Alter Icons

"A collection of essays by eleven scholars of Russian history, art, literature, cinema, philosophy, and theology that track key shifts in the production, circulation, and consumption of the Russian icon from Peter the Great's Enlightenment to the post-Soviet revival of the Orthodox Church"--Provided by publisher.

ReVisioning: Critical Methods of Seeing Christianity in the History of Art examines the application of art historical methods to the history of Christianity and art. As methods of art history have become more interdisciplinary, there has been a notable emergence of discussions of religion in art history as well as related fields such as visual culture and theology. This book represents the first critical examination of scholarly methodologies applied to the study of Christian subjects, themes, and contexts in art. ReVisioning contains original work from a range of scholars, each of whom has addressed the question, in regard to a well-known work of art or body of work, "How have particular methods of art history been applied, and with what effect?" The study moves from the third century to the present, providing extensive treatment and analysis of art historical methods applied to the history of Christianity and art.

A visual introduction to Microsoft's innovative new operating system, Windows Vista, includes coverage of such topics as Aero Glass design, security features for protecting the PC, instant searching, Windows Mail, parental control, Media Player 11, and Internet Explorer 7.

Windows XP can be a great tool, but it is all too easy to trip over Windows XP's annoying traits more often than you leverage its productivity. Windows XP power-users troll online resources, documentation, and the expertise (or lucky finds) of friends for valuable tips and tricks--a keyboard shortcut here, an undocumented double-click there--to eliminate annoyances, save time, and take control of their Windows XP. But what if there was an easier way?This new book presents literally hundreds of problems and solutions, amazing power tips, cool tricks, and clever workarounds in one clearly organized, easy to use, and portable resource. Truly insightful and amusing, Windows XP Power Hound gives Windows XP users practical hints for everything from the desktop to Office programs to the registry, and includes documented (but little-known) tips as well as previously undocumented tricks. Windows XP Power Hound moves far beyond mere productivity and explores what's possible with Windows XP--including cool things you probably never thought of doing.An understanding of Windows XP basics will get the job done. But discovering the most useful I didn't know that! tips and shortcuts will make using Windows XP a far richer and less frustrating experience. The practical, concise format of Windows XP Power Hound makes it easy to dip into for a quick tip from time to time; the warm, jargon-free tone makes it easy to read cover to cover.Anyone who wants to smooth out Windows XP's speed bumps and get some serious speed to accelerate through the bottlenecks will find that even a handful of these useful, to-the-point tips will make Windows XP Power Hound worth its weight in chocolate.

Explores the problems for studying art and religion in Eurasia arising from ancestral, colonial and post-colonial biases in historiography.

This series provides all the knowledge and skills students need to complete level 2 qualifications. Written in simple, clear language using Office 2000 applications, the titles are full of exercises to help students get to grips fast with the skills they need for assessment.

Taken together, these two volumes collect seventy-five essays written by Professor Andrew Louth over a forty-year period. Louth's contribution to scholarship and theology has always been significant, and these essays have been collected from journals and edited collections, many of which are difficult to access, and are here made available over two thought-provoking and wide-ranging volumes. Volume II collects essays on a variety of theological topics, arranged chronologically, showing the development of Louth's thought since 1978. Throughout this collection the nature of 'theology', as it is understood within Orthodox tradition, is a constant concern. These essays offer distinctive reflections on categories -- such as 'development of doctrine' -- that have become foundational in modern western thought but which must be viewed rather differently from an Orthodox perspective. The legacy of modern Russian Orthodox thought -- especially the key figures of the twentieth century Russian diaspora -- is under constant consideration, and forms a constant dialogue partner.

In The Icon and the Square, Maria Taroutina examines how the traditional interests of institutions such as the crown, the church, and the Imperial Academy of Arts temporarily aligned with the radical, leftist, and revolutionary avant-garde at the turn of the twentieth century through a shared interest in the Byzantine past, offering a counternarrative to prevailing notions of Russian modernism. Focusing on the works of four different artists—Mikhail Vrubel, Vasily Kandinsky, Kazimir Malevich, and Vladimir Tatlin—Taroutina shows how engagement with medieval pictorial traditions drove each artist to transform his own practice, pushing beyond the established boundaries of his respective artistic and intellectual milieu. She also contextualizes and complements her study of the work of these artists with an examination of the activities of a number of important cultural associations and institutions over the course of several decades. As a result, The Icon and the Square gives a more complete picture of Russian modernism: one that attends to the dialogue between generations of artists, curators, collectors, critics, and theorists. The Icon and the Square retrieves a neglected but vital history that was deliberately suppressed by the atheist Soviet regime and subsequently ignored in favor of the secular formalism of mainstream modernist criticism. Taroutina’s timely study, which coincides with the centennial reassessments of Russian and Soviet modernism, is sure to invigorate conversation among scholars of art history, modernism, and Russian culture.