Alasdair Gray

Basis for the Major Motion Picture starring Emma Stone, Ramy Youssef, Mark Ruffalo, and Willem Dafoe, directed by Yorgos Lanthimos. "Witty and delightfully written" (New York Times Book Review), Alasdair Gray’s Poor Things echoes Mary Shelley’s Frankenstein in this novel of a young woman freeing herself from the confines of the suffocating Victorian society she was created to serve. Winner of the Whitbread Award and the Guardian Fiction Prize In the 1880s in Glasgow, Scotland, medical student Archibald McCandless finds himself enchanted with the intriguing creature known as Bella Baxter. Supposedly the product of the fiendish scientist Godwin Baxter, Bella was resurrected for the sole purpose of fulfilling the whims of her benefactor. As his desire turns to obsession, Archibald’s motives to free Bella are revealed to be as selfish as Godwin’s, who claims her body and soul. But Bella has her own passions to pursue. Passions that take her to aristocratic casinos, low-life Alexandria, and a Parisian bordello, reaching an interrupted climax in a Scottish church. Exploring her station as a woman in the shadow of the patriarchy, Bella knows it is up to her to free herself—and to decide what meaning, if any, true love has in her life. “Gray has the look of a latter-day William Blake, with his extravagant myth-making, his strong social conscience, his liberating vision of sexuality and his flashes of righteous indignation tempered with scathing wit and sly self-mockery.” —Los Angeles Times Book Review “This work of inspired lunacy effectively skewers class snobbery, British imperialism, prudishness and the tenets of received wisdom.”—Publishers Weekly

This novel is a work of extraordinary imagination and wide range. Its playful narrative techniques convey a profound message, both personal and political, about humankind's inability to love and yet our compulsion to go on trying.

Men in Love, like The Arabian Nights, is about a storyteller whose stories contain other stories. As in Alasdair Gray's Lanark, 1982 Janine, Poor Things, and The Book of Prefaces, this one has many styles of narrative and location. Periclean Athens, Renaissance Florence, Victorian Somerset mingle with Britain under the New Labour Party, viewed from the West End of Glasgow. More than 50% is fact and the rest possible, but must be read to be believed.

Alasdair Gray is Scotland's best known polymath. Born in 1934 in Glasgow, he graduated in design and mural art from the Glasgow School of Art in 1957. After decades of surviving by painting and writing TV and radio plays, his first novel, the loosely autobiographical, blackly fantastic Lanark, opened up new imaginative territory for such varied writers as Jonathan Coe, A.L. Kennedy, James Kelman, Janice Galloway and Irvine Welsh. It led Anthony Burgess to call him 'the most important Scottish writer since Sir Walter Scott'. His other published books include 1982 Janine, Poor Things (winner of the Whitbread Award), The Book of Prefaces, The Ends of our Tethers and Old Men in Love. In this book, with reproductions of his murals, portraits, landscapes and illustrations, Gray tells of his failures and successes which have led his pictures to be accepted by a new generation of visual artists.

It is the Swinging Sixties and Kelvin Walker has moved from Scotland to London to make his fortune. Through his wanton ambition, a megalomania surfaces that is unrelieved by his insensitive attempts at friendship and romance. Yet is he all bad, or are the true villains the establishment figures who he tricks and deceives? And, ultimately, does it matter? Gray’s twist on the follies of religion, the media and the imperial British centre is as relevant now as ever.

'Grandly conceived, gorgeously realised, and sparklingly alert to the making not just of works of art, but of a language, this crammed compendium, so copiously yet lightly learned, so drolly self-reflexive, yet enticingly accessible, so exhilaratingly, quixotically magniloquent, is the last word in forewords.' Herald

In this masterful retelling of one of the greatest works of world literature, Alasdair Gray - in his last work - offers an original translation in prosaic English rhyme. Lyrical and modern, this complete edition brings all three parts of Dante's epic journey through Hell and Purgatory and on to Paradise together in a single volume for the first time.

The first sixteen tales in this collection were published by Canongate in 1983 with the title Unlikely Stories, Mostly. This collection also has fifty-seven tales from later books, plus sixteen new ones written for the hardback publication of this collection. This last section, Tales Droll and Plausible, shows that Gray's recent twenty-first-century fiction is as uncomfortably funny and up to date as his earliest.