All That Summer She Was Mad

Examines Virginia Woolf's life and works in order to dispute claims that she was insane and argues that the prejudices of her physicians were responsible for her misdiagnosis.

This new edition of a classic study contains a specially written preface evaluating contemporary feminist criticism.

divdivBy the time she was twenty-four, Virginia Woolf had suffered a series of devastating losses that later she would describe as “sledge-hammer blows,” beginning with the death of her mother when she was thirteen years old and followed by those of her half-sister, father, and brother. Yet vulnerable as she was (“skinless” was her word) she began, through these years, to practice her art—and to discover how it could serve her. Ultimately, she came to feel that it was her “shock-receiving capacity” that had made her a writer. Astonishingly gifted from the start, Woolf learned to be attentive to the movements of her own mind. Through self-reflection she found a language for the ebb and flow of thought, fantasy, feeling, and memory, for the shifts of light and dark. And in her writing she preserved, recreated, and altered the dead, altering in the process her internal relationship with their “invisible presences.” “I will go backwards & forwards” she remarked in her diary, a comment on both her imaginative and writerly practice. Following Woolf’s lead, psychologist Katherine Dalsimer moves backward and forward between the work of Woolf’s maturity and her early journals, letters, and unpublished juvenilia to illuminate the process by which Woolf became a writer. Drawing on psychoanalytic theory as well as on Woolf’s life and work, and trusting Woolf’s own self-observations, Dalsimer offers a compelling account of a young artist’s voyage out—a voyage that Virginia Woolf began by looking inward and completed by looking back. /DIV/DIV

In this anthology, outstanding authorities present their assessments of literary madness in a variety of topics and approaches. The entire collection of essays presents intriguing aspects of the Dionysian element in literature.

As the nephew of Virginia Woolf, Quentin Bell enjoyed an initimacy with his subject granted to few biographers. Originally published in two volumes in 1972, his acclaimed biography describes Virginia Woolf's family and childhood; her earliest writings; the formation of the Bloomsbury Group; her marriage to Leonard Woolf; the mental breakdown of the years 1912-15; the origins and growth of the Hogarth Press; her friendships with T. S. Eliot, Katherine Mansfield and Vita Sackvill-West; her struggles to write The Waves and The Years; and the political and personal distresses of her last decade. Compelling, moving and entertaining, Quentin Bell's biography was awarded the James Tait Black Memorial Prize and the Duff Cooper Memorial Prize. It is a fitting tribute to a remarkable and complex woman, one of the greatest writers of the century.

An intimate portrait of one of our greatest and most fascinating writers is presented by Nicolson, the distinguished son of British writers Harold Nicolson and Vita Sackville-West--one of Woolf's closest friends and sometime lover.