Allegories Of Dissent

Allegories of Dissent, the first book devoted to the literature of Agustin Gomez-Arcos, is a case study of the relationship between art and oppression. It positions his theater in relation to the historical trajectories of twentieth-century Spanish and European drama, and in so doing, traces the allegorical strategies and thematic transformations that emerge in his work during the course of his radical move from censored artist to bilingual exile. Gomez-Arcos's threefold experience with censorship, exile, and bilingualism has left a lasting imprint on his literary production. As he embarks on an artistic journey from censored playwright living in dictatorial Spain to bilingual exile writer residing in democratic France, his gradual employment of the French language comes to allegorize his quest for freedom of expression.

An incisive and wide ranging look at a powerful force and myth in American culture and history, American Exceptionalisms reveals the centuries-old persistence of the notion that the United States is an exceptional nation, in being both an example to the world and exempt from the rules of international law. Scholars from North America and Europe trace versions of the rhetoric of exceptionalism through a multitude of historical, cultural, and political phenomena, from John Winthrop's vision of the "cittie on a hill" and the Salem witch trials in the seventeenth century to The Blair Witch Project and Oprah Winfrey's "Child Predator Watch List" in the twenty-first century. The first set of essays focus on constitutive historical moments in the development of the myth, rom early exploration narratives through political debates in the early republic to twentieth-century immigration debates. The latter essays address the role of exceptionalism in the "war on terror" and such cornerstones of modern popular culture such as the horror stories of H.P. Lovecraft, the songs of Steve Earle, and the Oprah Winfrey show. Sylvia Söderlind is Associate Professor of English Language and Literature at Queen's University, Kingston, Ontario, Canada. She is the author of Margin/Alias: Language and Colonization in Canadian and Québécois Fiction (Toronto: University of Toronto Press, 1991) and articles on American, Canadian and Québécois fiction, "ghostmodernism" and translation, and the politics of metaphor published in, among others, Canadian Review of Comparative Literature, Ariel, Essays in Canadian Writing, Voix et images, RS/SI, New Feminism Review (Japan), ARTES (Sweden). James Taylor Carson is Professor of History and Associate Dean in the Faculty of Arts and Science at Queen's University, Kingston, Ontario, Canada. His scholarship focuses on the ethnohistory of native peoples in the American South, and he has published two books on the subject, Searching for the Bright Path: The Mississippi Choctaws from Prehistory to Removal (Lincoln: University of Nebraska Press, 1999) and Making an Atlantic World: Circles, Paths, and Stories from the Colonial South (Knoxville: University of Tennessee Press, 2007).

Christian theology from the start found itself impaled on its affirmation of the Biblical declaration that there is no other way to salvation than through the historical Jesus and him crucified. it was on this thesis logically confronted with the obligat.

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Religious diversity and ferment characterize the period that gave rise to Romanticism in England. It is generally known that many individuals who contributed to the new literatures of the late eighteenth century came from Dissenting backgrounds, but we nonetheless often underestimate the full significance of nonconformist beliefs and practices during this period. Daniel White provides a clear and useful introduction to Dissenting communities, focusing on Anna Barbauld and her familial network of heterodox 'liberal' Dissenters whose religious, literary, educational, political, and economic activities shaped the public culture of early Romanticism in England. He goes on to analyze the roles of nonconformity within the lives and writings of William Godwin, Mary Wollstonecraft, Samuel Taylor Coleridge, and Robert Southey, offering a Dissenting genealogy of the Romantic movement.

Jason Crawford explores the emergence of modernity by investigating the early modern poetics of allegorical narrative. He focuses on four major allegorical narratives produced in the period: William Langland's Piers Plowman, John Skelton's The Bowge of Courte, Edmund Spenser's The Faerie Queene, and John Bunyan's The Pilgrim's Progress.