Alfred Hitchcock S Psycho

Alfred Hitchcock's Psycho: A Casebook 'brings together critical essays on this influential and teachable film. The essays not only elaborate on the complexities of the film, but represent the spectrum of film criticism, including an analysis of its music and close readings illustrated by many stills from the film.

A “meticulous history” of the classic suspense film based on exclusive interviews with the director, writers, cast, and crew (The New York Times Book Review). First released in June 1960, Psycho altered the landscape of horror films forever. But just as compelling as the movie itself is the story behind it, which has been adapted as a movie starring Anthony Hopkins as Hitchcock, Helen Mirren as his wife Alma Reville, and Scarlett Johansson as Janet Leigh. Stephen Rebello brings to life the creation of one of Hollywood’s most iconic films, from the story of Wisconsin murderer Ed Gein, the real-life inspiration for the character of Norman Bates, to Hitchcock’s groundbreaking achievements in cinematography, sound, editing, and promotion. Packed with captivating insights from the film’s stars, writers, and crewmembers, Alfred Hitchcock and the Making of Psycho is a riveting and definitive history of a signature Hitchcock cinematic masterpiece.

In "The Moment of Psycho," film critic David Thomson situates "Psycho" in Alfred Hitchcock's career, recreating the mood and time when the seminal film erupted onto film screens worldwide. Thomson brilliantly demonstrates how Hitchcock's creation represented all America wanted from a film--and still does.

Marion is lost on a dark and lonely road; she's tired and hungry and afraid. She thinks she's dreaming when she sees a motel sign shining in the darkness: Bates Motel. But for Marion the nightmare is just beginning ... To most people Psycho needs no introduction, but although Alfred Hitchcock's film was largely faithful to the book, in the novel itself you will find a story more nuanced and - if possible - even darker.

This study places the shower scene in Hitchcock's Psycho within its cinematic, sociological and critical contexts. It locates the film within the personal and professional experiences of the author. The methodology depends upon a melding of first person narration with a close analysis of the film's mise en scene and montage, as these techniques evolve in Hitchcock's oeuvre and culminate in the shower scene.

A Phoenix secretary embezzles $40,000 from her employer's client, goes on the run and checks into a remote motel run by a young man under the domination of his mother.

The Bates Motel. The ominous house on the hill. The shower. . . . Few movies have proven as enduringly fascinating to audiences, film buffs, and moviemakers as Hitchcock's horrific 1960 shocker Psycho. This book offers the complete, colorful account of the production, shooting, and aftermath of this mesmerizing, electrifying film. 50 photos.

Seminar paper from the year 2019 in the subject Film Science, grade: 1,7, University of Hildesheim, language: English, abstract: The essay focuses on the introductory scene of the movie Psycho by Alfred Hitchcock. Hitchcock is one of the most famous and influential filmmakers of all the time. He created his very own genre: the Hitchcock-film. Psycho shocked cinema audiences all over the world. Everything together, the technique, the cuts, the story, the characters and much more made Psycho such a sensation. Hitchcock consciously plays with the real fears of the audience and builds up pressure. The fear of becoming the victim of a violent crime, the fear of losing one's mind and ultimately becoming mentally ill, the fear of unfulfilled love or finally the fear of being discovered. During the film, the viewers go through ups and downs and can put themselves in the position of and person and their situation. The construct, which the spectators have built up and accepted in one moment, is deconstructed again by Hitchcock in the next moment.