Alfred Stieglitz

In this book [the author] draws upon her close association with Stieglitz and upon his own words to create a warm portrait of the focal figure of the modern art movement in America. The many direct quotations preserve in written form the bold, subtle nature of Stieglitz's speech and the brilliance of his parables and anecdotes. The 80 reproductions of Stieglitz's photographs constitute the largest selection ever published. Many are reproduced here for the first time. They powerfully attest to the purity of his vision. Ninety illustrations of a documentary nature, including additional Stieglitz photographs and work by artists he showed, are also reproduced--Jacket.

A fascinating biography of a revolutionary American artist ripe for rediscovery as a photographer and champion of other artists Alfred Stieglitz (1864–1946) was an enormously influential artist and nurturer of artists even though his accomplishments are often overshadowed by his role as Georgia O’Keeffe’s husband. This new book from celebrated biographer Phyllis Rose reconsiders Stieglitz as a revolutionary force in the history of American art. Born in New Jersey, Stieglitz at age eighteen went to study in Germany, where his father, a wool merchant and painter, insisted he would get a proper education. After returning to America, he became one of the first American photographers to achieve international fame. By the time he was sixty, he gave up photography and devoted himself to selling and promoting art. His first gallery, 291, was the first American gallery to show works by Picasso, Rodin, Matisse, and other great European modernists. His galleries were not dealerships so much as open universities, where he introduced European modern art to Americans and nurtured an appreciation of American art among American artists.

Collects the private correspondence between Georgia O'Keeffe and Alfred Stieglitz, revealing the ups and downs of their marriage, their thoughts on their work, and their friendships with other artists.

Recounts the photographer's professional and personal life, places him in the context of his times, and describes his accomplishments in establishing photography as an art and promoting American modern artists

When, in 1907, Alfred Stieglitz took a simple picture of passengers on a ship bound for Europe, he could not have known that The Steerage, as it was soon called, would become a modernist icon and, from today’s vantage, arguably the most famous photograph made by an American photographer. In complementary essays, a photo historian and a photographer reassess this important picture, rediscovering the complex social and aesthetic ideas that informed it and explaining how over the years it has achieved its status as a masterpiece. What aspects of Stieglitz’s ideas and sometimes-murky ambitions help us understand the picture’s achievements? How should we assess the photograph in relation to Stieglitz’s many writings about it? The authors of this book explore what The Steerage might mean in at least two senses—by itself, as a grand and self-sufficient work, and also ineluctably bound up with the many stories told about it. They make the photograph, today, what Stieglitz himself made it over the years—a photo-text work.

A captivating, spirited account of the intense relationship among four artists whose strong personalities and aesthetic ideals drew them together, pulled them apart, and profoundly influenced the very shape of twentieth-century art. New York, 1921: acclaimed photographer Alfred Stieglitz celebrates the success of his latest exhibition—the centerpiece, a series of nude portraits of his soon-to-be wife, the young Georgia O'Keeffe. The exhibit acts as a turning point for the painter poised to make her entrance into the art scene. There she meets Rebecca Salsbury, the fiancé of Stieglitz’s protégé, Paul Strand, marking the start of a bond between the couples that will last more than a decade and reverberate throughout their lives. In the years that followed, O'Keeffe and Stieglitz become the preeminent couple in American modern art, spurring on each other's creativity. Observing their relationship leads Salsbury to encourage new artistic possibilities for Strand and to rethink her own potential as an artist.

Few individuals have exerted as profound an influence on 20th-century American art and culture as Alfred Stieglitz (1864-1946).This luxurious two-volume boxed set is the definitive catalogue of the Alfred Stieglitz Collection of Photographs at the National Gallery of Art, Washington, the most complete Stieglitz holding in existence, donated to the gallery by his widow, artist Georgia O'Keeffe. Numbering 1,642 photographs, the collection represents the full range of the master photographer's work -- from early studies made in Europe, to views of the majestic New York skyline, to incomparable intimate portraits of O'Keeffe. Coinciding with a major traveling exhibition and providing complete scholarly apparatus and a chronology, this sumptuous volume demonstrates how Stieglitz absorbed the most advanced artistic concepts of his time into photography and transformed the medium forever.

Essay by John Szarkowski.