All Things Arabia

By employing the innovative lenses of ‘thing theory’ and material culture studies, this collection brings together essays focused on the role played by Arabia’s things - from cultural objects to commodities to historical and ethnographic artifacts to imaginary things - in creating an Arabian identity over time. The Arabian identity that we convey here comprises both a fabulous Arabia that has haunted the European imagination for the past three hundred years and a real Arabia that has had its unique history, culture, and traditions outside the Orientalized narratives of the West. All Things Arabia aims to dispel existing stereotypes and to stimulate new thinking about an area whose patterns of trade and cosmopolitanism have pollinated the world with lasting myths, knowledge, and things of beauty. Contributors include: Ileana Baird, Marie-Claire Bakker, Joseph Donica, Holly Edwards, Yannis Hadjinicolaou, Victoria Hightower, Jennie MacDonald, Kara McKeown, Rana Al-Ogayyel, Ceyda Oskay, Chrysavgi Papagianni, James Redman, Eran Segal, Hülya Yağcıoğlu, and William Gerard Zimmerle.

He has been called the greatest surgeon of the 20th century. The son of Lebanese immigrants, Michael DeBakey rose from humble beginnings in a backwater Louisiana town to dominate the landscape of modern medicine. His contributions to our understanding and treatment of cardiovascular disease, in particular, were innumerable and epoch-making. DeBakey led a life of high drama, from the streets of Jazz Age New Orleans and the operating theaters of pre-war Europe, to the battlefields of World War II and the floodwaters of Hurricane Katrina. An advisor to Presidents, a health care statesman, and a physician to royalty and commoner alike, he helped build Houston's Texas Medical Center into a jewel of the medical world. Yet DeBakey's own family paid a tremendous cost for his commitment to his fellow man. Buoyed by unique access to primary resources, A Time for All Things: The Life of Michael E. DeBakey is the first to tell the remarkable story of a driven genius who led a scientific and therapeutic revolution in all its dramatic depth.

D. G. Hogarth's 1904 historiographical summary of explorations in the Arabian peninsula illuminates his later role in the 1916 Arab revolt.

Women and Contemporary Art in the Gulf offers a unique focus on the roles of women in contemporary art, cultural production and arts institutions in the Gulf. Drawing on in-person experiences of the art and sites discussed, as well as research on regional artists and arts institutions, DeTurk argues that the Gulf Cooperation Council (GCC) countries of Bahrain, Kuwait, Oman, Qatar, Saudi Arabia and the United Arab Emirates have been largely excluded from the critical discourse about, and display of, contemporary Middle Eastern art. The book addresses this oversight by providing an examination of the work of several contemporary women artists from the Gulf region. DeTurk also discusses the role of women in museums and cultural institutions in the region, as well as the education systems available to emerging women artists. The discussion and analysis at the heart of the book connect to a range of larger themes, including the visual culture of patriarchy, connection to material culture and heritage, religious beliefs, trade and migration, rapid development, and the need to envision and create a post-oil economy. Women and Contemporary Art in the Gulf, with its examination of the critical role women play in the formation of the cultural landscape of the Gulf, is an important contribution to discourse around the changing role of the GCC. It will be essential reading for scholars and students engaged in the study of art history, visual culture, museums and heritage, and women and gender studies.