Airborne Pollutants In Museums Galleries And Archives

With an emphasis on passive sampling, this volume focuses on the environmental monitoring for common gaseous pollutants. It offers an overview of the history and nature of pollutants of concern to museums and the challenges facing scientists, conservators, and managers seeking to develop target pollutant guidelines to protect cultural property.

This study represents the latest in a series of research activities aimed at a better understanding of the origin and fate of air pollution within the built environment. Most previous studies of air pollution in cultural institutions have focused on gases. Particles were ignored for many reasons: they seemed to be more easily removed by the building; gaseous air pollutants had been well studied by industry, and their effects on commercial products were heavily documented; and many particle types were considered chemically benign to almost all surfaces. Even carbon black, which is now known to pose enormous degradation risks to the optical and color qualities of paintings and tapestries, is almost totally inert. Recognizing this, and understanding that we needed to know much more about the physics of particle intrusion in museum buildings, in 1987 the Environmental Engineering Lab at the California Institute of Technology, under contract to the Getty Conservation Institute, began a detailed examination of five different museums in Southern California. These structures represent a diverse range of architectural and ventilation types. Through this study a powerful computer model was developed that could predict the soiling effects of changes made to the operation or maintenance of a building. This model can even be used to estimate the soiling rates of new buildings or major rehabilitations before any construction work is begun. This is an important contribution to both the conservation community and the broader field of air quality science.

This book reviews the sources of the air pollutants responsible for building damage and the mechanisms involved. Studies investigating the relationships between pollution concentration (dose) and the resulting damage (response) are described and the latest research findings for dose-response functions are presented. Trends in pollutant emissions, ambient concentrations and building damage over time are described and future predictions are presented. Methodologies for assessing the extent of the potential problem in a region – the stock at risk – are presented. Procedures for estimating the economic implications are described and the consequences are discussed in detail, because economic factors are important for reaching policy and management decisions at local, national and international scales. Damage to cultural heritage buildings is an important additional effect which needs to be considered as the standards are revised and the factors which will need to be brought into the assessment are presented.

Prevention is an attempt to look into the future and have a positive influence on it – therefore it is one of the most important aspects in the area of collection care, the central, current field of applied research in conservation and restoration. With sustainability damage and loss are avoided, dangers averted and research conducted. Collection care is only successful, if the theory is appropriately implemented in museum practice.

"Collections: A Journal for Museum and Archives Professionals" is a multi-disciplinary peer-reviewed journal dedicated to the discussion of all aspects of handling, preserving, researching, and organizing collections. Curators, archivists, collections managers, preparators, registrars, educators, students, and others contribute.

A resource for the photographic conservator, conservation scientist, curator, as well as professional collector, this volume synthesizes both the masses of research that has been completed to date and the international standards that have been established on the subject.