Amateur

*Shortlisted for the Baillie Gifford Prize for Nonfiction *Shortlisted for the Lambda Literary Award in Transgender Memoir/Biography *Shortlisted for the Wellcome Book Prize One of The Times UK’s Best Memoirs of 2018, BuzzFeed’s Best Nonfiction of 2018, Autostraddle’s Best LGBT Books of 2018, Book Riot’s Best Queer Books of 2018, and 52 Insight’s Favorite Nonfiction Books of 2018 A “no-holds-barred examination of masculinity” (BuzzFeed) and violence from award-winning author Thomas Page McBee. In this “refreshing and radical” (The Guardian) narrative, Thomas McBee, a trans man, sets out to uncover what makes a man—and what being a “good” man even means—through his experience training for and fighting in a charity boxing match at Madison Square Garden. A self-described “amateur” at masculinity, McBee embarks on a wide-ranging exploration of gender in society, examining sexism, toxic masculinity, and privilege. As he questions the limitations of gender roles and the roots of masculine aggression, he finds intimacy, hope, and even love in the experience of boxing and in his role as a man in the world. Despite personal history and cultural expectations, “Amateur is a reminder that the individual can still come forward and fight” (The A.V. Club). “Sharp and precise, open and honest,” (Women’s Review of Books), McBee’s writing asks questions “relevant to all people, trans or not” (New York Newsday). Through interviews with experts in neuroscience, sociology, and critical race theory, he constructs a deft and thoughtful examination of the role of men in contemporary society. Amateur is a graceful and uncompromising look at gender by a fearless, fiercely honest writer.

In the style of Margaret Atwood's The Year of the Flood, Dave Eggers' The Circle: a post-apocalyptic examination of nostalgia, loss and the possibility of starting over. Allow us to introduce you to the newest product from PINA, the world's largest tech company. "Port" is a curiously irresistible device that offers the impossible: space-time travel mysteriously powered by nostalgia and longing. Step inside a Port and find yourself transported to wherever and whenever your heart desires: a bygone youth, a dreamed-of future, the fabled past. In the near-future world of Liz Harmer's extraordinary novel, Port becomes a phenomenon, but soon it is clear that many who pass through its portal won't be coming back—either unwilling to return or, more ominously, unable to do so. After a few short years, the population plummets. The grid goes down. Among those who remain is Marie, a thirtysomething artist living in a small community of Port-resistors camping out in the abandoned mansions of a former steel town. As winter approaches the group considers heading south, but Marie clings to the hope that her long lost lover will one day return to the spot where he disappeared. Meanwhile, PINA's corporate campus in California has become a cultish enclave of survivors. Brandon, the right-hand man to the mad genius who invented Port, decides to get out. He steals a car and drives north-east, where he hopes to find his missing mother. And there he meets Marie. The Amateurs is a story of rapture and romance, and an astoundingly powerful tale about what happens when technology meets desire.

A radical manifesto about doing what you love Andy Merrifield offers a passionate tribute to the revolutionary spirit of the amateur—a figure who thinks outside the box, takes risks, dreams the impossible dream, seeks independence, and carves out a new world. Merrifield celebrates such square pegs as Charles Baudelaire, Fyodor Dostoevsky, Edward Said, Guy Debord, Hannah Arendt, and Jane Jacobs, each of whom shows us a path of unconventional wisdom and freedom. The Amateur advocates urgently for the liberated life, one that creates the space to question authority.

Five years ago, high school senior Helena Kelly disappeared from her backyard in Dexby, Connecticut, never to be heard from again. Her family was left without any answers -- without any idea who killed Helena, or why. So when eighteen-year-old Seneca Frazier sees a desperate post on the Case Not Closed message board, she knows it's time to change that. Helena's high-profile disappearance is the one that originally got Seneca addicted to true crime. It's the reason she's a member of the site in the first place. Determined to get to the bottom of the mystery, she agrees to spend spring break in Connecticut working on the case with Maddy Wright, her friend from Case Not Closed. However, the moment she steps off the train, things start to go wrong. Maddy's nothing like she expected, and Helena's sister, Aerin, doesn't seem to want any help after all. Plus, Seneca has a secret of her own, one that could derail the investigation if she's not careful. Alongside Brett, another super-user from the site, they slowly begin to unravel the secrets Helena kept in the weeks before her disappearance. But the killer is watching . . . and determined to make sure the case stays cold. #1 New York Times best-selling author Sara Shepard is back with The Amateurs, first in a gripping new series packed with scandalous twists, shocking betrayals, and sizzling romance. "Shepard . . . unravels the truth, the author lulls readers into a false sense of security before expertly pulling the rug out from underneath them. This is a delicious start to the Amateurs series." -Publishers Weekly, starred review "A twisty and ultimately satisfying romantic whodunit." -Kirkus Reviews "[L]ikely to reach best-seller status." -Booklist "A delicious and suspenseful page-turner. I want more!" -I. Marlene King, Executive Producer, Pretty Little Liars "Chilling and romantic and full of surprises." -Cecily von Ziegesar, New York Times best-selling author of the Gossip Girl series "Long live the queen of secrets! The Amateurs is a dark and twisty thriller which might just fill the Pretty Little Liars shaped hole in my heart!" -Danielle Paige, New York Times best-selling author of Dorothy Must Die "Deceitful and delicious!" -- Kami Garcia, #1 New York Times best-selling coauthor of Beautiful Creatures and author of The Lovely Reckless "It's clear that Sara Shepard is no amateur; her devious and thrilling twists will leave you frantically turning pages until the very last moment." -- Kass Morgan, New York Times best-selling author of The 100 series

The first full-length history of college teaching in the United States from the nineteenth century to the present, this book sheds new light on the ongoing tension between the modern scholarly ideal—scientific, objective, and dispassionate—and the inevitably subjective nature of day-to-day instruction. American college teaching is in crisis, or so we are told. But we've heard that complaint for the past 150 years, as critics have denounced the poor quality of instruction in undergraduate classrooms. Students daydream in gigantic lecture halls while a professor drones on, or they meet with a teaching assistant for an hour of aimless discussion. The modern university does not reward teaching, so faculty members at every level neglect it in favor of research and publication. In the first book-length history of American college teaching, Jonathan Zimmerman confirms but also contradicts these perennial complaints. Drawing upon a wide range of previously unexamined sources, The Amateur Hour shows how generations of undergraduates indicted the weak instruction they received. But Zimmerman also chronicles institutional efforts to improve it, especially by making teaching more "personal." As higher education grew into a gigantic industry, he writes, American colleges and universities introduced small-group activities and other reforms designed to counter the anonymity of mass instruction. They also experimented with new technologies like television and computers, which promised to "personalize" teaching by tailoring it to the individual interests and abilities of each student. But, Zimmerman reveals, the emphasis on the personal inhibited the professionalization of college teaching, which remains, ultimately, an amateur enterprise. The more that Americans treated teaching as a highly personal endeavor, dependent on the idiosyncrasies of the instructor, the less they could develop shared standards for it. Nor have they rigorously documented college instruction, a highly public activity which has taken place mostly in private. Pushing open the classroom door, The Amateur Hour illuminates American college teaching and frames a fresh case for restoring intimate learning communities, especially for America's least privileged students. Anyone who wants to change college teaching will have to start here.

For IM Jonathan Hawkins, the key to rising from average strength to an international title was knowing what to study and how to learn as efficiently as possible. Focusing his attention firmly on the endgame, he devised building blocks and identified important areas of study that will help you become a much better practical player, armed with a deeper understanding of key aspects of chess.

Amateur Craft provides an illuminating and historically-grounded account of amateur craft in the modern era, from 19th century Sunday painters and amateur carpenters to present day railway modellers and yarnbombers. Stephen Knott's fascinating study explores the curious and unexpected attributes of things made outside standardised models of mass production, arguing that amateur craft practice is 'differential' – a temporary moment of control over work that both departs from and informs our productive engagement with the world. Knott's discussion of the theoretical aspects of amateur craft practice is substantiated by historical case studies that cluster around the period 1850–1950. Looking back to the emergence of the modern amateur, he makes reference to contemporary art and design practice that harnesses or exploits amateur conditions of making. From Andy Warhol to Simon Starling, such artistic interest elucidates the mercurial qualities of amateur craft. Invaluable for students and researchers in art and design, contemporary craft, material culture and social history, Amateur Craft counters both the marginalisation and the glorification of amateur craft practice. It is richly illustrated with 41 images, 14 in colour, including 19th century ephemera and works of contemporary art.