Alma Rattenbury

‘A case study in human frailty, jealousy and desire … fascinating.’ The Times, Best Books of 2019 ‘Superbly evocative and gripping.’ The Spectator ‘Sean O’Connor can’t resist striking a theatrical note in this “biography of murder”.’ Sunday Times Adultery, alcoholism, drugs and murder on the suburban streets of Bournemouth. The Rattenbury case of 1935 was one of the great tabloid sensations of the interwar period. The glamorous femme fatale at the heart of the story dominated the front pages for months, somewhere between the rise of Hitler and the launch of the Queen Mary. With painstaking research and access to brand new evidence, Sean O’Connor vividly brings this epic story to life, from its beginnings in the South London slums of the 1880s and the open vistas of the British Columbian coast, to its bloody climax in a respectable English seaside resort. The Fatal Passion of Alma Rattenbury is a gripping murder story and a heartbreaking romance as well as the biography of a vital, modern woman trapped between the freedoms of two world wars and suffocated by the conformity of peacetime. A startlingly prescient parable for our times, it is the story of a woman who dared to challenge the status quo only to be crucified by public opinion, pilloried by the press and punished by the relentless machinery of the British legal system. With a wealth of fascinating period detail, from its breathtaking opening to its shocking conclusion, The Fatal Passion of Alma Rattenbury is a true story as enthralling, as provocative and as moving as any work of fiction.

'A case study in human frailty, jealousy and desire ... fascinating.' The Times, Best Books of 2019 'Meticulously researched...superbly evocative and gripping...a narrative that builds with the intensity of an approaching thunderstorm.' The Spectator 'Sean O'Connor can't resist striking a theatrical note in this "biography of murder".' Sunday Times Adultery, alcoholism, drugs and murder on the suburban streets of Bournemouth. The Rattenbury case of 1935 was one of the great tabloid sensations of the interwar period. The glamorous femme fatale at the heart of the story dominated the front pages for months, somewhere between the rise of Hitler and the launch of the Queen Mary. With painstaking research and access to brand new evidence, Sean O'Connor vividly brings this epic story to life, from its beginnings in the south London slums of the 1880s and the open vistas of the British Columbian coast to its bloody climax in a respectable English seaside resort. The Fatal Passion of Alma Rattenbury is a gripping murder tale and a heartbreaking romance, as well as the biography of a vital, modern woman trapped between the freedoms of two world wars and suffocated by the conformity of peacetime. A startlingly prescient parable for our times, it is the story of a protagonist who dared to challenge the status quo only to be crucified by public opinion, pilloried by the press and punished by the relentless machinery of the British legal system. With a wealth of fascinating period detail, from its breathtaking opening to its shocking conclusion, The Fatal Passion of Alma Rattenbury is a true story as enthralling, provocative and moving as any work of fiction.

Yorkshire-born Francis Mawson Rattenbury (1867-1935) emigrated to British Columbia as a young architect in 1892. Within months of his arrival in Victoria he launched his brilliant, if abbreviated, career by winning an international competition to design the legislative buildings. While his life was marred by controversy, scandal and, in the end, tragedy, Rattenbury's architecture had an enduring impact on the Canadian landscape and his commercial ventures were important to the economic development of the West. Richly illustrated with over 200 drawings and photographs, Francis Rattenbury and British Columbia is the first major critical study of a Canadian architect in the context of his times. Using unpublished primary sources, including his recently discovered private letters, the authors document Rattenbury's professional career and the evolution of his architectural style. Detailed descriptions are given of some of his most famous projects, notably the legislative buildings and the Empress Hotel in Victoria. Besides working on a number of government commissions, Rattenbury became chief architect for the Canadian Pacific Railway and designed "chateau-like" buildings for C.P.R. hotels in the Rockies, Vancouver, and Victoria. Other projects such as the Vancouver and Nanaimo Courthouses and Bank of Montreal branches set the pattern for institutional architecture in British Columbia. His buildings not only drew attention to the growing importance of the province, but also lent dignity and character to its major centres. Filled with the vigour and confidence of the imperial age, Rattenbury initiated a number of commercial ventures. These included the founding of a transportation system to the Yukon goldfields and extensive land speculations. As the authors point out, these investments were perhaps not undertaken solely for monetary gain but reflected Rattenbury's firm belief in the future of British Columbia and his desire to play an active role in its growth. Unfortunately, his entrepreneurial adventures involved heavy financial losses, among which were ruinous lawsuits involving the provincial government. This pioneering work on Western Canadian architecture will serve as a valuable design source for both the specialist and lay reader. It also includes an important account of the part played by major Canadian companies and government patronage in the development of British Columbia. This professional biography reveals new facets of Rattenbury's life and character which have been the subject of both public and literary controversy.

Describes more than 80 full-length plays produced in the last quarter of the 20th century, with an emphasis on New York and London performances.

Glamorous young wife Alma Rattenbury takes her chauffeur as a lover and their scandalous relationship leads to a murder most foul. The 1935 murder of architect Francis Mawson Rattenbury, famous for his design of the iconic Parliament Buildings and Empress Hotel in Victoria, British Columbia, and the arrest and lurid trial of his 30-years-younger second wife, Alma, and the family chauffeur, George Percy Stoner, her lover, riveted people. Francis and Alma had moved to Bournemouth, England, after the City of Victoria had ostracized them for their scandalous, flagrant affair while Francis was married to his first wife. Their life in Bournemouth was tangled. Francis became an impotent lush. Deprived of sexual gratification, Alma seduced George, previously a virgin who was half her age. They conducted their affair in her upstairs bedroom with her and Francis’s six-year-old son in a nearby bed, “sleeping,” she said, and the near-deaf Francis in his armchair downstairs in a drunken stupor. The lovers were tried together for Francis’s murder at the Old Bailey Criminal Court in London, resulting in intense public interest and massive, frenzied media coverage. The trial became one of the 20th century’s most sensational cases, sparking widespread debate over sexual mores and social strata distinctions.

Terence Rattigan's 'Cause Célèbre' is a drama based on the real-life story of Alma Rattenbury, who in 1935 went on trial with her eighteen-year-old lover for the murder of her husband. Rattigan originally wrote the play for radio, broadcast on BBC Radio 4 on 27 October 1975.

A collection of stories about some of the fascinating people and events that helped shape the history of Vancouver Island and Victoria.

From the Florida roadside prostitute and first convicted serial killer Aileen Wuornos to the Empress poisoner of ancient Rome, this is the biggest collection of the world's most dangerous women newly revised and expanded, including: Ruth Snyder, the last woman in the US to go to the electric chair; the English multiple murderess who chopped up the bodies of children and scattered them from a plane; Rosemary West - unsuspecting dupe or cold-blooded killer; the mother who hired a killer to eliminate her daughter-in-law; Lizzie Borden - separating fact from fiction; Myra Hindley - Britain's most infamous murderess.