All Day I Dream About Sirens

What started as a small sequence of poems about the Starbucks logo grew to monstrous proportions after the poet fell under a siren spell herself. All Day I Dream About Sirens is both an ancient reverie and a screen-induced stupor as these poems reckon with the enduring cultural fascination with siren and mermaid narratives as they span geographies, economies, and generations, chronicling and reconfiguring the male-centered epic and women’s bodies and subjectivities.

Guest editor Rob Taylor, author of the widely acclaimed collection The News, brings a passionate ear for rhythm, an eye for narrative compression, an appetite for vital subject matter, and an affinity for warmth and wit to his selections for Best Canadian Poetry 2019. The fifty ruggedly independent poems gathered here tackle themes of emergence, defiance, ferocious anger, gratitude, and survival. They are alive with acoustic energy, precise in their language, and moving in their use of the personal to explore fraught political realities. They emit a cloud of invisible energy, a charge. Featuring work by: Colleen Baran • Gary Barwin • Billy-Ray Belcourt • Ali Blythe • Marilyn Bowering • Julie Bruck • Sara Cassidy • Sue Chenette • Chelsea Coupal • Kayla Czaga • Sadiqa de Meijer • Adebe DeRango-Adem • Chris Evans • Beth Follett • Stevie Howell • Danielle Hubbard • Dallas Hunt • Catherine Hunter • Sonnet L’Abbé • Ben Ladouceur • Tess Liem • D.A. Lockhart • Jessie Loyer • Annick MacAskill • Domenica Martinello • Laura Matwichuk • Katie McGarry • Jimmy McInnes • A.F. Moritz • Alexandra Oliver • Alycia Pirmohamed • Marion Quednau • Claudia Coutu Radmore • Shazia Hafiz Ramji • Shaun Robinson • Yusuf Saadi • Rebecca Salazar • Ellie Sawatzky • David Seymour • Kevin Spenst • Mallory Tater • Souvankham Thammavongsa • Russell Thornton • Daniel Scott Tysdal • William Vallières • Katherena Vermette • Douglas Walbourne-Gough • Cara Waterfall • Gillian Wigmore • Ian Williams

A warning, a movement, a collection borne of protest. In Watch Your Head, poems, stories, essays, and artwork sound the alarm on the present and future consequences of the climate emergency. Ice caps are melting, wildfires are raging, and species extinction is accelerating. Dire predictions about the climate emergency from scientists, Indigenous land and water defenders, and striking school children have mostly been ignored by the very institutions – government, education, industry, and media – with the power to do something about it. Writers and artists confront colonization, racism, and the social inequalities that are endemic to the climate crisis. Here the imagination amplifies and humanizes the science. These works are impassioned, desperate, hopeful, healing, transformative, and radical. This is a call to climate-justice action. Edited by Madhur Anand, Stephen Collis, Jennifer Dorner, Catherine Graham, Elena Johnson, Canisia Lubrin, Kim Mannix, Kathryn Mockler, June Pak, Sina Queyras, Shazia Hafiz Ramji, Rasiqra Revulva, Yusuf Saadi, Sanchari Sur, and Jacqueline Valencia Proceeds will be donated to RAVEN and Climate Justice Toronto.

SHORTLISTED FOR THE MAN BOOKER INTERNATIONAL PRIZE 2019 AN INTERNATIONAL BESTSELLER "Readers who like quiet, meditative works will enjoy this strangely affecting buddy story." —Publishers Weekly "Rather than tying up the loose ends, she leaves them beautifully fluttering in the wind, and you do not feel lost in that experience. The writing is poetic and it’s worth savouring." —Angela Caravan, Shrapnel A bad dream leads to a strange poetic pilgrimage through Japan in this playful and profound Booker International-shortlisted novel. Gilbert Silvester, eminent scholar of beard fashions in film, wakes up one day from a dream that his wife has cheated on him. Certain the dream is a message, and unable to even look at her, he flees - immediately, irrationally, inexplicably - for Japan. In Tokyo he discovers the travel writings of the great Japanese poet Basho. Keen to cure his malaise, he decides to find solace in nature the way Basho did. Suddenly, from Gilbert's directionless crisis there emerges a purpose: a pilgrimage in the footsteps of the poet to see the moon rise over the pine islands of Matsushima. Although, of course, unlike the great poet, he will take a train. Along the way he falls into step with another pilgrim: Yosa, a young Japanese student clutching a copy of The Complete Manual of Suicide . Together, Gilbert and Yosa travel across Basho's disappearing Japan, one in search of his perfect ending and the other a new beginning. Serene, playful, and profound, The Pine Islands is a story of the transformations we seek and the ones we find along the way.

Dreaming Out Loud brings together essays by many of the most well-known and respected African American writers of the twentieth and twenty-first centuries, discussing various aspects of the vocation, craft, and art of writing fiction. Though many of the writers included here are also accomplished poets, essayists, and playwrights, this collection and the essays it contains remains focused on the novel as a genre and an art form. Some essays explore the challenges of being an African American writer in the United States, broadly addressing aesthetic and racial prejudice in American publishing and literature and its changing face over the decades. Others are more specific and personal, recounting how the authors came to be a reader and writer in a culture that did not always encourage them to do so. Some are more general and focus on practice and craft, while still other essays offer detailed behind-the-scenes accounts of how famous novels, such as Native Son, Invisible Man, The Autobiography of Miss Jane Pittman, and The Color Purple, came to life. Ranging from the Harlem Renaissance, through the Civil Rights movement, and into the twenty-first century, this anthology explores what it has meant to be an African American novelist over the past hundred years. Found within are essays by twenty-one African American novelists, including Nobel Prize-winner Toni Morrison, National Book Award-winners Ralph Ellison and Charles Johnson, Pulitzer Prize-winners Alice Walker and James Alan McPherson, and well-known canonical writers such as W. E. B. Du Bois, James Weldon Johnson, Langston Hughes, Richard Wright, Zora Neale Hurston, and Margaret Walker. Dreaming Out Loud seeks to inspire writers and readers alike, while offering a fascinating and important portrait of novelists at work in their own words. CONTRIBUTORS James Baldwin, Arna Bontemps, W. E. B. Du Bois, Ralph Ellison, Ernest Gaines, Chester Himes, Langston Hughes, Zora Neale Hurston, Charles Johnson, James Weldon Johnson, Gayl Jones, Terry McMillan, James Alan McPherson, Toni Morrison, Walter Mosley, Ishmael Reed, Martha Southgate, Alice Walker, Margaret Walker, John Edgar Wideman, Richard Wright

In her powerful debut collection of poetry, Arielle Twist unravels the complexities of human relationships after death and metamorphosis. In these spare yet powerful poems, she explores, with both rage and tenderness, the parameters of grief, trauma, displacement, and identity. Weaving together a past made murky by uncertainty and a present which exists in multitudes, Arielle Twist poetically navigates through what it means to be an Indigenous trans woman, discovering the possibilities of a hopeful future and a transcendent, beautiful path to regaining softness. This publication meets the EPUB Accessibility requirements and it also meets the Web Content Accessibility Guidelines (WCAG-AA). It is screen-reader friendly and is accessible to persons with disabilities. A Simple book with few images, which is defined with accessible structural markup. This book contains various accessibility features such as alternative text for images, table of contents, page-list, landmark, reading order and semantic structure.

Notes on desire, reproduction, and grief, and how feminism doesn't support women struggling to have children In pop culture as much as in policy advocacy, the feminist movement has historically left infertile women out in the cold. This book traverses the chilly landscape of miscarriage, and the particular grief that accompanies the longing to make a family. Framed by her own desire for a child, journalist Alexandra Kimball brilliantly reveals the pain and loneliness of infertility, especially as a lifelong feminist. Her experience of online infertility support groups -- where women gather in forums to discuss IVF, surrogacy, and isolation -- leaves her longing for a real life community of women working to break down the stigma of infertility. In the tradition of Eula Biss’s On Immunity and Barbara Ehrenreich's Bright-sided, Kimball marries perceptive analysis with deep reportage -- her findings show the lie behind the prevailing, and at times paradoxical, cultural attitudes regarding women’s right to actively choose to have children. Braiding together feminist history, memoir, and reporting from the front lines of the battle for reproductive rights and technology, The Seed plants in readers the desire for a world where no woman is made to feel that her biology is her destiny.

Sue and Lou never had any fears or doubts about raising their three children. They were not like their parents. They welcomed the teenage years. They knew their kids might experiment with drugs and alcohol, just like they had. So they talked with their kids about their own experiences they had as teenagers. As a family they were very close. They took their kids camping to Glamis, the desert, the beach and the Colorado River. They went to Big Bear every winter and they golfed almost every weekend as a family. By the time their youngest was in high school, their oldest was already 24 and their middle child was 19. Their youngest would always tell them not to worry, that he would never be like his older brother and sister. Young Adam had witnessed all the trying times his parents had with his two older siblings; alcohol, drugs, house parties, and pre-marital sex. Adam's friends always came over to the house and Sue and Lou knew them all. They were all good kids. But when Adam told his mom he had smoked marijuana, it was not like when the older siblings had experimented with it. Sue and Lou would quickly discover he was using it to escape from the hurt and pain he felt after his first love broke up with him. But what Sue and Lou didn't know was that their worst nightmare was growing in their youngest son. Without having a true understanding of addiction, this family will go through a hell they could have never imagined. In order to keep from having a breakdown Sue started writing about how this all started. It all began with a story Adam wrote in his Freshman English class titled "The Day I told my Mom I Smoke Pot".