The Book Of Prefaces

'Grandly conceived, gorgeously realised, and sparklingly alert to the making not just of works of art, but of a language, this crammed compendium, so copiously yet lightly learned, so drolly self-reflexive, yet enticingly accessible, so exhilaratingly, quixotically magniloquent, is the last word in forewords.' Herald

Prefaces was the last of four books by Søren Kierkegaard to appear within two weeks in June 1844. Three Upbuilding Discourses and Philosophical Fragments were published first, followed by The Concept of Anxiety and its companion--published on the same day--the comically ironic Prefaces. Presented as a set of prefaces without a book to follow, this work is a satire on literary life in nineteenth-century Copenhagen, a lampoon of Danish Hegelianism, and a prefiguring of Kierkegaard's final collision with Danish Christendom. Shortly after publishing Prefaces, Kierkegaard began to prepare Writing Sampler as a sequel. Writing Sampler considers the same themes taken up in Prefaces but in yet a more ironical and satirical vein. Although Writing Sampler remained unpublished during his lifetime, it is presented here as Kierkegaard originally envisioned it, in the company of Prefaces.

This collection of prefaces, originally written for the 1909 multi-volume New York Edition of Henry James’s fiction, first appeared in book form in 1934 with an introduction by poet and critic R. P. Blackmur. In his prefaces, James tackles the great problems of fiction writing—character, plot, point of view, inspiration—and explains how he came to write novels such as The Portrait of a Lady and The American. As Blackmur puts it, “criticism has never been more ambitious, nor more useful.” The latest edition of this influential work includes a foreword by bestselling author Colm Tóibín, whose critically acclaimed novel The Master is told from the point of view of Henry James. As a guide not only to James’s inspiration and execution, but also to his frustrations and triumphs, this volume will be valuable both to students of James’s fiction and to aspiring writers.

Originally published between 1909 and 1917 under the name "Harvard Classics," this stupendous 51-volume set-a collection of the greatest writings from literature, philosophy, history, and mythology-was assembled by American academic CHARLES WILLIAM ELIOT (1834-1926), Harvard University's longest-serving president. Also known as "Dr. Eliot's Five Foot Shelf," it represented Eliot's belief that a basic liberal education could be gleaned by reading from an anthology of works that could fit on five feet of bookshelf. Volume XXXIX features the prefaces and prologues to works that have since been superceded, though their author's introductions to which still retain vital importance. Discover here, in otherwise hard-to-find form, the unexpected enthusiasms and insights of writers including: William Caxton, John Calvin, Nicolaus Copernicus, John Knox, Edmund Spenser, Sir Walter Raleigh, Francis Bacon, John Heminge, Henrie Condell, Sir Isaac Newton, John Dryden, Henry Fielding, Samuel Johnson, J.W. von Goethe, William Wordsworth, Victor Hugo, Walter Whitman, and H.A. Taine.

Critical Prefaces of the French Renaissance contains nearly 30 prefaces from the works of French poets and dramatists published from 1525 to 1611. Bernard Weinberg's helpful book collects prefaces from the works of satirical poets, as well as dramatists, and provides a short introduction to each preface setting it in its literary and historical context. Lyrical and satirical poets represented vary from Marot to Du Bellay to Ronsard. Dramatists represented include Jean de la Tille and Larivey, among others. The larger introduction to the volume provides literary analysis of five longer texts by Sebillet, Du Bellay, Peletier du Mans, the obscure Pierre De-laudun, and Horace. Weinberg's study brings attention back to these primary writings that are crucial for an understanding of the period.

Essays document the author's theories of poetry, discuss the goals of oral poetry, and analyze brief poems and poetic concepts.

'Superb ... There is no disputing the enormous knowledge, the sheer love of books that is gathered here' SCOTLAND ON SUNDAY ____________________ A great and fascinating work from Scottish literary legend Alasdair Gray, beautifully illustrated throughout, chronicling the history of how literature spread and developed throughout the world. This is a unique history of literature as presented through the collected and annotated prefaces of major writers, including commentary by a range of authors including James Kelman, A.L. Kennedy, and Virginia Woolf. The result of a lifetime's reading and creative labour, intellectual and artistic, The Book of Prefaces will delight, amaze and inform both casual browsers and students. Its like will not be seen again for at least another millennium. ____________________ Praise for Alasdair Gray 'A necessary genius' ALI SMITH 'One of the brightest intellectual and creative lights Scotland has known in modern times' NICOLA STURGEON