America In The British Imagination

How was American culture disseminated into Britain? Why did many British citizens embrace American customs? And what picture did they form of American society and politics? This engaging and wide-ranging history explores these and other questions about the U.S.'s cultural and political influence on British society in the post-World War II period.

No other region of the world has exerted such a fascination for the British, and for such a long time, as the United States of America. From the first explorations and settlements in the seventeenth century, through the heyday of the first British empire in the Americas in the eighteenth century and the fundamental re-conceptualisation of America following independence, to the present day American global hegemony a vast variety of Britons have looked across the Atlantic and pondered on American life, culture, politics and attitudes. In this volume a number of scholars from a variety of different disciplines (History, English, Theatre Studies, Music and History of Art) explore the ways in which Britons have imagined America. They show how some visited America themselves, while others relied on second-hand reports, but all engaged with America on various levels, often imagining and re-imagining it through different time-periods. The â ~realityâ (TM) of American life, or of American politics was one issue, as were other factors including American identity, culture, music and theatre, all of which were filtered through a shifting gaze ranging from admiration to outright hostility Included are essays on the printed representations of early Virginia, the view of British consuls living in the slave South, the interpretations of diverse writers such as Dickens, Auden, Orwell and Amis, and on the lyrics and other public pronouncements of the band Radiohead. The time frame runs from the seventeenth to the twenty-first century, and should enable the reader the see how British perceptions and understandings of America have evolved over those 400 years. Ultimately, the complexity and ambiguity of British imaginings of America emerges as the central theme of the book.

This lively and engaging cultural history explores a series of interrelated questions about the U.S.'s influence on British society in the years following World War II. How was American culture disseminated into Britain? Why did large sections of British society embrace American customs? What picture did British citizens form of American society and politics? And how did the Cold War's end and the September 11 attacks affect that picture? Here, author John F. Lyons draws on cinema, literature, contemporary journalism, unpublished oral interviews, and a host of other sources to explore not only the ways in which American society impacted Britain, but the ways in which America's complex identity was refracted in the minds of the citizens of its closest ally.

Over the course of the eighteenth century, Anglo-Americans purchased an unprecedented number and array of goods. The Power of Objects in Eighteenth-Century British America investigates these diverse artifacts—from portraits and city views to gravestones, dressing furniture, and prosthetic devices—to explore how elite American consumers assembled objects to form a new civil society on the margins of the British Empire. In this interdisciplinary transatlantic study, artifacts emerge as key players in the formation of Anglo-American communities and eventually of American citizenship. Deftly interweaving analysis of images with furniture, architecture, clothing, and literary works, Van Horn reconstructs the networks of goods that bound together consumers in Boston, New York, Philadelphia, and Charleston. Moving beyond emulation and the desire for social status as the primary motivators for consumption, Van Horn shows that Anglo-Americans' material choices were intimately bound up with their efforts to distance themselves from Native Americans and African Americans. She also traces women's contested place in forging provincial culture. As encountered through a woman's application of makeup at her dressing table or an amputee's donning of a wooden leg after the Revolutionary War, material artifacts were far from passive markers of rank or political identification. They made Anglo-American society.

Between the mid-18th and mid-19th centuries, Britain evolved from a substantial international power yet relative artistic backwater into a global superpower and a leading cultural force in Europe. In this original and wide-ranging book, Hoock illuminates the manifold ways in which the culture of power and the power of culture were interwoven in this period of dramatic change. Britons invested artistic and imaginative effort to come to terms with the loss of the American colonies; to sustain the generation-long fight against Revolutionary and Napoleonic France; and to assert and legitimate their growing empire in India. Demonstrating how Britain fought international culture wars over prize antiquities from the Mediterranean and Near East, the book explores how Britons appropriated ancient cultures from the Mediterranean, the Near East, and India, and casts a fresh eye on iconic objects such as the Rosetta Stone and the Parthenon Marbles.

Winner of the George Washington Prize Winner of the Barbara and David Zalaznick Book Prize in American History Winner of the Excellence in American History Book Award Winner of the Fraunces Tavern Museum Book Award From the bestselling author of the Liberation Trilogy comes the extraordinary first volume of his new trilogy about the American Revolution Rick Atkinson, author of the Pulitzer Prize-winning An Army at Dawn and two other superb books about World War II, has long been admired for his deeply researched, stunningly vivid narrative histories. Now he turns his attention to a new war, and in the initial volume of the Revolution Trilogy he recounts the first twenty-one months of America’s violent war for independence. From the battles at Lexington and Concord in spring 1775 to those at Trenton and Princeton in winter 1777, American militiamen and then the ragged Continental Army take on the world’s most formidable fighting force. It is a gripping saga alive with astonishing characters: Henry Knox, the former bookseller with an uncanny understanding of artillery; Nathanael Greene, the blue-eyed bumpkin who becomes a brilliant battle captain; Benjamin Franklin, the self-made man who proves to be the wiliest of diplomats; George Washington, the commander in chief who learns the difficult art of leadership when the war seems all but lost. The story is also told from the British perspective, making the mortal conflict between the redcoats and the rebels all the more compelling. Full of riveting details and untold stories, The British Are Coming is a tale of heroes and knaves, of sacrifice and blunder, of redemption and profound suffering. Rick Atkinson has given stirring new life to the first act of our country’s creation drama.

Strangely, the histories of empires and colonies are usually distinct fields of inquiry. In this comprehensive volume, however, Sarson combines the histories of the First British Empire and its various colonies to create a sweeping introduction to, and interpretation of, the British-American New World.

"A collection of essays that discuss representative eighteenth- and nineteenth-century French and English views of American democracy and society, and offer a critical assessment of various narrative constructions of American life, society, and culture"--Provided by publisher.