Al Ghazzali On Repentance

"This is Book XXXI of Part Four of the Alchemy of Happiness entitled The Destroyers."--Back cover.

Numerous studies have been done on Imam al-Ghzali (1058-1111) in almost all major languages. So much is the academic attention given to him, and deservedly so, that it is difficult to find any element of originality in a new study on him. Various aspects of his life and thought have yet to be adequately studied, one of them being his role in islah (Islamic reform). It is also true that the study of islah as a separate topic is somewhat new, and available literature on the subject is limited within the views and the achievements of a number of distinguished scholars in the modern times. This work attempts to discover part of the rich legacy of the reformers by introducing a pre-modern scholar as Imam al-Ghazali.

"This is the first complete English translation of the Book of Love, Longing, Intimacy and Contentment, the thirty-sixth chapter of Abū Hāmid al-Ghazālī's monomuntal Revival of the Religious Sciences ... The Book of Love ... is of fundamental importance in the history of Islamic thought and in the development of Sufism."--P. [4] of cover.

"This is book XXI of part three of the Alchemy of happiness entitled The Destroyers"--P. 4 of cover.

AL-GHAZALI’s adapted summary of Ihya Ulum al-Din – The Forty Principles of the Religion THE FORTY PRINCIPLES OF THE RELIGION is a comprehensive distillation of Imam al-Ghazali’s magnum opus, Ihya Ulum ad-Din (The Revival of the Religious Sciences), in which he explores the spiritual depth of virtually every aspect of Islam. This condensed work presents Imam al-Ghazali’s profound insights regarding man’s lifelong struggle to draw closer to Allah in a simple framework, providing the reader with a step-by-step tried and proven method for spiritual development. The result is an essential guide to improving one’s relationship with both the Creator and the creation and a perfect introduction to Imam al-Ghazali’s other great works. English translation by Nasir Abdussalam. Editing and footnotes by Mariam Madge Conlan. A careful and idiomatic English translation of one of Imam al-Ghazali’s most powerful books, which shows the comprehensive depth of the Qurans teachings. Shaykh Abdal Hakim Murad (T.J. Winter) Cambridge Muslim College About the author The Proof of Islam Imam Abu Hamid Muhammad ibn Muhammad al-Ghazali (d. 1111) jurist, legal theorist, logician, theologian, and mystic was a master of both the outer and inner sciences of the Shariah who is regarded by many as the greatest Muslim thinker to have lived after the Pious Predecessors. Credited with dealing the deathblow to Aristotelian philosophy in the Muslim world and bringing authentic Islamic spirituality into the mainstream, his life and thought were extremely influential in shaping the spiritual values and practices of medieval society and are no less relevant today.

Abu Hamid al-Ghazali, in his Book of Counsels, compiles powerful spiritual lessons and reminders, weaving hadith into direct speech and presenting it to the reader. This is a book that is intended to stir the heart to submission and mindfulness of Allah. This translation has sought to retain the literary aspects of this collection while also applying an attentive engagement with the hadith employed within.

In the 1980s, Egypt witnessed a growing revival of religiosity among large sectors of the population, including artists. Many pious stars retired from art, “repented” from “sinful” activities, and dedicated themselves to worship, preaching, and charity. Their public conversions were influential in spreading piety to the Egyptian upper class during the 1990s, which in turn enabled the development of pious markets for leisure and art, thus facilitating the return of artists as veiled actresses or religiously committed performers. Revisiting the story she began in “A Trade like Any Other”: Female Singers and Dancers in Egypt, Karin van Nieuwkerk draws on extensive fieldwork among performers to offer a unique history of the religious revival in Egypt through the lens of the performing arts. She highlights the narratives of celebrities who retired in the 1980s and early 1990s, including their spiritual journeys and their influence on the “pietization” of their fans, among whom are the wealthy, relatively secular, strata of Egyptian society. Van Nieuwkerk then turns to the emergence of a polemic public sphere in which secularists and Islamists debated Islam, art, and gender in the 1990s. Finally, she analyzes the Islamist project of “art with a mission” and the development of Islamic aesthetics, questioning whether the outcome has been to Islamize popular art or rather to popularize Islam. The result is an intimate thirty-year history of two spheres that have tremendous importance for Egypt—art production and piety.