All That Lives

Two victims. Nothing connects them, except that someone buried them in the exact same way. Seven hundred years apart. An archaeological dig at the old South Leith parish kirkyard has turned up a mysterious body dating from around seven hundred years ago. Some suspect that this gruesome discovery is a sacrifice, placed there for a specific purpose. Then a second body is unearthed. This victim went missing only thirty years ago - but the similarities between her death and the ancient woman's suggest something even more disturbing. Drawn into the investigation, Inspector McLean finds himself torn between a worrying trend of violent drug-related deaths and uncovering what truly connects these bodies. When a third body is discovered, and too close for comfort, he begins to suspect dark purpose at play - and that whoever put them there is far from finished. Praise for James Oswald: 'The new Ian Rankin' Daily Record 'Creepy, gritty and gruesome' Sunday Mirror 'Crime fiction's next big thing' Sunday Telegraph

Robertson County, Tennessee, early 1800s. The respectable Bell family is quietly working its rural farm, when something utterly horrific suddenly unleashes a reign of terror upon them and their entire community. The haunting begins with knocking on the walls. Before long, disembodied voices are heard whispering in the night, and spectral creatures are seen floating in the field. Then, 13-year-old Betsy Bell is brutally assaulted, and her father, John Bell, is violently tortured by an unseen force. The desperate townspeople, frantic with fear, gather to cast the demon from their midst. But a far more insidious evil lurks in the Bell home -- more damaging and disturbing than the Bell Witch could ever be.

An archaeological dig at the old South Leith parish kirkyard has turned up a mysterious body dating from around 700 years ago. The experts wonder if she wasn't murdered and dumped, but some suspect that this gruesome discovery is a sacrifice, placed there for a specific purpose. Then a second body is unearthed. This victim went missing only thirty years ago - but the similarities between her death and the ancient body's suggest something even more disturbing. Drawn into the investigation, McLean finds himself torn between a worrying trend of violent drug-related deaths and uncovering what truly connects these bodies. When a third body is discovered, and too close for comfort, he begins to suspect dark purpose at play - and that whoever put them there is far from finished.

She's a martyr.A myth.A ghost.A legend.She's my soulmate and my captive, my conscience and my wrath. I love her too much to let her die; I fear her too much to wake her from her slumber.She's mine.And now she's gone.He's unnatural.Undying.Unethical.Unstoppable.He's the keeper of lies and lost souls. Mine slipped through his clutches.I am his wife, his queen, the love of his very long life.And soon, I will be his executioner.

Eliot and Fiona Post are twins caught up in an epic custody battle between their mother's and father's families. Their mother is the immortal goddess Atropos, the eldest Fate, and their father is Lucifer, Lord of the infernals, a diabolical fallen angel. The families have put them through rigorous, life-threatening challenges, and together they've risen to combat them in amazing ways. But now they are facing the greatest trial of all—high school. Paxington Unviersity is no normal high school—it's a place where gods and goddesses, warriors and socerers learn to harness their power, where a debate in class can end in a duel, and your classmates aren't simply friends or enemies, but allies in battle or threats to your life. To flunk is to die--only the toughest graduate. As Fiona and Eliot struggle to keep up their grades by surviving the rigorous training, both families are watching. High school is bad enough, but imagine being caught in the midst of an immortal/infernal war... At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

A wise, lyrical memoir about the power of literature to help us read our own lives—and see clearly the people we love most. “Transcendent.”—The Washington Post • “You’d be hard put to find a more moving appreciation of Woolf’s work.”—The Wall Street Journal NAMED ONE OF THE BEST BOOKS OF THE YEAR BY TOWN & COUNTRY Katharine Smyth was a student at Oxford when she first read Virginia Woolf’s modernist masterpiece To the Lighthouse in the comfort of an English sitting room, and in the companionable silence she shared with her father. After his death—a calamity that claimed her favorite person—she returned to that beloved novel as a way of wrestling with his memory and understanding her own grief. Smyth’s story moves between the New England of her childhood and Woolf’s Cornish shores and Bloomsbury squares, exploring universal questions about family, loss, and homecoming. Through her inventive, highly personal reading of To the Lighthouse, and her artful adaptation of its groundbreaking structure, Smyth guides us toward a new vision of Woolf’s most demanding and rewarding novel—and crafts an elegant reminder of literature’s ability to clarify and console. Braiding memoir, literary criticism, and biography, All the Lives We Ever Lived is a wholly original debut: a love letter from a daughter to her father, and from a reader to her most cherished author. Praise for All the Lives We Ever Lived “This searching memoir pays homage to To the Lighthouse, while recounting the author’s fraught relationship with her beloved father, a vibrant figure afflicted with alcoholism and cancer. . . . Smyth’s writing is evocative and incisive.”—The New Yorker “Like H Is for Hawk, Smyth’s book is a memoir that’s not quite a memoir, using Woolf, and her obsession with Woolf, as a springboard to tell the story of her father’s vivid life and sad demise due to alcoholism and cancer. . . . An experiment in twenty-first century introspection that feels rooted in a modernist tradition and bracingly fresh.”—Vogue “Deeply moving – part memoir, part literary criticism, part outpouring of longing and grief… This is a beautiful book about the wildness of mortal life, and the tenuous consolations of art.”—The Times Literary Supplement “Blending analysis of a deeply literary novel with a personal story... gently entwining observations from Woolf's classic with her own layered experience. Smyth tells us of her love for her father, his profound alcoholism and the unpredictable course of the cancer that ultimately claimed his life.”—Time

Sixteen-year-old Dani is convinced she has nine lives. As a child she twice walked away from situations where she should have died. But Dani's twin, Jena, isn't so lucky. She has cancer and might not even be able to keep her one life. Dani's father is in denial. Her mother is trying to hold it together and prove everything's normal. And Jena is wasting away. To cope, Dani sets out to rid herself of all her extra lives. Maybe they'll be released into the universe and someone who wants to live more than she does will get one. Someone like Jena. But just when Dani finds herself at the breaking point, she's faced with a startling realization. Maybe she doesn't have nine lives after all. Maybe she really only ever had one.

A beautiful story of strangers who shape each other’s lives in fateful ways, All of Us in Our Own Lives delves deeply into the lives of women and men in Nepal and into the world of international aid. Ava Berriden, a Canadian lawyer, quits her corporate job in Toronto to move to Nepal, from where she was adopted as a baby. There she struggles to adapt to her new career in international aid and forge a connection with the country of her birth. Ava’s work brings her into contact with Indira Sharma, who has ambitions of becoming the first Nepali woman director of a NGO; Sapana Karki, a bright young teenager living a small village; and Gyanu, Sapana’s brother, who has returned home from Dubai to settle his sister’s future after their father’s death. Their journeys collide in unexpected ways. All of Us in Our Own Lives is a stunning, keenly observant novel about human interconnectedness, about privilege, and about the ethics of international aid (the earnestness and idealism and yet its cynical, moneyed nature).