American Dreams American Nightmares

The pursuit of the American Dream, supposedly shaped by the edenic promises of the American land, has engaged our writers from the beginning, and much of our literature has come out of the national literary experience thus expressed. This collection of nineteen original, unpublished essays written for this book is particularly relevant today, when our col­lective field of vision seems obscured, and when the American Dream seems to have become a cliché, symbolic of the Dream defunct. The nineteen critics here presented include, among others, Leslie Fiedler, Oscar Cargill, Maxwell Geismar, Jules Chametzky, Louis Filler, and Ihab Hassan. Most of them seem to agree with the view expressed by the majority of our best creative writers: that in pursuing the American Dream, America has created a nightmare. Taken together, the nineteen essays provide a comprehensive view of American literature, past and present, as it has dealt with the Dream; but the emphasis is on modern works and present social, cultural, and political problems—poverty, war, and racism. Ten of the essays focus on such key works as Herman Melville’s “The Two Temples,” F. Scott Fitz­gerald’s The Great Gatsby, William Faulkner’s “The Bear,” Thomas Wolfe’s You Can’t Go Home Again, Ralph Ellison’s Invisible Man, Arthur Miller’s Death of a Salesman, and Norman Mailer’s Why Are We in Vietnam?

In this celebration of contemporary American fiction, Kathryn Hume explores how estrangement from America has shaped the fiction of a literary generation, which she calls the Generation of the Lost Dream. In breaking down the divisions among standard categories of race, religion, ethnicity, and gender, Hume identifies shared core concerns, values, and techniques among seemingly disparate and unconnected writers including T. Coraghessan Boyle, Ralph Ellison, Russell Banks, Gloria Naylor, Tim O'Brien, Maxine Hong Kingston, Walker Percy, N. Scott Momaday, John Updike, Toni Morrison, William Kennedy, Julia Alvarez, Thomas Pynchon, Leslie Marmon Silko, and Don DeLillo. Hume explores fictional treatments of the slippage in the immigrant experience between America's promise and its reality. She exposes the political link between contemporary stories of lost innocence and liberalism's inadequacies. She also invites us to look at the literary challenge to scientific materialism in various searches for a spiritual dimension in life. The expansive future promised by the American Dream has been replaced, Hume finds, by a sense of tarnished morality and a melancholy loss of faith in America's exceptionalism. American Dream, American Nightmare examines the differing critiques of America embedded in nearly a hundred novels and points to the source for recovery that appeals to many of the authors.

Reexamines the ideology of the two most prominent leaders of the civil rights movement of the 1960s

A unique contribution to America's encounter with Holocaust memory that links the use of Nazi imagery to liberal politics

Here We Are is a heart-wrenching memoir about an immigrant family's American Dream, the justice system that took it away, and the daughter who fought to get it back, from NPR correspondent Aarti Namdev Shahani. The Shahanis came to Queens—from India, by way of Casablanca—in the 1980s. They were undocumented for a few unsteady years and then, with the arrival of their green cards, they thought they'd made it. This is the story of how they did, and didn't; the unforeseen obstacles that propelled them into years of disillusionment and heartbreak; and the strength of a family determined to stay together. Here We Are: American Dreams, American Nightmares follows the lives of Aarti, the precocious scholarship kid at one of Manhattan's most elite prep schools, and her dad, the shopkeeper who mistakenly sells watches and calculators to the notorious Cali drug cartel. Together, the two represent the extremes that coexist in our country, even within a single family, and a truth about immigrants that gets lost in the headlines. It isn’t a matter of good or evil; it's complicated. Ultimately, Here We Are is a coming-of-age story, a love letter from an outspoken modern daughter to her soft-spoken Old World father. She never expected they'd become best friends.