All The Things We Leave Behind

Shortlisted for the New Brunswick Book Award for Fiction A novel of absence and adolescence by the author of the award-winning The Town That Drowned. It's 1977. Seventeen-year-old Violet is left behind by her parents to manage their busy roadside antique stand for the summer. Her restless older brother, Bliss, has disappeared, leaving home without warning, and her parents are off searching for clues. Violet is haunted by her brother's absence while trying to cope with her new responsibilities. Between visiting a local hermit, who makes twig furniture for the shop, and finding a way to land the contents of the mysterious Vaughan estate, Violet acts out with her summer boyfriend, Dean, and wonders about the mysterious boneyard. But what really keeps her up at night are thoughts of Bliss's departure and the white deer, which only she has seen. All the Things We Leave Behind is about remembrance and attachment, about what we collect and what we leave behind. In this highly affecting novel, Nason explores the permeability of memory and the sometimes confusing bonds of human emotion.

Told in alternating timelines, THE THINGS WE LEAVE UNFINISHED examines the risks we take for love, the scars too deep to heal, and the endings we can’t bring ourselves to see coming. Twenty-eight-year-old Georgia Stanton has to start over after she gave up almost everything in a brutal divorce—the New York house, the friends, and her pride. Now back home at her late great-grandmother’s estate in Colorado, she finds herself face-to-face with Noah Harrison, the bestselling author of a million books where the cover is always people nearly kissing. He’s just as arrogant in person as in interviews, and she’ll be damned if the good-looking writer of love stories thinks he’s the one to finish her grandmother’s final novel...even if the publisher swears he’s the perfect fit. Noah is at the pinnacle of his career. With book and movie deals galore, there isn’t much the “golden boy” of modern fiction hasn’t accomplished. But he can’t walk away from what might be the best book of the century—the one his idol, Scarlett Stanton, left unfinished. Coming up with a fitting ending for the legendary author is one thing, but dealing with her beautiful, stubborn, cynical great-granddaughter, Georgia, is quite another. But as they read Scarlett’s words in both the manuscript and her box of letters, they start to realize why Scarlett never finished the book—it’s based on her real-life romance with a World War II pilot, and the ending isn’t a happy one. Georgia knows all too well that love never works out, and while the chemistry and connection between her and Noah is undeniable, she’s as determined as ever to learn from her great-grandmother’s mistakes—even if it means destroying Noah’s career.

Winner of the British Columbia National Award for Canadian Non-Fiction Finalist for the Shaughnessy Cohen Prize for Political Writing Finalist for the Governor General’s Literary Award for Non-fiction Finalist for the Hilary Weston Writers’ Trust Prize for Nonfiction An incredible work of non-fiction that reads like a thriller, All We Leave Behind is the true story of a family fleeing the death sentence of a ruthless warlord, written by the journalist who broke all her own rules to get them to safety. In 2002, Carol Off and a CBC TV crew encountered an Afghan man with a story to tell. Asad Aryubwal became a key figure in their documentary on the terrible power of thuggish warlords who were working arm in arm with Americans and NATO troops. When Asad publicly exposed the deeds of one of the warlords, General Abdul Rashid Dostum, it set off a chain of events from which there was no turning back. Asad, his wife, Mobina, and their five children had to flee their home. The family faced an uncertain future. But their dilemma compelled a journalist to cross the lines of disinterested reporting and become deeply involved. Together, they navigated the Byzantine international bureaucracy and the decidedly unwelcoming policies of Stephen Harper's government until the family finally found a new home. Carol Off's powerful account traces not only one family's journey and fraught attempts to immigrate to a safe place, it also illustrates what happens when a journalist becomes irrevocably caught up in the lives of the people in her story and finds herself unable to leave them behind.

“A documentary filmmaker and daughter of the late, great New York Times columnist David Carr celebrates and wrestles with her father’s legacy in a raw, redemptive memoir.”—O: The Oprah Magazine “A breathtaking read . . . a testimony equal parts love and candor. David would have had it no other way.”—Ta-Nehisi Coates, bestselling author of Between the World and Me NAMED ONE OF THE BEST BOOKS OF THE YEAR BY GLAMOUR AND MARIE CLAIRE Dad: What will set you apart is not talent but will and a certain kind of humility. A willingness to let the world show you things that you play back as you grow as an artist. Talent is cheap. Me: OK I will ponder these things. I am a Carr. Dad: That should matter quite a bit, actually not the name but the guts of what that name means. A celebrated journalist, bestselling author (The Night of the Gun), and recovering addict, David Carr was in the prime of his career when he suffered a fatal collapse in the newsroom of The New York Times in 2015. Shattered by his death, his daughter Erin Lee Carr, at age twenty-seven an up-and-coming documentary filmmaker, began combing through the entirety of their shared correspondence—1,936 items in total—in search of comfort and support. What started as an exercise in grief quickly grew into an active investigation: Did her father’s writings contain the answers to the question of how to move forward in life and work without her biggest champion by her side? How could she fill the space left behind by a man who had come to embody journalistic integrity, rigor, and hard reporting, whose mentorship meant everything not just to her but to the many who served alongside him? All That You Leave Behind is a poignant coming-of-age story that offers a raw and honest glimpse into the multilayered relationship between a daughter and a father. Through this lens, Erin comes to understand her own workplace missteps, existential crises, and relationship fails. While daughter and father bond over their mutual addictions and challenges with sobriety, it is their powerful sense of work and family that comes to ultimately define them. This unique combination of Erin Lee Carr’s earnest prose and her father’s meaningful words offers a compelling read that shows us what it means to be vulnerable and lost, supported and found. It is a window into love, with all of its fierceness and frustrations. “Thank you, Erin, for this beautiful book. Now I am going to steal all of your father’s remarkable advice and tell my kids I thought of it.”—Judd Apatow

While this book is being published as fiction, the very essence of the story is a true one. The gentleman this book is actually about felt that his sins were far too horrible to be forgiven. While the names and certain events have been altered in order to avoid sharing any inaccurate information, therefore making it fiction, he did, in fact, grow up in a small rural community in the south. The innocence of that idyllic childhood was shattered due to the draft during the Vietnam War. Then he struggled to rebuild his life from that point forward. However, he found that there was no returning to the things he left behind. The innocence of youth was forever lost. While he survived physically, although narrowly, any semblance of normal life was gone. From that point forward, he dealt with overwhelming guilt. Guilt for going and leaving loved ones behind, some he would never see again. Guilt for coming home and leaving his men behind, many whom would never make it home. Guilt for things he had to do during the terror that was an integral part of war. He tried to seek relief by rebuilding and helping as much as he could. He was, however, overwhelmed with the fear that nothing would ever be good enough to bring about forgiveness for his seemingly unthinkable sins. Like many who have been through such traumas, he suffered silently, and this took its toll. He was fortunate enough to have had many caring people who tried to help through the years. In the end, he was blessed to finally find the answer through one seemingly simple question that allowed him to find the peace he so desperately sought. His dying wish was that his story might help others.

Zoe Rutherford has come to the end of her rope. Her relationship with Chris has reached the breaking point and it is time to leave. But can she leave? And if she does, what is she willing to leave behind? This stunning short story, the prequel to Tanya Anne Crosby’s remarkable new novel, THE GIRL WHO STAYED, is tense, poignant, and deeply satisfying – exactly what readers have come to expect from this New York Times bestselling author. The Girl Who Stayed Book 1: The Things We Leave Behind Book 2: The Girl Who Stayed

When 14-year-old Ruby Carson takes a tumble through the ice she nearly drowns. Coming to, she has a vision of her town under water that she shares with the assembled crowd. Already something of an oddity, the vision solidifies her status as an outcast. But as it turns out she was right ...

Now a Netflix film starring Julia Roberts, Mahershala Ali, Ethan Hawke, Myha'la, Farrah Mackenzie, Charlie Evans and Kevin Bacon. Written for the Screen and Directed by Sam Esmail. Executive Producers Barack and Michelle Obama, Tonia Davis, Daniel M. Stillman, Nick Krishnamurthy, Rumaan Alam A Read with Jenna Today Show Book Club Pick! Finalist for the 2020 National Book Award in Fiction One of Barack Obama's Summer Reads A Best Book of the Year From: The Washington Post * Time * NPR * Elle * Esquire * Kirkus * Library Journal * The Chicago Public Library * The New York Public Library * BookPage * The Globe and Mail * EW.com * The LA Times * USA Today * InStyle * The New Yorker * AARP * Publisher's Lunch * LitHub * Book Marks * Electric Literature * Brooklyn Based * The Boston Globe A magnetic novel about two families, strangers to each other, who are forced together on a long weekend gone terribly wrong. From the bestselling author of Rich and Pretty comes a suspenseful and provocative novel keenly attuned to the complexities of parenthood, race, and class. Leave the World Behind explores how our closest bonds are reshaped—and unexpected new ones are forged—in moments of crisis. Amanda and Clay head out to a remote corner of Long Island expecting a vacation: a quiet reprieve from life in New York City, quality time with their teenage son and daughter, and a taste of the good life in the luxurious home they’ve rented for the week. But a late-night knock on the door breaks the spell. Ruth and G. H. are an older couple—it’s their house, and they’ve arrived in a panic. They bring the news that a sudden blackout has swept the city. But in this rural area—with the TV and internet now down, and no cell phone service—it’s hard to know what to believe. Should Amanda and Clay trust this couple—and vice versa? What happened back in New York? Is the vacation home, isolated from civilization, a truly safe place for their families? And are they safe from one other?