American Cassandra The Life Of Dorothy Thompson

Dorothy Thompson (1893-1961) was America’s first internationally famous female foreign correspondent. Born outside of Buffalo, New York, she graduated from Syracuse University in 1914 and honed her writing and interviewing skills in the women’s suffrage movement before heading for Europe as a freelance journalist. Reporting from Vienna, Budapest and Berlin during the rise of Nazism, she was the first western journalist to be expelled from Germany by Adolf Hitler after denigrating him in a profile. Her later columns in the Ladies’ Home Journal and radio broadcasts for CBS (published as Listen, Hans) made her, next to Eleanor Roosevelt, the most influential woman in the United States. Thompson was married three times: her second marriage was to the American novelist, Nobel Prize-winner, and alcoholic Sinclair Lewis; her third and happiest, to Czech artist Maxim Kopf. She also had several lesbian relationships. Avidly interested in everything from sustainable farming to the fine arts, she divided her later years between New York City and her farm in Barnard, Vermont. “A skillful exploration of the life and personality of the formidable foreign correspondent” — New York Times “[readers] will be pleased to meet a fascinating, driven and indomitable woman who richly deserves this fine biography” — Thomas Griffith, New York Times “Sensationally good ... Kurth’s vividly detailed and dramatic portrayal of Thompson’s life fully compensates for the memoirs she planned but never lived to write. Here was a one-of-a-kind incarnation of energy, honesty and commitment; a woman we must not forget.” — USA Today “Kurth guides us through the tumultuous complexities of the time-the rise of Nazism in Germany; isolationism in America; the Second World War; the establishment of Israel and other issues that Thompson took over as her personal battleground. His daunting task is to show us a mind at work, and he pulls it off.” — Washington Post “In a day of dime-a-dozen pundits jabbering on the talk shows, Thompson’s diligence and influence are worth recalling. Mr. Kurth’s compulsively readable account allows us to re-live an age and do just that.” — Wall Street Journal “Kurth has a surprising grasp of Thompson’s emotional makeup, strictly avoiding the kind of supercilious or paternalistic attitude that such a character invites in male authors. His biography is insightful without being sentimental, warm without being sycophantic.” — Toronto Star “An important asset of this big, solid book is author Kurth’s prolific use of Thompson’s own words. She left 150 file cases of published and unpublished writings — chunks of private thoughts and musings on her three husbands and her own sexuality one would have expected her to burn... Kurth has battled through this paper blizzard and emerged with a clear-as-ice-water picture of a turbulent, complex personality.” —Baltimore Sun “Peter Kurth, author of the haunting Anastasia: The Riddle of Anna Anderson, proves once again that he is the equal of Stefan Zweig as a biographer of women. His fairness, his control of his material and his eye for the revealing quotation are such that he makes us empathize with Miss Thompson even when we feel like strangling her.” — Washington Times

Explores the remarkable life of the American journalist, discussing her advisory roles to Churchill and Roosevelt, her marriage to Sinclair Lewis, her lengthy career, and her troubled personal life

Born in the 1890s on opposite sides of the Atlantic, friends for more than forty years, Dorothy Thompson and Rebecca West lived strikingly parallel lives that placed them at the center of the social and historical upheavals of the twentieth century. In Dangerous Ambition, Susan Hertog chronicles the separate but intertwined journeys of these two remarkable women writers, who achieved unprecedented fame and influence at tremendous personal cost. American Dorothy Thompson was the first female head of a European news bureau, a columnist and commentator with a tremendous following whom Time magazine once ranked alongside Eleanor Roosevelt as the most influential woman in America. Rebecca West, an Englishwoman at home wherever genius was spoken, blazed a trail for herself as a journalist, literary critic, novelist, and historian. In a prefeminist era when speaking truth to power could get anyone—of either gender—ostracized, blacklisted, or worse, these two smart, self-made women were among the first to warn the world about the dangers posed by fascism, communism, and appeasement. But there was a price to be paid, Hertog shows, for any woman aspiring to such greatness. As much as they sought voice and power in the public forum of opinion and ideas, and the independence of mind and money that came with them, Thompson and West craved the comforts of marriage and home. Torn between convention and the opportunities of the new postwar global world, they were drawn to men who were as ambitious and hungry for love as themselves: Thompson to the brilliant, volatile, and alcoholic Nobel Prize winner Sinclair Lewis; West to her longtime lover H. G. Wells, the lusty literary eminence whose sexual and emotional demands doomed any chance they may have had at love. Tragically, both arrangements produced troubled sons, whose anger and jealousy at their mothers’ iconic fame eroded their sense of personal success. Brimming with fresh insights obtained from previously sealed archives, this penetrating dual biography is a story of twinned lives caught up in the crosscurrents of world events and affairs of the heart—and of the unique trans-Atlantic friendship forged by two of the most creative and complex women of their time.

In the spring of 1942 Dorothy Thompson began broadcasting to Germany via shortwave radio in an anti-Nazi propaganda campaign commissioned by CBS. There was no central coordination of propaganda during that first year of America’s involvement in the war; radio producers and networks were encouraged to develop their own programs with the “advice and consent” of the Office of War Information. Dorothy thought of her speeches as sermons on the evils of Nazism and the inevitability of German defeat. They were addressed, in German, to a fictional Prussian Junker identified only as “Hans.” Hans was really Helmuth von Moltke, a Christian and a pacifist, and the leader of the so-called Kreisau Circle, “the foremost think tank” of the German resistance. In 1944, he would lose his life in the mass executions that followed the plot to assassinate Hitler. These weekly speeches, broadcast from March 27 until September 4, 1942, combined argument, history, analysis, polemic, and what her publishers called “a few Dorothyish shrieks.” In his own radio broadcasts Goebbels denounced Dorothy Thompson as “the scum of America.” Dorothy Thompson’s friend Ernestine Evans had the idea of publishing the broadcasts “as a dollar-book.” In August 1942, Dorothy composed a 150-page essay to introduce the speeches. She called it “The Invasion of the German Mind” and poured into it her twenty years of knowledge of the German nation. “A brilliant textbook of timely propaganda.” — New York Times, November 29, 1942 “The Dorothy Thompson whom I have always particularly admired and enjoyed — the Dorothy Thompson who does not confuse writing with oratory... Writing carefully and exactly, she seeks to isolate the quarreling elements that go to make up the mind of the average German individual.” — John Chamberlain, New York Times, November 28, 1942 “[The Listen, Hans introduction is] one of the best, if not the very best analysis ever written about the German people — written by a non-German.” — Carl Zuckmayer

American Isolationism Between the World Wars: The Search for a Nation's Identity examines the theory of isolationism in America between the world wars, arguing that it is an ideal that has dominated the Republic since its founding. During the interwar period, isolationists could be found among Republicans and Democrats, Catholics and Protestants, pacifists and militarists, rich and poor. While the dominant historical assessment of isolationism — that it was "provincial" and "short-sighted" — will be examined, this book argues that American isolationism between 1919 and the mid-1930s was a rational foreign policy simply because the European reversion back to politics as usual insured that the continent would remain unstable. Drawing on a wide range of newspaper and journal articles, biographies, congressional hearings, personal papers, and numerous secondary sources, Kenneth D. Rose suggests the time has come for a paradigm shift in how American isolationism is viewed. The text also offers a reflection on isolationism since the end of World War II, particularly the nature of isolationism during the Trump era. This book will be of interest to students and scholars of U.S. Foreign Relations and twentieth-century American history.

Presents a biographical dictionary profiling important women authors, including birth and death dates, accomplishments and bibliography of each author's work.

To continue doing business in Germany, Hollywood studios agreed not to make films attacking Nazis or condemning persecution of Jews. Ben Urwand reveals this collaboration and the cast of characters it drew in, ranging from Goebbels to Louis B. Mayer. At the center was Hitler himself--obsessed with movies and their power to shape public opinion.

In 1944 the political philosopher and refugee, Hannah Arendt wrote: 'Everywhere the word 'exile' which once had an undertone of almost sacred awe, now provokes the idea of something simultaneously suspicious and unfortunate.' Today's refugee 'crisis' has its origins in the political–and imaginative–history of the last century. Exiles from other places have often caused trouble for ideas about sovereignty, law and nationhood. But the meanings of exile changed dramatically in the twentieth century. This book shows just how profoundly the calamity of statelessness shaped modern literature and thought. For writers such as Hannah Arendt, Franz Kafka, W.H. Auden, George Orwell, Samuel Beckett, Simone Weil, among others, the outcasts of the twentieth century raised vital questions about sovereignty, humanism and the future of human rights. Placeless People argues that we urgently need to reconnect with the moral and political imagination of these first chroniclers of the placeless condition.