Allusions And Reflections

In June 2012, scholars from a number of disciplines and countries gathered in Stockholm to discuss the representation of ancient mythology in Renaissance Europe. This symposium was an opportunity for the participants to cross disciplinary borders and to problematize a well-researched field. The aim was to move beyond a view of mythology as mere propaganda in order to promote an understanding of ancient tales and fables as contemporary means to explain and comprehend the Early Modern world. W ...

A highly conscious wordsmith, Daniel Defoe used expository styles in his fiction and non-fiction that reflected his ability to perceive material and intellectual phenomena from opposing, but not contradictory perspectives. Moreover, the boundaries of genre within his wide-ranging oeuvre can prove highly fluid. In this study, Robert James Merrett approaches Defoe's body of work using interdisciplinary methods that recognize dialectic in his verbal creativity and cognitive awareness. Examining more than ninety of Defoe's works, Merrett contends that this author's literariness exploits a conscious dialogue that fosters the reciprocity of traditional and progressive authorial procedures. Along the way, he discusses Defoe's lexical and semantic sensibility, his rhetorical and aesthetic theories, his contrarian theology, and more. Merrett proposes that Defoe's contrarian outlook celebrates a view of consciousness that acknowledges the brain's bipartite structure, and in so doing illustrates how cognitive science may be applied to further explorations of narrative art.

Allusions to Shakespeare haunt our contemporary culture in a myriad of ways, whether through brief references or sustained intertextual engagements. Shakespeare’s plays and motifs have been appropriated in fragmentary forms onstage and onscreen since motion pictures were invented in 1893. This collection of essays extends beyond a US-UK axis to bring together an international group of scholars to explore Shakespearean appropriations in unexpected contexts in lesser-known films and television shows in India, Brazil, Russia, France, Australia, South Africa, East-Central Europe and Italy, with reference to some filmed stage works.

The practice of the sacraments of baptism and the Eucharist allow Christians to read Scripture in the context of the church and in unity with the Trinity. Charles Meeks argues here, however, that over the centuries since the Reformation, Protestant expressions of the church have often allowed the sacraments to assume a minor role that has led to a weakening of Protestant ecclesiology and a disconnection of these ancient rituals from the gospel. To unpack this reality, Meeks relies on the work of fourth-century bishop Hilary of Poitiers and modern theologian Robert W. Jenson to examine the relationship between the sacraments and Scripture, the Trinity, and the church. With Hilary, he retrieves a hermeneutic that starts from the interdependence of the sacraments with all aspects of Christian life, especially the way one reads Scripture, formulates theology, and understands what the church is and is not. With Jenson, Meeks applies this hermeneutic to the modern church in an appeal to recover a premodern sense of God’s relationship to time, and thus how the church relates to God through Word and Sacrament.

This corpus-based study of allusions in the British press shows the range of targets journalists allude to - from Shakespeare to TV soaps, from Jane Austen to Hillary Clinton, from hymns to nursery rhymes, proverbs and riddles. It analyzes the linguistic forms allusions take and demonstrates how allusions function meaningfully in discourse. It explores the nature of the background cultural and intertextual knowledge allusions demand of readers and sets out the processing stages involved in understanding an allusion. Allusion is integrated into existing theories of indirect language and linked to idioms, word-play and metaphor.