Alphaville

It uses new interviews with Godard's main collaborators on the film to reveal new aspects and explores its multiple influences, on 'Blade Runner', for example, or 'Code 46'. This is the first ever full appraisal of Godard's highly influential classic of sci-fi noir. Chris Darke writes about how, working without sets, special effects, or even a script, Godard made a dystopian vision of a technocratic future city. He explores the film's unique combination of genres and styles, its remarkable creation the secret agent Lemmy Caution, and uses his new interviews with the director's collaborators to chronicle the film's production. He also relates Alphaville to Godard's later work, setting it in the context of his wider career and of its influence on other filmmakers and artists. .

Welcome to Alphabet City, Manhattan's most crime-ridden neighbourhood with murder, rape and violence hitting record levels the streets, fuelled by a drug problem that's got the city by the throat. It was into this vision of hell that Mike Codella and his partner Gio stepped in 1988, two plainclothes narcs expected just to pull a few street arrests to keep statistics looking good, and try to get out alive. But Mike had his eyes on something bigger. Davey Blue Eyes: local kingpin, druglord and stone cold murderer. Just one drawback - no one even knew what he looked like. Fascinating, brutal and told with a furious, even poetic energy, Alphaville stands shoulder to shoulder with other modern true crime classics such as Serpico, The French Connection, Wiseguy, or David Simon's Homicide. 'Nerve-shreddingly real. Addictive, brilliant and compelling' R.J. Ellory, bestselling author of A Simple Act of Violence

The science fiction genre maintains a remarkable hold on the imagination and enthusiasm of the filmgoing public, captivating large audiences worldwide and garnering ever-larger profits. Science fiction films entertain the possibility of time travel and extraterrestrial visitation and imaginatively transport us to worlds transformed by modern science and technology. They also provide a medium through which questions about personal identity, moral agency, artificial consciousness, and other categories of experience can be addressed. In The Philosophy of Science Fiction Film, distinguished authors explore the storylines, conflicts, and themes of fifteen science fiction film classics, from Metropolis to The Matrix. Editor Steven M. Sanders and a group of outstanding scholars in philosophy, film studies, and other fields raise science fiction film criticism to a new level by penetrating the surface of the films to expose the underlying philosophical arguments, ethical perspectives, and metaphysical views. Sanders's introduction presents an overview and evaluation of each essay and poses questions for readers to consider as they think about the films under discussion.The first section, "Enigmas of Identity and Agency," deals with the nature of humanity as it is portrayed in Blade Runner, Dark City, Frankenstein, Invasion of the Body Snatchers, and Total Recall. In the second section, "Extraterrestrial Visitation, Time Travel, and Artificial Intelligence," contributors discuss 2001: A Space Odyssey, The Terminator, 12 Monkeys, and The Day the Earth Stood Still and analyze the challenges of artificial intelligence, the paradoxes of time travel, and the ethics of war. The final section, "Brave Newer World: Science Fiction Futurism," looks at visions of the future in Metropolis, The Matrix, Alphaville, and screen adaptations of George Orwell's 1984.

Cities in both North and South America are confronting tremendous challenges in urban growth and management as they enter the new century. Curitiba in Brazil and Portland in Oregon, US are cities that have achieved recognition for exemplary urban planning programmes over the past three decades. As such, they provide particularly useful illustrations of the intense development pressures that many urban areas currently face. This book explores the dynamics of their urban governance, arguing that, in general, there has been a unique synergy derived from the combination of visionary leadership, innovative urban plans and effective citizen involvement. The book argues that, while urban design and architecture are key to the success in making cities livable and in augmenting the global reputations, such sensitive, innovative urban planning and design projects first need to be governed effectively and grounded within the specifics of their local cultures and existing built environments.

Persuasion: The Hidden Forces That Influence Negotiations represents the first book of its kind to package and present persuasion principles in an innovative, international, and interdisciplinary fashion. This easy-to-understand book is the culmination of seminal research findings spanning across decades and disciplines – psychology, philosophy, negotiations, decision-making, logic, law, and economics, among others – from esteemed experts around the world. Persuasion provides a series of short, simple-to-use intellectual tools to go above and beyond merely describing "what to think"– but "how to think" in a persuasion, influence, and negotiation context –across a diverse array of disciplines, sectors, and situations from boardrooms to classrooms for the twenty-first century.

In this book, Wheeler Winston Dixon offers an overview of all of Godard's work as a filmmaker, including his work for television and his ethnographic work in Africa. Free from the jargon and value judgments that have marred much of what has been written about Godard, this is the only book that covers the entirety of Godard's career.

The huge international success of his latest feature, All About My Mother, has finally granted Pedro Almodovar the recognition he deserves, as the most artistically ambitious and commercially consistent film-maker in Europe.