Against Itself

Why do some democracies self-destruct? Using the collapse of democracy in ancient Athens and the Weimar Republic, as well as the uncertain fate of democratic rule in the United States and China today as illustrative examples, Mark Chou examines the conditions and characteristics of democracy that make it prone to self-destruct. In drawing out the political lessons from these past collapses, he explains how a democracy can, simply by being democratic, sow the seeds of its own destruction.

In an era of failing states and ethnic conflict, violent challenges from dissenting groups in the former Yugoslavia, the former Soviet Union, several African countries, and India give cause for grave concern in much of the world. And it is in India where some of the most turbulent of these clashes have been taking place. One resulted in the creation of Pakistan, and militant separatist movements flourish in Kashmir, Punjab, Manipur, Mizoram, Nagaland, and Assam. In India Against Itself, Sanjib Baruah focuses on the insurgency in Assam in order to explore the politics of subnationalism. Baruah offers a bold and lucid interpretation of the political and economic history of Assam from the time it became a part of British India and a leading tea-producing region in the nineteenth century. He traces the history of tensions between pan-Indianism and Assamese subnationalism since the early days of Indian nationalism. The region's insurgencies, human rights abuses by government security forces and insurgents, ethnic violence, and a steady slide toward illiberal democracy, he argues, are largely due to India's formally federal, but actually centralized governmental structure. Baruah argues that in multiethnic polities, loose federations not only make better democracies, in the era of globalization they make more economic sense as well. This challenging and accessible work addresses a pressing contemporary problem with broad relevance for the history of nationality while offering an important contribution to the study of ethnic conflict. A native of northeast India, Baruah draws on a combination of scholarly research, political engagement, and an insider's knowledge of Assamese culture and society.

"Daniel DiSalvo contends that the power of public sector unions is too often inimical to the public interest"--

Spanish Cinema against Itself maps the evolution of Spanish surrealist and politically committed cinematic traditions from their origins in the 1930s—with the work of Luis Buñuel and Salvador Dalí, experimentalist José Val de Omar, and militant documentary filmmaker Carlos Velo—through to the contemporary period. Framed by film theory this book traces the works of understudied and non-canonical Spanish filmmakers, producers, and film collectives to open up alternate, more cosmopolitan and philosophical spaces for film discussion. In an age of the post-national and the postcinematic, Steven Marsh's work challenges conventional historiographical discourse, the concept of "national cinema," and questions of form in cinematic practice.

Western religion today is as phony as an aluminum Christmas tree or a celluloid carnation. Our culture in its customs, laws, and creative arts no longer reckons seriously with supernatural realities--although it pretends to. According to Robert W. Jenson, the present epoch of phony religion gives the church the task and opportunity of making explicit the antireligious nature of the gospel. Indeed, Christian faith is antireligious religion. Dr. Jenson takes up the theme of religionless Christianity and works it out in relation to theology, worship, ethics, parish structure, missionary motivation, and faith. The final chapter consists of sermonic attempts to do what A Religion against Itself says must be done. Three excursuses show how the author's thought differs from that of Thomas J. J. Altizer, William Hamilton, and Harvey Cox. For Christians repelled by their own religion, here is a book that comes to grips with the "logic and music of our condition," in the hope of helping the church make sense of the gospel to itself and perhaps also to others.