Alternating Narratives In Fiction For Young Readers

This book is about the implications of novels for young readers that tell their stories by alternating between different narrative lines focused on different characters. It asks: if you make sense of fiction by identifying with one main character, how do you handle two or more of them? Do novels with alternating narratives diverge from longstanding conventions and represent a significant change in literature for young readers? If not, how do these novels manage to operate within the parameters of those conventions? This book considers answers to these questions by means of a series of close readings that explore the structural, educational and ideological implications of a variety of American, British, Canadian and Australian novels for children and for young adults.

A gripping wilderness adventure and survival story It was getting colder. Johnny pulled the fur-lined hood of his parka over his head and walked towards his own cabin with the sound of snow crunching beneath his boots. "He should be back tomorrow," he thought, as a star raced across the sky just below the North Star. "He should be back tomorrow for sure." Seventeen-year-old Johnny Least-Weasel knows that his grandfather Albert is a stubborn old man and won't stop checking his own traplines even though other men his age stopped doing so years ago. But Albert Least-Weasel has been running traplines in the Alaskan wilderness alone for the past sixty years. Nothing has ever gone wrong on the trail he knows so well. When Albert doesn't come back from checking his traps, with the temperature steadily plummeting, Johnny must decide quickly whether to trust his grandfather or his own instincts. Written in alternating chapters that relate the parallel stories of Johnny and his grandfather, John Smelcer's The Trap poignantly addresses the hardships of life in the far north, suggesting that the most dangerous traps need not be made of steel.

The #1 New York Times bestselling WORLDWIDE phenomenon Winner of the Goodreads Choice Award for Fiction | A Good Morning America Book Club Pick | Independent (London) Ten Best Books of the Year "A feel-good book guaranteed to lift your spirits."—The Washington Post The dazzling reader-favorite about the choices that go into a life well lived, from the acclaimed author of How To Stop Time and The Comfort Book. Somewhere out beyond the edge of the universe there is a library that contains an infinite number of books, each one the story of another reality. One tells the story of your life as it is, along with another book for the other life you could have lived if you had made a different choice at any point in your life. While we all wonder how our lives might have been, what if you had the chance to go to the library and see for yourself? Would any of these other lives truly be better? In The Midnight Library, Matt Haig's enchanting blockbuster novel, Nora Seed finds herself faced with this decision. Faced with the possibility of changing her life for a new one, following a different career, undoing old breakups, realizing her dreams of becoming a glaciologist; she must search within herself as she travels through the Midnight Library to decide what is truly fulfilling in life, and what makes it worth living in the first place.

Dante's Masterplot and Alternative Narratives in the 'Commedia' questions the familiar narrative arc at play in the writings of Dante Alighieri and opens his masterpiece to three alternative models that resist it. Dante's masterplot is the teleological trajectory by which the poet subordinates the past to the authority of a new experience. The book analyses the masterplot's workings in Dante's text and its role in the interpretation of the poem, and it documents its overwhelming success in influencing readings of the Commedia over the centuries. The volume then explores three competing narrative models that resist and counter its monopoly which are enacted by paradoxes, alternative endings and parallel lives, and the future. By focusing on these non-linear modes of storytelling and testing the limits of linear narration, the book questions critical paradigms in the scholarship of the Commedia that favour a single normative master truth, exposes their problematic authoritarian implications, and highlights the manifold poetic, theological, and ethical tensions that are often neglected due to the masterplot's influence. The new picture of a vulnerable author and open-ended text that emerges from this study thus doubles as a metacritical reflection on the state of the field. The book's impassioned argument is that, alongside established notions of his trademark plurality of linguistic registers and styles, Dante's narrative pluralism can, and should, come to play a key role in contemporary and future readings of the Commedia.

From the four-time Nebula Award–winning novelist and literary critic, essential reading for the creative writer. Award-winning novelist Samuel R. Delany has written a book for creative writers to place alongside E. M. Forster’s Aspects of the Novel and Lajos Egri’s Art of Dramatic Writing. Taking up specifics (When do flashbacks work, and when should you avoid them? How do you make characters both vivid and sympathetic?) and generalities (How are novels structured? How do writers establish serious literary reputations today?), Delany also examines the condition of the contemporary creative writer and how it differs from that of the writer in the years of Hemingway, Fitzgerald, and the high Modernists. Like a private writing tutorial, About Writing treats each topic with clarity and insight. Here is an indispensable companion for serious writers everywhere. “Delany has certainly spent more time thinking about the process of generating narratives—and subsequently getting the fruits of his lucubrations down on paper?than any other writer in the genre. . . . Delany’s latest volume in this vein (About Writing) might be his best yet... Truly, as the jacket copy boasts, this book is the next best thing to taking one of Delany’s courses. . . . [R]eaders will find many answers here to the mysteries of getting words down on a page.” —Paul DiFilippo, Asimov’s Science Fiction “Useful and thoughtful advice for aspiring (and practicing apprentice) authors. About Writing is autobiography, criticism, and a guidebook to good writing all in one.” —Robert Elliot Fox, Professor of English, Southern Illinois University at Carbondale “Should go on the short list of required reading for every would-be writer.” —New York Times Book Review (on Of Doubts and Dreams in About Writing)

Explore fascinating, often chilling “what if” accounts of the world that could have existed—and still might yet . . . Science fiction’s most illustrious and visionary authors hold forth the ultimate alternate history collection. Here you’ll experience mind-bending tales that challenge your views of the past, present, and future, including: • “The Lucky Strike”: When the Lucky Strike is chosen over the Enola Gay to drop the first atomic bomb, fate takes an unexpected turn in Kim Stanley Robinson’s gripping tale. • “Bring the Jubilee”: Ward Moore’s novella masterpiece offers a rebel victory at Gettysburg which changes the course of the Civil War . . . and all of American history. • “Through Road No Wither”: After Hitler’s victory in World War II, two Nazi officers confront their destiny in Greg Bear’s apocalyptic vision of the future. • “All the Myriad Ways”: Murder or suicide, Ambrose Harmon’s death leads the police down an infinite number of pathways in Larry Niven’s brilliant and defining tale of alternatives and consequences. • “Mozart in Mirrorshades”: Bruce Sterling and Lewis Shiner explore a terrifying era as the future crashes into the past—with disastrous results. . . . as well as “The Winterberry” by Nicholas A. DiChario • “Islands in the Sea” by Harry Turtledove • “Suppose They Gave a Peace” by Susan Shwartz • “Manassas, Again” by Gregory Benford • “Dance Band on the Titanic” by Jack L. Chalker • “Eutopia” by Poul Anderson • “The Undiscovered” by William Sanders • “The Death of Captain Future” by Allen Steele • and “Moon of Ice” by Brad Linaweaver The definitive collection: fourteen seminal alternate history tales drawing readers into a universe of dramatic possibility and endless wonder.

A catalog of juvenile and fiction books held by the Peoria Public Library, in one alphabetical listing.