American Furniture Craftsmen Working Prior To 1920

The materials included in this bibliography focus on the craftsmen responsible for the creation of fine furniture. Works that give biographical information about furniture craftsmen and discuss the stylistic and aesthetic development of their art; works that examine the sociological, political, economic and environmental conditions within which furniture craftsmen worked, as well as furniture factories and furniture retail businesses themselves; and general works useful in the study of American furniture are cited. The bibliography consists of four main sections, the first of which deals with the life and work of individual furniture makers and designers. The second section focuses on groups of furniture craftsmen. Works of a general nature that contribute to the study of American furniture are found in section three. The fourth section contains furniture trade catalogs published by manufacturers and wholesalers for salesmen and retail stores. A two-part appendix lists furniture trade periodicals published mainly during the years 1880-1930, and manuscript repositories containing materials relevant to furniture. Three indexes--craftsman, author-title, and subject complete the volume.

The materials included in this bibliography focus on the craftsmen responsible for the creation of fine furniture. Works that give biographical information about furniture craftsmen and discuss the stylistic and aesthetic development of their art; works that examine the sociological, political, economic and environmental conditions within which furniture craftsmen worked, as well as furniture factories and furniture retail businesses themselves; and general works useful in the study of American furniture are cited. The bibliography consists of four main sections, the first of which deals with the life and work of individual furniture makers and designers. The second section focuses on groups of furniture craftsmen. Works of a general nature that contribute to the study of American furniture are found in section three. The fourth section contains furniture trade catalogs published by manufacturers and wholesalers for salesmen and retail stores. A two-part appendix lists furniture trade periodicals published mainly during the years 1880-1930, and manuscript repositories containing materials relevant to furniture. Three indexes--craftsman, author-title, and subject complete the volume.

This book is for art market researchers at all levels. A brief overview of the global art market and its major stakeholders precedes an analysis of the various sales venues (auction, commercial gallery, etc.). Library research skills are reviewed, and advanced methods are explored in a chapter devoted to basic market research. Because the monetary value of artwork cannot be established without reference to the aesthetic qualities and art historical significance of our subject works, two substantial chapters detail the processes involved in researching and documenting the fine and decorative arts, respectively, and provide annotated bibliographies. Methods for assigning values for art objects are explored, and sources of price data, both in print and online, are identified and described in detail. In recent years, art historical scholarship increasingly has addressed issues related to the history of art and its markets: a chapter on resources for the historian of the art market offers a wide range of sources. Finally, provenance and art law are discussed, with particular reference to their relevance to dealers, collectors, artists and other art market stakeholders.

This comprehensive international bibliography is the first to attempt documentation of this diverse field, covering the history of Artist's Performance. It focuses on its early twentieth-century antecedents in such movements as Futurism, Dada, Russian Constructivism, and the Bauhaus as well as its peak period in the 1950s, 1960s, and 1970s with such developments as Gutai, Fluxus, Viennese Actionism, Situationism, and Guerrilla Art Action. Major emphasis is also given to sources on 115 individual performance artists and groups. More than 3700 entries document print and media materials dating from 1914 to 1992. Organized for maximum accessibility, the sources are also extensively cross-referenced and are indexed by artist, subject, title, and author. Three appendices identify reference works, libraries, and archives, and addenda material not found in the book text, and two others list artists by country and by group or collective.

This is the first comprehensive scholarly bibliography/research guide/sourcebook on the major French Fauve painters (Henri Matisse and Georges Braque are treated in separate Greenwood bio-bibliographies). It includes information on 3,120 books and articles as well as chronologies, biographical sketches, and exhibition lists. Each artist receives a primary and secondary bibliography with many annotated entries. Secondary bibliographies include details about each artists' life and career, relationships with other artists, work in various media, iconography, and more. Designed for art historians, art students, museum and gallery curators, and art lovers alike, this volume organizes the vast literature surrounding this fascinating, revolutionary, 20th-century art group. Genuinely new art is always challenging, sometimes even shocking to those unprepared for it. In 1905, the paintings of Matisse, Derain, Vlaminck and their friends shocked conservative museum-goers; hence, the eventual popularity of art critic Louis Vauxcelles's tag les fauves, or wild beasts by which these artists became known. Although it lasted only three or four years, Fauvism is recognized as the first artistic revolution of international consequence in the 20th century. It was based on the glorification of pure saturated colors and the free expression of primitivism. It was a dynamic sensualism; an equilibrium of passion and order, fire and austerity that could not last. By the end of 1908, Fauvism collapsed in the face of Cubism, which, moreover, several Fauve artists helped to form.

An annual publication forging a link between social history, American studies, and the decorative arts.

In 36 brief sections, Naeve identifies the distinguishing characteristics of each style that makes up America's rich furniture heritage. Each trend is related to international stylistic movements, innovative craftsmen, influential publications, and the technological improvements that shaped them. Key factors of each style are highlighted for easy identification.