Agaat

Set in apartheid South Africa, Agaat portrays the unique, forty-year relationship between Milla, a sixty-seven-year-old white woman, and her black maidservant turned caretaker, Agaat. In 1950s South Africa, life for white farmers was full of promise - young and newly married, Milla raised a son and created her own farm out of a swathe of Cape mountainside with Agaat by her side. By the 1990s, Milla's family has fallen apart, the country she knew is on the brink of huge change, and all she has left are memories and her proud, contrary, yet affectionate guardian. With haunting, lyrical prose, Marlene van Niekerk creates a story about love and loyalty.

How can you speak when speech has been taken away? When the only person listening refuses to understand? Milla, trapped in silence by a deadly paralysing illness, confined to her bed, struggles to make herself heard by her maidservant and now nurse, Agaat. Contrary, controlling, proud, secretly affectionate, the two women, servant and mistress, are more than matched. Life for white farmers like Milla in the South Africa of the 1950s was full of promise - newly married, her future held the thrilling challenges of creating her own farm and perhaps one day raising children. Forty years later, the world Milla knew is as if seen in a mirror, and all she has left are memories and diaries. As death draws near, she looks back on good intentions and soured dreams, on a brutal marriage and a longed-for only son scarred by his parents' battles, and on a lifetime's tug-of-war with Agaat. As Milla's old white world recedes, in the new South Africa her guardian's is ever more filled with the prospect of freedom. Marlene Van Niekerk's is a stunning new literary voice from South Africa, to compare to J.M. Coetzee and Nadine Gordimer.

"Religion and spirituality are closely woven into the fabric of South African public and private life - though not always seamlessly or in matching thread. This book is concerned with the role of religion and spirituality in individual identity and belief, as well as in the public spheres of governance and policy-making. It brings together significant researchers from various disciplinary perspectives, ranging from law and politics to theology, literature and media studies, with the aim of investigating new critical approaches to religion and spirituality, particularly in the postcolony/South. The authors engage seriously with the challenge of accounting for the range and power of religious and spiritual discourses that run through individual and communal identification. This volume provides stimulation for further thought and work in this crucial area of South African, and postcolonial, study and life"--Cover.

Issues for Nov. 1957- include section: Accessions. Aanwinste, Sept. 1957-

Features the following interviewees with photos: Abdullah Ibrahim, jazz musician; Gabeba Baderoon, wordsmith; Vusi Beauchamp, comic shocker; Nikiwe Bikitsha, radio presenter; Bok van Blerk, singer; Jeanetta Blignaut, art agent; Chris Chameleon, pop boy; Kudzanai Chiurai, afro pop-artist; Toast Coetzer, lyricist; and, Fokofpolisiekar, taalrockers.