young professional. Through extensive interviews with them and their families and communities at large, Urmi Bhattacheryya reveals the stories of these survivors of sexual violence, as they recount how their lives and relationships have changed in the aftermath of assault. Shamed, ostracized and weighed down by guilt and depression, they continue to brave the most challenging realities. At a time when only high-profile, sensationalized cases of sexual violence provoke a public reaction and many stories go unheard, Bhattacheryya’s sensitive portrayal of the lives of these little-known survivors raises difficult but important questions about our convenient collective amnesia.

This powerful client workbook is written in an encouraging and easy-to-understand style specifically for women who have been sexually assaulted and have developed chronic symptoms of posttraumatic stress disorder (PTSD). Clients learn how cognitive behavioral therapy has helped other victims and how it can work for them. This book explains how to distinguish PSTD symptoms from other disorders and teaches powerful techniques for overcoming these symptoms. The workbook is divided into five sections reflecting aspects of cognitive-behavioral treatment: What happens immediately following an assau

This book examines the potential impact of rape survivors’ traumatic experiences in post-conflict zones. With specific attention given to the experiences of women who were sexually abused during the breakup of the former Yugoslavia, it addresses the sexuality of survivors, which has so far been inadequately researched, and challenges the stereotypical and victimized images and narrations that have so far prevailed in academic and public discourse about women survivors while exploring the effects of those narratives on the political, social and economic status of the survivors themselves. Methodologically innovative, the book questions the processes of re-victimization that can follow fieldwork with survivors and introduces the theoretical and practical foundations of applied drama and community theater as a research approach in this field, revealing its potential as a means of expressing a range of ethnographic, anthropological and case-study research findings. Based on the narratives of advocates, scholars and different social stakeholders, together with new drama-based methodologies employed directly with survivors, Sexuality after War Rape: From Narrative to Embodied Research offers a sensitive and ethically-responsible research approach to contesting assumptions about the sexualities of survivors of sexual violence and revealing the emancipatory potential of testifying. This book will appeal to scholars of sociology and gender studies, victimology and sexuality.

Holly Porter explores wrongdoing and justice, and sexual violence and rape, among the Acholi people in northern Uganda.

"It is widely recognized that the Hebrew Bible is filled with rape and sexual violence. However, feminist approaches to the topic remain dominated by Phyllis Trible's 1984 Texts of Terror, which describes feminist criticism as a practice of "telling sad stories." Pushing beyond Trible, Texts after Terror offers a new framework for reading biblical sexual violence, one that draws on recent work in feminist, queer, and affect theory and activism against sexual violence and rape culture. In the Hebrew Bible as in the contemporary world, sexual violence is frequently fuzzy, messy, and icky. Fuzzy names the ambiguity and confusion that often surround experiences of sexual violence. Messy identifies the consequences of rape, while also describing messy sex and bodies. Icky points out the ways that sexual violence fails to fit into neat patterns of evil perpetrators and innocent victims. Building on these concepts, Texts after Terror offers a number of new feminist strategies and approaches to sexual violence: critiquing the framework of consent, offering new models of sexual harm, emphasizing the importance of relationships between women (even in the context of stories of heterosexual rape), reading biblical rape texts with and through contemporary texts written by survivors, advocating for "unhappy reading" that makes unhappiness and open-endedness into key feminist sites of possibility. Texts after Terror also discusses a wide range of biblical rape stories, including Dinah (Gen. 43), Tamar (2 Sam. 13), Lot's daughters (Gen. 19), Bathsheba (2 Sam. 11), Hagar (Gen. 16 and 21), Daughter Zion (Lam. 1 and 2), and the Levite's concubine (Judg. 19)"--

Longlisted for the 2020 National Book Award for Nonfiction TIME's 100 Must-Read Books of 2020 Publishers Weekly, Best Books of 2020 New York Times New & Noteworthy Audiobooks Lit Hubs Most Anticipated Books of 2020 Starred Review Publishers Weekly Starred Review Shelf Awareness "Is Rape a Crime? is beautifully written and compellingly told. In 2020, we were all looking for solutions and this book was right on time. It is one we should all be reading." —Anita Hill "This standout memoir marks a crucial moment in the discussion of what constitutes a violent crime." —Publishers Weekly, Best Books of 2020 She Said meets Know My Name in Michelle Bowdler's provocative debut, telling the story of her rape and recovery while interrogating why one of society's most serious crimes goes largely uninvestigated. The crime of rape sizzles like a lightning strike. It pounces, flattens, destroys. A person stands whole, and in a moment of unexpected violence, that life, that body is gone. Award-winning writer and public health executive Michelle Bowdler's memoir indicts how sexual violence has been addressed for decades in our society, asking whether rape is a crime given that it is the least reported major felony, least successfully prosecuted, and fewer than 3% of reported rapes result in conviction. Cases are closed before they are investigated and DNA evidence sits for years untested and disregarded Rape in this country is not treated as a crime of brutal violence but as a parlor game of he said / she said. It might be laughable if it didn’t work so much of the time. Given all this, it seems fair to ask whether rape is actually a crime. In 1984, the Boston Sexual Assault Unit was formed as a result of a series of break-ins and rapes that terrorized the city, of which Michelle’s own horrific rape was the last. Twenty years later, after a career of working with victims like herself, Michelle decides to find out what happened to her case and why she never heard from the police again after one brief interview. Is Rape a Crime? is an expert blend of memoir and cultural investigation, and Michelle's story is a rallying cry to reclaim our power and right our world.