Alleviative Objects

The global field of contemporary art is shaped by inter-racial conflicts. Alleviative Objects approaches Caribbean art through intersectional entanglements and combines decolonial epistemologies with critical whiteness studies and affect theory in order to rethink `Euro- and U.S.-centric' perspectives on art, race, and class. David Frohnapfel shows how progressive racism in the discourse on Haitian art recenters Whiteness by performing benign, innocent, and heroic identifications with the artist group Atis Rezistans. While the study turns critically towards Whiteness, it also turns away from it and towards the compelling contributions of Haitian curators and artists to the decentralization of contemporary art.

This book explores the intersections between wearable objects and human health, with particular emphasis on how artists and designers are creatively responding to and rethinking these relations. Addressing a rich range of wearable artefacts, from mobility aids and prosthetics to clothing and accessories to digital health tracking devices, its themes include care and cure; wellness culture and the commoditization of health; and the complex interactions between (human) bodies and (non-human) objects. With a theoretical framework inspired by the work of materialist thinkers including Sherry Turkle, Bruno Latour and Jane Bennett, and bringing the disciplinary fields of fashion studies, art and design practice, and medical and health humanities into dialogue for the first time, this volume draws attention to the complex agencies entangled in the things we wear, and situates fashion and art in relation to broader cultural and historical contexts of health, illness and disability.

Caribbean Art presents and discusses the diverse, fascinating and highly accomplished work of Caribbean artists, whether indigenous or from the diaspora, popular or high culture, rural or urban based, politically radical or religious. This expanded edition has a new preface, and has been updated to reflect on recent challenges to the ideological premises and institutions of conventional art-historical practice and their connections to histories of colonialism, Eurocentricity and race. Two new chapters focus on public monuments linked to the history of the Caribbean, and the intersections between art and tourism, raising important questions about cultural representation. Featuring the work of internationally recognized artists such as Sonia Boyce, Christopher Cozier, Wifredo Lam, Ana Mendieta, Ebony G. Patterson, Hervé Télémaque, and more than 100 others working across a variety of media, this new edition makes an important contribution to the understanding of Caribbean art and its context, in ways that invite and encourage further explorations on the subject.

Civilizations of the Supernatural: Witchcraft, Ritual, and Religious Experience in Late Antique, Medieval, and Renaissance Traditions brings together thirteen scholars of late-antique, medieval, and renaissance traditions who discuss magic, religious experience, ritual, and witch-beliefs with the aim of reflecting on the relationship between man and the supernatural. The content of the volume is intriguingly diverse and includes late antique traditions covering erotic love magic, Hellenistic-Egyptian astrology, apotropaic rituals, early Christian amulets, and astrological amulets; medieval traditions focusing on the relationships between magic and disbelief, pagan magic and Christian culture, as well as witchcraft and magic in Britain, Scandinavian sympathetic graphophagy, superstition in sermon literature; and finally Renaissance traditions revolving around Agrippan magic, witchcraft in Shakespeare's Macbeth, and a Biblical toponym related to the Friulan Benandanti's visionary experiences. These varied topics reflect the multifaceted ways through which men aimed to establish relationships with the supernatural in diverse cultural traditions, and for different purposes, between Late Antiquity and the Renaissance. These ways eventually contributed to shaping the civilizations of the supernatural or those peculiar patterns which helped men look at themselves through the mirror of their own amazement of being in this world.

The Congressional Record is the official record of the proceedings and debates of the United States Congress. It is published daily when Congress is in session. The Congressional Record began publication in 1873. Debates for sessions prior to 1873 are recorded in The Debates and Proceedings in the Congress of the United States (1789-1824), the Register of Debates in Congress (1824-1837), and the Congressional Globe (1833-1873)

A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. In Ritual Boundaries, Joseph E. Sanzo transforms our understanding of how early Christians experienced religion in lived practice through the study of magical objects, such as amulets and grimoires. Against the prevailing view of late antiquity as a time when only so-called elites were interested in religious and ritual differentiation, the evidence presented here reveals that the desire to distinguish between religious and ritual insiders and outsiders cut across diverse social strata. The magical evidence also offers unique insight into early biblical reception, exposing a textual world in which scriptural reading was multisensory and multitraditional. As they addressed sickness, demonic struggle, and interpersonal conflicts, Mediterranean people thus acted in ways that challenge our conceptual boundaries between Christians and non-Christians; elites and non-elites; and words, materials, and images. Sanzo helps us rethink how early Christians imagined similarity and difference among texts, traditions, groups, and rituals as they went about their daily lives.

In this intimate memoir, Ruth Rosengarten explores the subject of evocative objects through a series of interconnected essays. Evocative objects reflect our attitudes to our own lives and how we seek to display ourselves to ourselves. They are therefore, closely linked to our memories, and how we filter, process and reconstruct them. Rosengarten explores the themes and associations invoked by her own evocative objects, which are frequently shabby things of no material value. They are, importantly, often objects that, in their materiality, bear traces of actions, of something-having-been. Through the associative pathways that these objects have paved, she discusses her experiences with the losses she has undergone, her family’s migrations, and what it means to be a childless woman. This leads her to address the question of what will become of her storied objects and the memories attached to them when she is no longer in existence. This memoir offers an interdisciplinary approach to collecting and compiling fragments of one’s life, paying close attention to the evocative objects that embody us. In doing so, these essays explore loss, memory, childlessness, longing, family history, literature and art theory through material entities which reveal the immaterial ‘things’ at the heart of this study. This book is sure to be of interest to anyone stimulated by memory work and the relationship between humans and their possessions