Ajanta History And Development Volume 7 Bagh Dandin Cells And Cell Doorways

Volume 7 of Walter Spink's monumental and still controversial study of the famous Ajanta caves considers the many connections between the Bagh caves and its “sister site”, Ajanta, particularly emphasizing the leading role that Bagh plays in the crucial matter of Buddhist shrine development and the transition from the aniconic to iconic forms of worship. He also explains the relationships between certain caves and solstices, as well as changing technologies, especially in the development of the door fittings in the monks’ cells.

The twenty-nine Buddhist caves near Ajanta form a devotional complex which ranks as one of the world's most startling achievements, created at the very apogee of India's Golden Age. "Ajanta: History and Development," appears as part of the series Handbook of Oriental Studies, present the reader with a systematic treatment of all aspects of the site, the result of forty years of painstaking research "in situ" by Walter M. Spink. Volume one deals with the historical context in which this dramatic burst of pious activity took place under the reign of Vakataka emperor Harisena, (c. 460 - 477 A.D.), and with the sudden halt of activity almost immediately following the death of the emperor. In surprising detail the relative and absolute chronology of the site can be established from a careful reading of the physical evidence, with consequences for our dating of India's Golden Age. Ajanta, it appears, is a veritable illustrated history of Harisena's times, crowded with information on its history, development and how it was used.

Volume Five comprises, along with introductory comments, two "cave by cave" guides. One which, very briefly, describes the character of each cave and its patronage, is intended to be useful for the general visitor to the site. The other, very detailed, discusses the position and peculiarities of each cave in relation to the overall, year by year, development of the site. This volume also contains a complete set of cave plans, and various illuminating charts, graphs, outlines, and maps.

The 31 selected and revised articles in the volume Holy Ground: Where Art and Text Meet, written by Hans Bakker between 1986 and 2016, vary from theoretical subjects to historical essays on the classical culture of India. They combine two mainstreams: the Sanskrit textual tradition, including epigraphy, and the material culture as expressed in works of religious art and iconography. The study of text and art in close combination in the actual field where they meet provides a great potential for understanding. The history of holy places is therefore one of the leitmotivs that binds these studies together. One article, "The Ramtek Inscriptions II", was co-authored by Harunaga Isaacson, two articles, on "Moksadharma 187 and 239–241" and "The Quest for the Pasupata Weapon," by Peter C. Bisschop.

Since the dramatic discovery and tragic destruction of the monument in the 19th century, the Amarāvatī stūpa in the south-east Deccan has attracted many scholars but has also left many unanswered questions. Akira Shimada's Early Buddhist Architecture in Context provides an updated and comprehensive chronology of the stūpa and its architectural development based on the latest sculptural, epigraphic and numismatic evidence combined with the survey of the early excavation records. It also examines the wider social milieu of the south-east Deccan by exploring archaeological, epigraphic and related textual evidence. These analyses reveal that the flowering of the stūpa was not a simple accomplishment of the powerful Sātavāhana dynasty, but was the result of the long-term development of urbanization of this region between ca. 200 BCE-250 CE.

Though India is no longer a Buddhist country, Buddhism held its place among Indian faiths for nearly seventeen centuries (500 B.C.--A.D. 1200). During this long stretch of time the Buddhist monks were organized in Sanghas in most parts of the country and their activities and achievements have profoundly influenced India`s traditional culture. There are monumental remains of Buddhist monastic life scattered all over India: in the south there are about a thousand cave-monasteries, among them Ajanta, world-famous for its exquisite mural paintings; in the north, less spectacular, the ruins of monastic edifices from Taxila in the west to Paharpur in the east. A connected history of the Buddhist monks of ancient India, their activities, their monastic establishments and their contributions to Indian culture, is available for the first time in this work, which is remarkable also for its pervading human interest. In reconstructing the history of the emperors and kings who were patrons of Buddhism, the early missionaries and the illustrious monk-scholars of later times, the author has used sources in four languages--Pali, Sanskrit, Chinese and Tibetan. Contents The primitive sangha, The asoka-satavahana age 250 BC-AD 100 and its legacy, In the Gupta age (AD 300-550) and after, Eminent monk-Scholars of India, Monastic Universities, (AD 500-1200), Bib., Index.