Alms And Vagabonds

The chapters in this book explore the transcultural, multi-ethnic, and cross-regional contexts and connections between the Buddhāvataṃsaka-sūtra, Mount Wutai and the veneration of Mañjuśrī that contributed to the establishment and successive transformations of the cult centered on Mount Wutai – and reduplications elsewhere. The contributions reflect on the literature, architecture, iconography, medicine, society, philosophy and several other aspects of the Wutai cult and its significant influence across several Asian cultures, such as Chinese, Japanese, Tibetan, Mongolian and Korean. This book is a significant new contribution to the study of the Wutai cult, and will be a great resource for academics, researchers, and advanced students of Religion, Philosophy, History, Architecture, Literature and Art. The chapters in this book were originally published in the journal Studies in Chinese Religions.

Miracles of Book and Body is the first book to explore the intersection of two key genres of sacred literature in medieval Japan: sutras, or sacred Buddhist texts, and setsuwa, or "explanatory tales," used in sermons and collected in written compilations. For most of East Asia, Buddhist sutras were written in classical Chinese and inaccessible to many devotees. How, then, did such devotees access these texts? Charlotte D. Eubanks argues that the medieval genre of "explanatory tales" illuminates the link between human body (devotee) and sacred text (sutra). Her highly original approach to understanding Buddhist textuality focuses on the sensual aspects of religious experience and also looks beyond Japan to explore pre-modern book history, practices of preaching, miracles of reading, and the Mahayana Buddhist "cult of the book."

First published in 1967. This volume has grown out of a study of a number of Elizabethan pamphlets dealing with rogues and vagabonds, the most important of which are the Conny-catching series of Robert Greene and the Catteat for Commm Cursetors of Thomas Harman. 'Conny-catching' was an Elizabethan slang word for a particular method of cheating at cards, but it came to be used in a general sense for all kinds of tricks by which rogues and sharpers beguiled simple people of their money. The books are vivid and well written, and they picture an elaborately organized profession of roguery with a language of its own and a large number of well-defined. Methods and traditions.