American Imperial Pastoral

In 1904, renowned architect Daniel Burnham, the Progressive Era urban planner who famously “Made No Little Plans,” set off for the Philippines, the new US colonial acquisition. Charged with designing environments for the occupation government, Burnham set out to convey the ambitions and the dominance of the regime, drawing on neo-classical formalism for the Pacific colony. The spaces he created, most notably in the summer capital of Baguio, gave physical form to American rule and its contradictions. In American Imperial Pastoral, Rebecca Tinio McKenna examines the design, construction, and use of Baguio, making visible the physical shape, labor, and sustaining practices of the US’s new empire—especially the dispossessions that underwrote market expansion. In the process, she demonstrates how colonialists conducted market-making through state-building and vice-versa. Where much has been made of the racial dynamics of US colonialism in the region, McKenna emphasizes capitalist practices and design ideals—giving us a fresh and nuanced understanding of the American occupation of the Philippines.

An ambitious history of flags, stamps, and currency—and the role they played in US imperialism. In Imperial Material, Alvita Akiboh reveals how US national identity has been created, challenged, and transformed through embodiments of empire found in US territories, from the US dollar bill to the fifty-star flag. These symbolic objects encode the relationships between territories—including the Philippines, the Hawaiian Islands, Puerto Rico, and Guam—and the empire with which they have been entangled. Akiboh shows how such items became objects of local power, their original intent transmogrified. For even if imperial territories were not always front and center for federal lawmakers and administrators, their inhabitants remained continuously aware of the imperial United States, whose presence announced itself on every bit of currency, every stamp, and the local flag.

American Colonial Spaces in the Philippines tells the story of U.S. colonialists who attempted, in the first decades of the twentieth century, to build an enduring American empire in the Philippines through the production of space. From concrete interventions in infrastructure, urban planning, and built environments to more abstract projects of mapping and territorialization, the book traces the efforts of U.S. Insular Government agents to make space for empire in the Philippines through forms of territory, map, landscape, and road, and how these spaces were understood as solutions to problems of colonial rule. Through the lens of space, the book offers an original history of a highly transformative, but largely misunderstood or forgotten, imperial moment, when the Philippine archipelago, made up of thousands of islands and an ethnically and religiously diverse population of more than seven million, became the unlikely primary setting for U.S. experimentation with formal colonial governance. Telling that story around key figures including Cameron Forbes, Daniel Burnham, Dean Worcester, and William Howard Taft, the book provides distinctive chapters dedicated to spaces of territory (sovereignty), maps (knowledge), landscape (aesthetics), and roads (circulation), suggesting new and integrative historical geographical approaches. This book will be of interest to students of Cultural, Historical, and Political Geography, American History, American Studies, Philippine Studies, Southeast Asia/Philippines; Asian Studies as well as general readers interested in these areas.

In Making Catholic America, William S. Cossen shows how Catholic men and women worked to prove themselves to be model American citizens in the decades between the Civil War and the Great Depression. Far from being outsiders in American history, Catholics took command of public life in the early twentieth century, claiming leadership in the growing American nation. They produced their own version of American history and claimed the power to remake the nation in their own image, arguing that they were the country's most faithful supporters of freedom and liberty and that their church had birthed American independence. Making Catholic America offers a new interpretation of American life in the Gilded Age and Progressive Era, demonstrating the surprising success of an often-embattled religious group in securing for itself a place in the national community and in profoundly altering what it meant to be an American in the modern world.

Covers the entire range of the history of U.S. foreign relations from the colonial period to the beginning of the 21st century. A Companion to U.S. Foreign Relations is an authoritative guide to past and present scholarship on the history of American diplomacy and foreign relations from its seventeenth century origins to the modern day. This two-volume reference work presents a collection of historiographical essays by prominent scholars. The essays explore three centuries of America’s global interactions and the ways U.S. foreign policies have been analyzed and interpreted over time. Scholars offer fresh perspectives on the history of U.S. foreign relations; analyze the causes, influences, and consequences of major foreign policy decisions; and address contemporary debates surrounding the practice of American power. The Companion covers a wide variety of methodologies, integrating political, military, economic, social and cultural history to explore the ideas and events that shaped U.S. diplomacy and foreign relations and continue to influence national identity. The essays discuss topics such as the links between U.S. foreign relations and the study of ideology, race, gender, and religion; Native American history, expansion, and imperialism; industrialization and modernization; domestic and international politics; and the United States’ role in decolonization, globalization, and the Cold War. A comprehensive approach to understanding the history, influences, and drivers of U.S. foreign relation, this indispensable resource: Examines significant foreign policy events and their subsequent interpretations Places key figures and policies in their historical, national, and international contexts Provides background on recent and current debates in U.S. foreign policy Explores the historiography and primary sources for each topic Covers the development of diverse themes and methodologies in histories of U.S. foreign policy Offering scholars, teachers, and students unmatched chronological breadth and analytical depth, A Companion to U.S. Foreign Relations: Colonial Era to the Present is an important contribution to scholarship on the history of America’s interactions with the world.

The Routledge History of U.S. Foreign Relations provides a comprehensive view of U.S. diplomacy and foreign affairs from the founding to the present. With contributions from recognized experts from around the world, this volume unveils America’s long and complicated history on the world stage. It presents the United States’ evolution from a weak player, even a European pawn, to a global hegemonic leader over the course of two and a half centuries. The contributors offer an expansive vision of U.S. foreign relations—from U.S.-Native American diplomacy in eighteenth and nineteenth centuries to the post-9/11 war on terror. They shed new light on well-known events and suggest future paths of research, and they capture lesser-known episodes that invite reconsideration of common assumptions about America’s place in the world. Bringing these discussions to a single forum, the book provides a strong reference source for scholars and students who seek to understand the broad themes and changing approaches to the field. This book will be of interest to students and scholars of U.S. history, political science, international relations, conflict resolution, and public policy, amongst other areas.

Winner of the 2020 IPHS Koos Bosma Prize American Colonisation and the City Beautiful explores the history of city planning and the evolution of the built environment in the Philippines between 1916 and 1935. In so doing, it highlights the activities of the Bureau of Public Works’ Division of Architecture as part of Philippine national development and decolonisation. Morley provides new archival materials which deliver significant insight into the dynamics associated with both governance and city planning during the American colonial era in the Philippines, with links between prominent American university educators and Filipino architecture students. The book discusses the two cities of Tayabas and Iloilo which highlight the significant role in the urban design of places beyond the typical historiographical focus of Manila and Baguio. These examples will aid in further understanding the appearance and meaning of Philippine cities during an important era in the nation’s history. Including numerous black and white images, this book is essential for academics, researchers and students of city and urban planning, the history and development of Southeast Asia and those interested in colonial relations.

When the USS Maine mysteriously exploded in Havana’s harbor on February 15, 1898, the United States joined local rebel forces to avenge the Maine and “liberate” Cuba from the Spanish empire. “Remember the Maine! To Hell with Spain!” So went the popular slogan. Little did the Cubans know that the United States was not going to give them freedom—in less than a year the American flag replaced the Spanish flag over the various island colonies of Cuba, Guam, Puerto Rico, and the Philippines. Spurred by military successes and dreams of an island empire, the US annexed Hawai‘i that same year, even establishing island colonies throughout Micronesia and the Antilles. With the new governmental orders of creating new art, architecture, monuments, and infrastructure from the United States, the island cultures of the Caribbean and Pacific were now caught in a strategic scope of a growing imperial power. These spatial and visual objects created a visible confrontation between local indigenous, African, Asian, Spanish, and US imperial expressions. These material and visual histories often go unacknowledged, but serve as uncomplicated “proof” for the visible confrontation between the US and the new island territories. The essays in this volume contribute to an important art-historical, visual cultural, architectural, and materialist critique of a growing body of scholarship on the US Empire and the War of 1898. Imperial Islands seeks to reimagine the history and cultural politics of art, architecture, and visual experience in the US insular context. The authors of this volume propose a new direction of visual culture and spatial experience through nuanced terrains for writing, envisioning, and revising US-American, Caribbean, and Pacific histories. These original essays address the role of art and architecture in expressions of state power; racialized and gendered representations of the United States and its island colonies; and forms of resistance to US cultural presence. Featuring interdisciplinary approaches, Imperial Islands offers readers a new way of learning the ongoing significance of vision and experience in the US empire today, particularly for Caribbean, Latinx, Pilipinx, and Pacific Island communities.