Ambiguity Machines And Other Stories

Philip K. Dick Award finalist Praise for Vandana Singh: “A most promising and original young writer.”—Ursula K. Le Guin “Lovely! What a pleasure this book is . . . full of warmth, compassion, affection, high comedy and low.”—Molly Gloss, author of The Hearts of Horses “Vandana Singh’s radiant protagonist is a planet unto herself.”—Village Voice “Sweeping starscapes and daring cosmology that make Singh a worthy heir to Cordwainer Smith and Arthur C. Clarke.”—Chris Moriarty, Fantasy & Science Fiction “I’m looking forward to the collection . . . everything I’ve read has impressed me—the past and future visions in ‘Delhi’, the intensity of ‘Thirst’, the feeling of escape at the end of ‘The Tetrahedron’...” —Niall Harrison, Vector (British Science Fiction Association) “...the first writer of Indian origin to make a serious mark in the SF world ... she writes with such a beguiling touch of the strange.” —Nilanjana Roy, Business Standard In her first North American collection, Vandana Singh’s deep humanism interplays with her scientific background in stories that explore and celebrate this world and others and characters who are trying to make sense of the people they meet, what they see, and the challenges they face. An eleventh century poet wakes to find he is as an artificially intelligent companion on a starship. A woman of no account has the ability to look into the past. In "Requiem," a major new novella, a woman goes to Alaska to try and make sense of her aunt’s disappearance. Singh's stories have been performed on BBC radio, been finalists for the British SF Association award, selected for the Tiptree award honor list, and oft reprinted in Best of the Year anthologies. Her dives deep into the vast strangeness of the universe without and within and with her unblinking clear vision she explores the ways we move through space and time: together, yet always apart.

Already A Name In The World Of Science Fiction And Fantasy Writing, Vandana Singh Brings Her Unique Imagination To A Wider Audience With Her First Collection Of Stories. In The Title Story, A Woman Tells Her Husband Of Her Curious Discovery: That She Is Inhabited By Small Alien Creatures. In Another, A Young Girl, Making Her Way To College Through The Streets Of Delhi Comes Across A Mysterious Tetrahedron: Is It A Spaceship? Or A Secret Weapon? Each Story In This Fabulous Collection Opens Up New Vistas &Mdash; From Outer Space To The Inner World&Mdash;And Takes The Reader On An Incredible Journey To Both. The Book Also Includes The Author&Rsquo;S Own Critical Essay On The Future And Importance Of Speculative Fiction As A Genre.

So Long Been Dreaming: Postcolonial Science Fiction & Fantasy is an anthology of original new stories by leading African, Asian, South Asian and Aboriginal authors, as well as North American and British writers of color. Stories of imagined futures abound in Western writing. Writer and editor Nalo Hopkinson notes that the science fiction/fantasy genre “speaks so much about the experience of being alienated but contains so little writing by alienated people themselves.” It’s an oversight that Hopkinson and Mehan aim to correct with this anthology. The book depicts imagined futures from the perspectives of writers associated with what might loosely be termed the “third world.” It includes stories that are bold, imaginative, edgy; stories that are centered in the worlds of the “developing” nations; stories that dare to dream what we might develop into. The wealth of postcolonial literature has included many who have written insightfully about their pasts and presents. With So Long Been Dreaming they creatively address their futures. Contributors include: Opal Palmer Adisa, Tobias Buckell, Wayde Compton, Hiromi Goto, Andrea Hairston, Tamai Kobayashi, Karin Lowachee, devorah major, Carole McDonnell, Nnedi Okorafor-Mbachu, Eden Robinson, Nisi Shawl, Vandana Singh, Sheree Renee Thomas and Greg Van Eekhout. Nalo Hopkinson is the internationally-acclaimed author of Brown Girl in the Ring, Skin Folk, and Salt Roads. Her books have been nominated for the Hugo, Nebula, Tiptree, and Philip K. Dick Awards; Skin Folk won a World Fantasy Award and the Sunburst Award. Born in Jamaica, Nalo moved to Canada when she was sixteen. She lives in Toronto. Uppinder Mehan is a scholar of science fiction and postcolonial literature. A South Asian Canadian, he currently lives in Boston and teaches at Emerson College.

“Arctic Sky” tells of a young climate activist who discovers her own courage in the frozen depths of a Russian prison. “Palimpsest” is set on a bionic (living)space station that launches explorers into the farthest reaches of Time and Space. In “The Room on the Roof” an ancient culture meets modern mysteries with unexpected results. Our non-fiction title piece, “Utopias of the Third Kind,” is a first look at actual utopias that are responding to our looming dystopian nightmare. “Hunger” is a short story that finds both understanding and forgiveness for humankind’s original sin. Our Outspoken Interview and a bibliography round out this new collection.

MACHINE OF DEATH tells thirty-four different stories about people who know how they will die. Prepare to have your tears jerked, your spine tingled, your funny bone tickled, your mind blown, your pulse quickened, or your heart warmed. Or better yet, simply prepare to be surprised. Because even when people do have perfect knowledge of the future, there's no telling exactly how things will turn out.

A book of stories of how uncertainly we move through space and time by ourselves and with others.

This study draws from postcolonial theory, science fiction criticism, utopian studies, genre theory, Western and Indian philosophy and history to propose that Indian science fiction functions at the intersection of Indian and Western cultures. The author deploys a diachronic and comparative approach in examining the multilingual science fiction traditions of India to trace the overarching generic evolutions, which he complements with an analysis of specific patterns of hybridity in the genre’s formal and thematic elements – time, space, characters and the epistemologies that build the worlds in Indian science fiction. The work explores the larger patterns and connections visible despite the linguistic and cultural diversities of Indian science fiction traditions.

The future is everything we wanted it to be—and far more than we bargained for. It is the twenty-third century. Herb, a young entrepreneur, returns to the isolated planet on which he has illegally been trying to build a city—and finds it destroyed by a swarming nightmare of self-replicating machinery. Worse, the all-seeing Environment Agency has been watching him the entire time. His punishment? A nearly hopeless battle in the farthest reaches of the universe against enemy machines twice as fast, and twice as deadly, as his own—in the company of a disarmingly confident AI who may not be exactly what he claims. . . . Little does Herb know that this war of machines was set in motion nearly two hundred years ago—by mankind itself. For it was then that a not-quite-chance encounter brought a confused young girl and a nearly omnipotent AI together in one fateful moment that may have changed the course of humanity forever.