Ain T My America

From "the finest literary stylist of the American right," a surprising and spirited account of how true conservatives have always been antiwar and anti-empire (Allan Carlson, author of The American Way) Conservatives love war, empire, and the military-industrial complex. They abhor peace, the sole and rightful property of liberals. Right? Wrong. As Bill Kauffman makes clear, true conservatives have always resisted the imperial and military impulse: it drains the treasury, curtails domestic liberties, breaks down families, and vulgarizes culture. From the Federalists who opposed the War of 1812, to the striving of Robert Taft (known as "Mr. Republican") to keep the United States out of Korea, to the latter-day libertarian critics of the Iraq war, there has historically been nothing freakish, cowardly, or even unusual about antiwar activists on the political right. And while these critics of U.S. military crusades have been vilified by the party of George W. Bush, their conservative vision of a peaceful, decentralized, and noninterventionist America gives us a glimpse of the country we could have had—and might yet attain. Passionate and witty, Ain't My America is an eye-opening exploration of the forgotten history of right-wing peace movements—and a clarion manifesto for antiwar conservatives of today.

"Incredible and searing." --Nic Stone, #1 New York Times bestselling author of Dear Martin The Hate U Give meets Just Mercy in this unflinching yet uplifting first novel that explores the racist injustices in the American justice system. Every week, seventeen-year-old Tracy Beaumont writes letters to Innocence X, asking the organization to help her father, an innocent Black man on death row. After seven years, Tracy is running out of time--her dad has only 267 days left. Then the unthinkable happens. The police arrive in the night, and Tracy's older brother, Jamal, goes from being a bright, promising track star to a "thug" on the run, accused of killing a white girl. Determined to save her brother, Tracy investigates what really happened between Jamal and Angela down at the Pike. But will Tracy and her family survive the uncovering of the skeletons of their Texas town's racist history that still haunt the present? Fans of Nic Stone, Tiffany D. Jackson, and Jason Reynolds won't want to miss this provocative and gripping debut.

“It takes true brilliance to lift the arid tellings of lexicographic fussing into the readable realm of the thriller and the bodice-ripper….David Skinner has done precisely this, taking a fine story and honing it to popular perfection.” —Simon Winchester, New York Times bestselling author of The Professor and the Madman The captivating, delightful, and surprising story of Merriam Webster’s Third Edition, the dictionary that provoked America’s greatest language controversy. In those days, Webster’s Second was the great gray eminence of American dictionaries, with 600,000 entries and numerous competitors but no rivals. It served as the all-knowing guide to the world of grammar and information, a kind of one-stop reference work. In 1961, Webster’s Third came along and ignited an unprecedented controversy in America’s newspapers, universities, and living rooms. The new dictionary’s editor, Philip Gove, had overhauled Merriam’s long held authoritarian principles to create a reference work that had “no traffic with…artificial notions of correctness or authority. It must be descriptive not prescriptive.” Correct use was determined by how the language was actually spoken, and not by “notions of correctness” set by the learned few. Dwight MacDonald, a formidable American critic and writer, emerged as Webster’s Third’s chief nemesis when in the pages of the New Yorker he likened the new dictionary to the end of civilization.. The Story of Ain’t describes a great cultural shift in America, when the voice of the masses resounded in the highest halls of culture, when the division between highbrow and lowbrow was inalterably blurred, when the humanities and its figureheads were shunted aside by advances in scientific thinking. All the while, Skinner treats the reader to the chippy banter of the controversy’s key players. A dictionary will never again seem as important as it did in 1961.

In Look Homeward, America, Bill Kauffman introduces us to the reactionary radicals, front-porch anarchists, and traditionalist rebels who give American culture and politics its pith, vim, and life. Kauffman limns an alternative America that draws its breath from local cultures, traditional liberties, small-scale institutions, and neighborliness. There is an America left that is worth saving: these are its paragons, its poets, its pantheon.

Experience music history with this memoir by one of the last of the genuine old school Blues and R&B legends, the Grammy-winning dynamic showman Bobby Rush. This memoir charts the extraordinary rise to fame of living blues legend, Bobby Rush. Born Emmett Ellis, Jr. in Homer, Louisiana, he adopted the stage name Bobby Rush out of respect for his father, a pastor. As a teenager, Rush acquired his first real guitar and started playing in juke joints in Little Rock, Arkansas, donning a fake mustache to trick club owners into thinking he was old enough to gain entry. He led his first band in Arkansas between Little Rock and Pine Bluff in the 1950s. It was there he first had Elmore James play in his band. Rush later relocated to Chicago to pursue his musical career and started to work with Earl Hooker, Luther Allison, and Freddie King, and sat in with many of his musical heroes, such as Howlin' Wolf, Muddy Waters, Jimmy Reed and Little Walter. Rush eventually began leading his own band in the 1960s, crafting his own distinct style of funky blues, and recording a succession of singles for various labels. It wasn't until the early 1970s that Rush finally scored a hit with "Chicken Heads." More recordings followed, including an album which went on to be listed in the Top 10 blues albums of the 1970s by Rolling Stone and a handful of regional jukebox favorites including "Sue" and "I Ain't Studdin' Ya." And Rush's career shows no signs of slowing down now. The man once beloved for performing in local jukejoints is now headlining major music/blues festivals, clubs, and theaters across the U.S. and as far as Japan and Australia. At age eighty-six, he is still on the road for over 200 days a year. His lifelong hectic tour schedule has earned him the affectionate title "King of the Chitlin' Circuit," from Rolling Stone. In 2007, he earned the distinction of being the first blues artist to play at the Great Wall of China. His renowned stage act features his famed shake dancers, who personify his funky blues and his ribald sense of humor. He was featured in Martin Scorcese's The Blues docuseries on PBS, a documentary film called Take Me to the River, performed with Dan Aykroyd on The Tonight Show Starring Jimmy Fallon, and most recently had a cameo in the Golden Globe nominated Netflix film, Dolemite Is My Name, starring Eddie Murphy. He was recently given the highest Blues Music Award honor of B.B. King Entertainer of the Year. His songs have also been featured in TV shows and films including HBO's Ballers and major motion pictures like Black Snake Moan, starring Samuel L. Jackson. Considered by many to be the greatest bluesman currently performing, this book will give readers unparalleled access into the man, the myth, the legend: Bobby Rush.

America First! is a rarity among political books: first published in 1995, it remains more timely, relevant, and even urgent than ever. Lively and iconoclastic, it explores the rich heritage, the turbulent present, and the possible future of the political and cultural tendency known as "America First." Bill Kauffman, a columnist for the American Conservative, examines the nineteenth-century underpinnings and twentieth-century eruptions of American isolationism and nationalism, which are the fault lines along which the politics of the twenty-first century are cleaving. In a new preface and epilogue written especially for this reissue, he traces the evolution of America First sentiment over the past twenty years: from its near-eclipse in the war hysteria of the George W. Bush administration to its revival in 2016 with the populist campaigns of Donald Trump and Senator Bernie Sanders.