American Anti Pastoral

In The Ecological Thought, eco-philosopher Timothy Morton has argued for the inclusion of “dark ecology” in our thinking about nature. Dark ecology, he argues, puts hesitation, uncertainty, irony, and thoughtfulness back into ecological thinking.” The ecological thought, he says, should include “negativity and irony, ugliness and horror.” Focusing on this concept of “dark ecology” and its invitation to add an anti-pastoral perspective to ecocriticism, this collection of essays on American literature and culture offers examples of how a vision of nature’s darker side can create a fuller understanding of humanity’s relation to nature. Included are essays on canonical American literature, on new voices in American literature, and on non-print American media. This is the first collection of essays applying the “dark ecology” principle to American literature.

Combining literary analysis with historical research, Thomas Gustafson examines how Philip Roth's acclaimed 1997 novel American Pastoral draws upon the history of Brookside, New Jersey as its model for the fictional hamlet of Old Rimrock. American Anti-Pastoral peels back myths about the bucolic Garden State countryside to reveal deep fissures within the heart of American democracy.

NATIONAL BESTSELLER • WINNER OF THE PEN/FAULKNER AWARD • The Pulitzer Prize–winning author of American Pastoral delivers “a master novelist's haunting parable about our troubled modern moment" (The Wall Street Journal). It is 1998, the year in which America is whipped into a frenzy of prurience by the impeachment of a president, and in a small New England town, an aging classics professor, Coleman Silk, is forced to retire when his colleagues decree that he is a racist. The charge is a lie, but the real truth about Silk would have astonished even his most virulent accuser. Coleman Silk has a secret, one which has been kept for fifty years from his wife, his four children, his colleagues, and his friends, including the writer Nathan Zuckerman. It is Zuckerman who stumbles upon Silk's secret and sets out to reconstruct the unknown biography of this eminent, upright man, esteemed as an educator for nearly all his life, and to understand how this ingeniously contrived life came unraveled. And to understand also how Silk's astonishing private history is, in the words of The Wall Street Journal, "magnificently" interwoven with "the larger public history of modern America."

Pastoral is a succinct and up-to-date introductory text to the history, major writers and critical issues of this genre. Terry Gifford clarifies the different uses of pastoral covering: the history of the genre from its classical origins to Elizabethan drama, through eighteenth-century pastoral poetry to contemporary American nature writing the pastoral impulse of retreat and return, beginning with constructions of Arcadia and using a combination of close reading of quoted texts, cultural studies and eco-criticism post-pastoral texts with a look at writers, who Gifford argues, have discovered ways of reconnecting us with our natural environment.

Updated throughout, this new edition provides a clear and invaluable introduction to the study of pastoral. Terry Gifford traces the history of the genre from its classical origins through to contemporary writing and introduces the major writers and critical issues relating to pastoral. Gifford breaks the term down into three accessible concepts – pastoral, anti-pastoral, post-pastoral – and provides up-to-date examples from literature and film. New chapters explain the continuing tradition of georgic literature and the recent evolution of pastoral in their historical contexts. Pastoral is essential and engaging reading for students and academics alike.

This authoritative collection of rigorous but accessible essays investigates the exciting new interdisciplinary field of environmental literary criticism.

Updike's importance in contemporary literature is stressed by this and the following work. Here Mr. Taylor relates Updike to themesdomi­nant in American literature since colonial days--the idealization of rustic life and rejection of it--both of which themes show in Updike's work, according to Taylor. In relating Updike's fiction to pastoral and anti-pastoral patterns Taylor makes a valuable contribution to literary history as well as to critical understanding of an outstanding contemporary writer.

This book explores the variety of ways that the Jewish understanding of the Covenant relates to the notion of a contract or a shared grammar as developed in recent structural and post-structural theory. The book enters the debate on the relationship beween a variety of open-ended forms of text interpretation and traditional Jewish interpretive practice, expanding and deepening that debate. Until now, the discussion has focused primarily on Midrashic interpretation; these essays balance the assumption of the openness of interpretation with an exploration of the concurrent restrictions on interpretation imposed by a covenant.