Airless Spaces

"A collection of short tales about losers in and out of (mostly mental) hospitals and the small crises which trigger their awareness that they're in trouble." -- Back cover.

An unprecedented and definitive collection of rabble-rousing writings on women’s health, Voices of the Women’s Health Movement explores a range of provocative topics from reproductive rights to sexuality to motherhood. Trail-blazing advocate Barbara Seaman and health activist Laura Eldridge bring the revolutionary ideas of several generations together in this powerful new book celebrating women’s bodies, and women’s voices. The more than two hundred contributors include Jennifer Baumgardner, Susan Brownmiller, Phyllis Chesler, Angela Y. Davis, Barbara Ehrenreich, Germaine Greer, Shulamith Firestone, Charlotte Perkins Gilman, Erica Jong, Molly Haskell, Shere Hite, Susie Orbach, Judith Rossner, Alix Kates Shulman, Gloria Steinem, Sojourner Truth, Rebecca Walker, Naomi Wolf, and many others. With Voices of the Women’s Health Movement, for the first time, every woman and girl can experience in one place the powerful history of stirring words and strong female perspectives that have inspired countless women to take control of their health and their lives. Volume Two highlights include influential writings on sex, rape and violence against women, body image, informed consent, self-help gynecology, patient advocacy, and the mind-body connection.

Race and Vision in the Nineteenth-Century United States is a collection of twelve essays by cultural critics that exposes how fraught relations of identity and race appear through imaging technologies in architecture, scientific discourse, sculpture, photography, painting, music, theater, and, finally, the twenty-first century visual commentary of Kara Walker. Throughout these essays, the racial practices of the nineteenth century are juxtaposed with literary practices involving some of the most prominent writers about race and identity, such as Herman Melville and Harriet Beecher Stowe, as well as the technologies of performance including theater and music. Recent work in critical theories of vision, technology, and the production of ideas about racial discourse has emphasized the inextricability of photography with notions of race and American identity. The collected essays provide a vivid sense of how imagery about race appears in the formative period of the nineteenth-century United States.

First Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.

Rush: Album by Album pays genuine tribute to this iconic rock band's discography by moderating frank, entertaining conversations about all 20 of Rush's studio albums. Formed in Toronto in 1968, the rock trio Rush has gone on to multiplatinum success behind the distinctive high register and virtuosic bass-playing of frontman Geddy Lee, the legendary drumming and lyric-writing of Neil Peart, and the guitar heroics of Alex Lifeson. Despite having just four chart-topping singles since the release of their debut LP in 1974, Rush has nonetheless sold more than 25 million albums in the U.S. and more than 40 million worldwide. The Canadian trio may be the definition of an "album band," and this new book from prolific rock journalist and acknowledged Rush authority Martin Popoff pays tribute to the band's discography by moderating in-depth, frank, and entertaining conversations about all 20 of Rush's studio albums. Inside, the author gathers 20 rock journalists and authors who offer insights, opinions, and anecdotes about every release. Together, the conversations comprise a unique historical overview of the band, as well as a handsome discography. Popoff also includes loads of sidebars that provide complete track listings, details on album personnel, information on where and when the albums were recorded, and sidebar facts about the albums, their songs, and the band.

No one could move without being followed. No one could speak without being overheard. The almost sentient computer system was everywhere. The prison was billed as "escape-proof," and sofar that was true. But Danny Romano was not about to believe it... the jail hadn't been built that could hold him. Danny would escape. Even if he had to permanently change his identity to do it. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

For all being interested in astronautics, this translation of Hermann Oberth’s classic work is a truly historic event. Readers will be impressed with this extraordinary pioneer and his incredible achievement. In a relatively short work of 1923, Hermann Oberth laid down the mathematical laws governing rocketry and spaceflight, and he offered practical design considerations based on those laws.

From Jennifer Baumgardner, one of the leading voices of Third Wave feminism, comes this provocative, thoughtful, often funny collection of essays and interviews that offers a state of the union on contemporary feminist issues. F 'em! is a mix of old and new essays by Baumgardner, ranging in tone from laugh-out-loud confessional to sobering analysis. She investigates topics as varied as purity balls, sexuality, motherhood, and shared breastfeeding; rape, reproductive rights, and the future of feminism. The essays in F 'em! are rounded out by candid one-on-one interviews with leading feminists who have influenced Baumgardner's perspectives—including Riot Grrrls' Kathleen Hanna, Native American activist Winona LaDuke, transgender activist Julia Serano, and artists like Ani DiFranco, Björk, and Amy Ray. At turns intimate, fierce, philosophical, and funny, they are an intimate window into the minds and hearts of Third Wave pioneers. Holding it all together is Baumgardner's insightful thinking about what it means to be a feminist today, as she answers frequently-asked questions: What does it mean to be a woman today? Do we even need feminism anymore? Thought-provoking and cutting-edge, F 'em! provides a clearer and more complete understanding of feminism—its past, its present, and its future.