Alentejo Blue

A new collection of short stories set in the Alentejo province of Portugal features a range of colorful characters, linked by a vivid sense of place and time, including Teresa, a beautiful young girl from the village engaged to a suitable man, who yearns to see the world, and Vasco, a café owner who is losing business to the new Internet café down the road. By the author of Brick Lane. Reprint. 60,000 first printing.

Tells the story of the Portuguese village of Mamarrosa told through the lives of those who live there and those who are passing through - men and women, children and old people, locals, tourists and expatriates.

'Alentejo Blue' is the story of the picturesque village of Mamarrosa told through the lives of those who live there and those who are passing through - children and old men, expatriates of all ages, tourists and locals.

This is the story of a village in Portugal, told through the lives of men and women whose families have lived there for generations and some who are passing through. For Teresa, a beautiful girl not yet twenty, Mamarrosa is a place from which to escape. For the dysfunctional Potts family, it is a way of running from trouble. Vasco, a café owner who has never recovered from the death of his American wife, clings to a notion that his years away from the village, in the States, make him superior. One English tourist fantasizes about making a new life here; for her compatriots, a young engaged couple, this is where their dreams fall apart. The village awaits the homecoming of its prodigal son, now a symbol of the fast-changing world. When he finally returns, villagers, tourists, and expatriates are brought together, and their jealousies and disappointments inevitably collide.--From publisher description.

This book examines contemporary literary representations of global mobility. It pays particular attention to refugee writing and displacement, migration and memory, and new European identities, and revises the field of postcolonial studies.

THE WILEY BLACKWELL COMPANION TO CONTEMPORARY BRITISH AND IRISH LITERATURE An insightful guide to the exploration of modern British and Irish literature The Wiley Blackwell Companion to Contemporary British and Irish Literature is a must-have guide for anyone hoping to navigate the world of new British and Irish writing. Including modern authors and poets from the 1960s through to the 21st century, the Companion provides a thorough overview of contemporary poetry, fiction, and drama by some of the most prominent and noteworthy writers. Seventy-three comprehensive chapters focus on individual authors as well as such topics as Englishness and identity, contemporary Science Fiction, Black writing in Britain, crime fiction, and the influence of globalization on British and Irish Literature. Written in four parts, The Wiley Blackwell Companion to Contemporary British and Irish Literature includes comprehensive examinations of individual authors, as well as a variety of themes that have come to define the contemporary period: ethnicity, gender, nationality, and more. A thorough guide to the main figures and concepts in contemporary literature from Britain and Ireland, this two-volume set: Includes studies of notable figures such as Seamus Heaney and Angela Carter, as well as more recently influential writers such as Zadie Smith and Sarah Waters. Covers topics such as LGBT fiction, androgyny in contemporary British Literature, and post-Troubles Northern Irish Fiction Features a broad range of writers and topics covered by distinguished academics Includes an analysis of the interplay between individual authors and the major themes of the day, and whether an examination of the latter enables us to appreciate the former. The Wiley Blackwell Companion to Contemporary British and Irish Literature provides essential reading for students as well as academics seeking to learn more about the history and future direction of contemporary British and Irish Literature.

As a concept that increasingly gains importance in contemporary cultural discourse, authenticity emerges as a site of tearing tensions between the fictional and the real, original and fake, margin and centre, the same and the other. The essays collected in this volume explore this paradoxical nature of authenticity in the context of various media. They give ample proof of the fact that authenticity, which depends on giving the impression of being inherent or natural, found not created, frequently turns out to be the result of a careful aesthetic construction that depends on the use of identifiable techniques with the aim of achieving certain effects for certain reasons.

Contemporary Fictions of Multiculturalism analyses novels of the late 20th and early 21st centuries that explore ethnic and cultural diversity in London. It contributes to key, ongoing debates in literary and cultural studies and, in particular, to debates over the status and relevance of multiculturalism today.