All That S Left To You

The vivid story of twenty-four hours in the real and remembered lives of a brother and sister living in Gaza and separated from their family. Ghassan Kanafani’s writings are among the most influential in modern Palestinian literature. In his novels, short stories, and plays, he explores complex political questions encased in beautiful narratives and lyrical prose. All That's Left to You presents the vivid story of twenty-four hours in the real and remembered lives of a brother and sister living in Gaza and separated from their family. The desert and time emerge as characters as Kanafani speaks through the desert, the brother, and the sister to build the powerful rhythm of the narrative. The Palestinian attachment to land and family, and the sorrow over their loss, are symbolized by the young man’s unremitting anger and shame over his sister’s sexual disgrace. This remarkable collection of stories provides evidence to the English-reading public of Kanafani’s position within modern Arabic literature. Not only was he committed to portraying the miseries and aspirations of his people, the Palestinians, in whose cause he died, but he was also an innovator within the extensive world of Arabic fiction.

"This book will make you cry, think, and then cry some more." —Nicola Yoon, #1 New York Times bestselling author of Everything, Everything From the New York Times bestselling author of More Happy Than Not comes an explosive examination of grief, mental illness, and the devastating consequences of refusing to let go of the past. When Griffin’s first love and ex-boyfriend, Theo, dies in a drowning accident, his universe implodes. Even though Theo had moved to California for college and started seeing Jackson, Griffin never doubted Theo would come back to him when the time was right. But now, the future he’s been imagining for himself has gone far off course. To make things worse, the only person who truly understands his heartache is Jackson. But no matter how much they open up to each other, Griffin’s downward spiral continues. He’s losing himself in his obsessive compulsions and destructive choices, and the secrets he’s been keeping are tearing him apart. If Griffin is ever to rebuild his future, he must first confront his history, every last heartbreaking piece in the puzzle of his life.

Two lives. Two worlds apart. One deeply compelling story set in both Bosnia and the United States, spanning decades and generations, about the brutality of war and the trauma of everyday life after war, about hope and the ties that bind us together. Zara and her mother, Nadja, have a strained relationship. Nadja just doesn't understand Zara's creative passion for, and self-expression through, photography. And Zara doesn't know how to reach beyond their differences and connect to a closed-off mother who refuses to speak about her past in Bosnia. But when a bomb explodes as they're shopping in their local farmers' market in Rhode Island, Zara is left with PTSD--and her mother is left in a coma. Without the opportunity to get to know her mother, Zara is left with questions--not just about her mother, but about faith, religion, history, and her own path forward. As Zara tries to sort through her confusion, she meets Joseph, whose grandmother is also in the hospital, and whose exploration of religion and philosophy offer comfort and insight into Zara's own line of thinking. Told in chapters that alternate between Zara's present-day Providence, RI, and Nadja's own childhood in Bosnia and Herzegovina during the Bosnian War of the 1990s, We Are All That's Left shows the ways in which, no matter the time and place, struggle and tragedy can give way to connection, healing and love. Praise for We Are All That's Left: * "A multilayered view of tragedy and its repercussions." --Publishers Weekly, *STARRED REVIEW* * "This complex, compelling story takes readers on a deep dive below the surface, exposing both the fragility of life and the redemptive bonds of love." --Booklist, *STARRED REVIEW* "This important and timely novel is a painful, lovely exploration of mending a mother-daughter relationship." --Kirkus Reviews

Jessica Verdi, the author of My Life After Now and The Summer I Wasn't Me, returns with a heartbreaking and poignant novel of grief and guilt that reads like Nicholas Sparks for teens. It's all Ryden's fault. If he hadn't gotten Meg pregnant, she would have never stopped her chemo treatments and would still be alive. Instead he's failing fatherhood one dirty diaper at a time. And it's not like he's had time to grieve while struggling to care for their infant daughter, start his senior year, and earn the soccer scholarship he needs to go to college. The one person who makes Ryden feel like his old self is Joni. She's fun and energetic-and doesn't know he has a baby. But the more time they spend together, the harder it becomes to keep his two worlds separate. Finding one of Meg's journals only stirs up old emotions. Ryden's convinced Meg left other notebooks for him to find, some message to help his new life make sense. But how is he going to have a future if he can't let go of the past? "Ryden's story is a moving illustration of how sometimes you have to let go of the life you planned to embrace the life you've been given. A strong, character-driven story that teen readers will love."-Carrie Arcos, National Book Award Finalist for Out of Reach

What would you do to save a loved one? Robert's mother, Helen, is ravaged with cancer. Every day could be her last, and Robert dreads losing the last member of his family. Robert's friend and Holocaust survivor, Josef, tells him an unholy story and leaves him a way to save his dying mother. But, as with everything in life, the salvation comes with a steep price. Will Robert accept what's left to him and save his mother? Or will the cost be too high, weighing Robert's soul down to the depths of Hell?

'A vivid portrait of life as a refugee in 1990s Australia . . . Tracey Lien's first novel is a deeply moving tale of rage, regret and resilience . . . A brilliant debut' The Times 'An unforgettable debut, utterly compelling from start to finish. Original. Heartbreaking. Gripping. I just loved it!' Liane Moriarty 'An urgent story that commands an audience. All That's Left Unsaid is a gripping and unflinching narrative that is as heart-wrenching as it is unputdownable' Karin Slaughter * They claim they saw nothing. She knows they're lying. 1996 - Cabramatta, Sydney 'Just let him go.' Those are words Ky Tran will forever regret. The words she spoke when her parents called to ask if they should let her younger brother Denny out to celebrate his high school graduation with friends. That night, Denny - optimistic, guileless Denny - is brutally murdered inside a busy restaurant in the Sydney suburb of Cabramatta, a refugee enclave facing violent crime, and an indifferent police force. Returning home for the funeral, Ky learns that the police are stumped by her brother's case. Even though several people were present at Denny's murder, each bystander claims to have seen nothing, and they are all staying silent. Determined to uncover the truth, Ky tracks down and questions the witnesses herself. But what she learns goes beyond what happened that fateful night. The silence has always been there, threaded through the generations, and Ky begins to expose the complex traumas weighing on those present the night Denny died. As she peels back the layers of the place that shaped her, she must confront more than the reasons her brother is dead. And once those truths have finally been spoken, how can any of them move on? * 'A complex, harrowing look into the impacts on trauma on a community, written with the urgent pace of a thriller and peppered with moments of levity' Vogue Australia 'While the mystery is compelling, like the richest literary crime fiction, this story has broader ambitions than revealing who did it . . . Poignant and impeccable storytelling' Oprah Daily 'A mystery that is both suspenseful and lyrical, All That's Left Unsaid marks out Lien as a debut novelist to watch' i

If he had been with me everything would have been different... I wasn't with Finn on that August night. But I should've been. It was raining, of course. And he and Sylvie were arguing as he drove down the slick road. No one ever says what they were arguing about. Other people think it's not important. They do not know there is another story. The story that lurks between the facts. What they do not know—the cause of the argument—is crucial. So let me tell you...

‘All That is Left of Us is an emotional work of art which emphasises the power behind love and life... An extraordinary, memorable read...’ – The Writing Garnet One of my own...