Always Afternoon

When the young Jack MacDonald travelled to Lima, Peru in the late seventies, he had no idea how quickly his life would spiral out of control. Vice and violence become the driving forces in his life, guided by the shaking hands of two fellow travellers who are all in, to win or lose, to kill or be killed. As the country struggles with its own internal conflicts, which threaten to tear it apart, Jack has to find a way out of his own losing game, to create a worthwhile future for himself from a decidedly questionable past.

Presents a selection of important older literary criticism of selected works by Alfred, Lord Tennyson.

First published in 1980, Political Fictions is a work of literary criticism with emphasis on the specific handling of literary forms. The author examines the way in which writers exploring radical politics simultaneously explore radical literary possibilities and look at the various sorts of fictional modes they use-romance, utopian fable, discovered manuscript, imaginary book. He shows how all the writers under discussion experiment with non-realistic forms- sometimes in dialectical combination with realism as one of the poles of the novel’s structure, sometimes in rejection of realism. Wilding has selected six such writers and examines some of their work in detail: Mark Twain, William Morris, Jack London, D.H. Lawrence, Arthur Koestler, and George Orwell. He has chosen works which he believes have been misunderstood and ignored by Left as well as Right. This is a must read for scholars and researchers of English literature and critical theory.

Winner of the 2009 Tasmania Book Prize Winner of the 2008 Colin Roderick Award Almost half of the convicts who came to Australia came to Van Diemen’s Land. There they found a land of bounty and a penal society, a kangaroo economy and a new way of life. In this book, James Boyce shows how the convicts were changed by the natural world they encountered. Escaping authority, they soon settled away from the towns, dressing in kangaroo skin and living off the land. Behind the official attempt to create a Little England was another story of adaptation, in which the poor, the exiled and the criminal made a new home in a strange land. This is their story, the story of Van Diemen’s Land. Shortlisted in the 2009 Prime Minister's Literary Awards, the 2009 NSW Premier's Literary Awards, the 2010 Adelaide Festival Awards for Literature, the 2008 Age Book of the Year Awards, the 2008 Victorian Premier's Literary Awards, the 2008 Queensland Premier's Literary Awards, the 2008 NSW Premier's History Awards and the 2008 Australian Book Industry Awards ‘A brilliant book and a must-read for anyone interested in how land shapes people.’ —Tim Flannery ‘The most significant colonial history since The Fatal Shore. In re-imagining Australia's past, it invents a new future.’ —Richard Flanagan ‘Like the best history, Van Diemen's Land is not an artfully constructed narrative with the (inevitably inadequate) evidence banished to endnotes, but a dialogue between historian and reader as they explore the fragile sources, and the silences, together.’ —Inga Clendinnen ‘The publication of Van Diemen's Land signals an entirely fresh approach to Australian history-writing ... This is a brilliant publication.’ —Alan Atkinson ‘A fresh and sparkling account.’ —Henry Reynolds James Boyce is the multiple award-winning author of Born Bad, 1835 and Van Diemen’s Land. He has a PhD from the University of Tasmania, where he is an honorary research associate of the School of Geography and Environmental Studies.

The twenty-seven original contributions to this volume investigate the ways in which the First World War has been commemorated and represented internationally in prose fiction, drama, film, docudrama and comics from the 1960s until the present. The volume thus provides a comprehensive survey of the cultural memory of the war as reflected in various media across national cultures, addressing the complex connections between the cultural post-memory of the war and its mediation. In four sections, the essays investigate (1) the cultural legacy of the Great War (including its mythology and iconography); (2) the implications of different forms and media for representing the war; (3) ‘national’ memories, foregrounding the differences in post-memory representations and interpretations of the Great War, and (4) representations of the Great War within larger temporal or spatial frameworks, focusing specifically on the ideological dimensions of its ‘remembrance’ in historical, socio-political, gender-oriented, and post-colonial contexts.

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