After The Dance The Drums Are Heavy

"Haitian carnival offers a lens into popular power and politics. Political demonstrations in Haiti often manifest as musical performances. Studying carnival and political protest side by side brings insight to the musical engagement that ordinary citizens and celebrity musicians often cultivate and revere in contemporary Haiti. This book explores how the self-declared president of konpa Sweet Micky (Michel Martelly) rose to the nation's highest office while methodically crafting a political product inherently entangled with his musical product. It offers deep historical perspective on the characteristics of carnivalesque verbal play-and the performative skillset of the artist (Sweet Micky) who dominated carnival for more than a decade-including vulgarities and polemics. It moreover demonstrates that the practice of leveraging the carnivalesque for expedient political function has precedence in Haiti's history. Yet there has been profound resistance to this brand of politics led by many other high-profile artists, including Matyas and Jòj, Brothers Posse, Boukman Eksperyans, and RAM. These groups have each released popular carnival songs that have contributed to the public's discussions on what civic participation and citizenship in Haiti can and should be. Author Rebecca Dirksen presents an in-depth consideration of politically and socially engaged music and what these expressions mean for the Haitian population in the face of challenging political and economic circumstances. After the Dance, the Drums Are Heavy centers the voices of Haitian musicians and regular citizens by extensively sharing interviews and detailed analyses of musical performance in the context of contemporary events well beyond the musical realm"--

"Haitian carnival offers a lens into popular power and politics. Political demonstrations in Haiti often manifest as musical performances. Studying carnival and political protest side by side brings insight to the musical engagement that ordinary citizens and celebrity musicians often cultivate and revere in contemporary Haiti. This book explores how the self-declared president of konpa Sweet Micky (Michel Martelly) rose to the nation's highest office while methodically crafting a political product inherently entangled with his musical product. It offers deep historical perspective on the characteristics of carnivalesque verbal play-and the performative skillset of the artist (Sweet Micky) who dominated carnival for more than a decade-including vulgarities and polemics. It moreover demonstrates that the practice of leveraging the carnivalesque for expedient political function has precedence in Haiti's history. Yet there has been profound resistance to this brand of politics led by many other high-profile artists, including Matyas and Jòj, Brothers Posse, Boukman Eksperyans, and RAM. These groups have each released popular carnival songs that have contributed to the public's discussions on what civic participation and citizenship in Haiti can and should be. Author Rebecca Dirksen presents an in-depth consideration of politically and socially engaged music and what these expressions mean for the Haitian population in the face of challenging political and economic circumstances. After the Dance, the Drums Are Heavy centers the voices of Haitian musicians and regular citizens by extensively sharing interviews and detailed analyses of musical performance in the context of contemporary events well beyond the musical realm"--

The Mafulu: Mountain People of British New Guinea by Robert Wood Williamson is about Williamson's experience of the native tribes living in New Guinea. Contents: "CHAPTER I Introductory CHAPTER II Physique and Character CHAPTER III Dress and Ornament CHAPTER IV Daily Life and Matters Connected with It CHAPTER V Community, Clan, and Village Systems and Chieftainship CHAPTER VI Villages, Emone, Houses and Modes of Inter-Village Communication CHAPTER VII Government, Property and Inheritance CHAPTER VIII The Big Feast."

Hiding in a lake under lily pads after fleeing U.S. soldiers, a Dakota woman was given a vision over the course of four days instructing her to build a large drum and teaching her the songs that would bring peace and end the killing of her people. From the Dakota, the "big drum" spread throughout the Algonquian-speaking tribes to the Ojibwe, becoming the centerpiece of their religious ceremonies. This edition of "The Ojibwe Dance Drum, "originally created through the collaboration of Ojibwe drum maker and singer William Bineshii Baker Sr. and folklorist Thomas Vennum, has a new introduction by history professor Rick St. Germaine that discusses the research behind this book and updates readers on the recent history of the Ojibwe Drum Dance.

An authoritative and comprehensive compilation of the ancient knowledge of Inuit elders.

As the influential drummer from iconic rock 'n' roll band The Hollies, Bobby Elliott has six decades worth of musical anecdotes. Continually touring since 1963, his adventures have seen him beating Keith Moon in a drumming audition for Shane Fenton and the Fentones, being serenaded by Joni Mitchell while she was in bed with Graham Nash, and being offered a job by Paul McCartney to work with Wings.

John Makilya reveals an in-depth look of Kenya, its people, and its traditions in this memoir about growing up there and starting a family before immigrating to the United States of America. He traces his roots, including how his father became a pioneer educator and was selected to lead a Kenyan delegation on a pilgrimage to Rome during the 1950 Catholic Jubilee. Upon his return to Kenya, he acquired land for the establishment of a Catholic church and later ventured into parliamentary politics. Makilya also recalls his own career in various sectors, including savings and credit cooperatives, ranching and the beef industry, sustainable community-owned water projects, horticultural production and marketing, community-owned fishing enterprises, and wildlife conservation. In doing so, he shares an intimate account of his work as a consultant making socioeconomic assessments of the World Bankfunded El Nio Emergency Project, his role in the enterprise development component of a USAID COBRA project, and his work as chairman of the board of governors of the Misyani Girls Schoolwhere he insisted girls were as talented in math and science as boys. Join the author on an inspiring journey from Kenya to the United States in Life Lessons of an Immigrant.

Descriptions of the dances, costumes, body decorations, and musical accompaniment supplement information on the cultural background of Indian dancing