American Literature In Transition 1820 1860 Volume 2

"Nineteenth-Century American Literature in Transition provides an omnibus account of American literature and its ever-evolving field of study. Emphasizing the ways in which American literature has been in transition ever since its founding, this revisionary series examines four phases of American literary history, focusing on the movements, forms, and media that developed from the late eighteenth to the early twentieth century. The mutable nature of American literature is explored throughout these volumes, which consider a diverse and dynamic set of authors, texts, and methods. Encompassing the full range of today's literary scholarship, this series is an essential guide to the study of nineteenth-century American literature and culture"--

The essays in American Literature in Transition, 1820-1860 offer a new approach to the antebellum era, one that frames the age not merely as the precursor to the Civil War but as indispensable for understanding present crises around such issues as race, imperialism, climate change, and the role of literature in American society. The essays make visible and usable the period's fecund imagined futures, futures that certainly included disunion but not only disunion. Tracing the historical contexts, literary forms and formats, global coordinates, and present reverberations of antebellum literature and culture, the essays in this volume build on existing scholarship while indicating exciting new avenues for research and teaching. Taken together, the essays in this volume make this era's literature relevant for a new generation of students and scholars.

"Nineteenth-Century American Literature in Transition provides an omnibus account of American literature and its ever-evolving field of study. Emphasizing the ways in which American literature has been in transition ever since its founding, this revisionary series examines four phases of American literary history, focusing on the movements, forms, and media that developed from the late eighteenth to the early twentieth century. The mutable nature of American literature is explored throughout these volumes, which consider a diverse and dynamic set of authors, texts, and methods. Encompassing the full range of today's literary scholarship, this series is an essential guide to the study of nineteenth-century American literature and culture"--

Highlights the latest currents in Whitman scholarship and demonstrates how Whitman's work transforms discussions in literary studies.

Recent legal history in the United States reveals a hardening tendency to treat religious freedom and sexual and reproductive freedom as competing, even opposing, claims on public life. They are united, though, by the fact that both are rooted in our culture’s understanding of privacy. Faith in Exposure shows how, over the course of the nineteenth century, privacy came to encompass such contradictions—both underpinning the right to sexual and reproductive rights but also undermining them in the name of religious freedom. Drawing on the interdisciplinary field of secular studies, Faith in Exposure brings a postsecular orientation to the historical emergence of modern privacy. The book explains this emergence through two interlocking stories. The first examines the legal and cultural connection of religion with the private sphere, showing how privacy became a moral concept that informs how we debate the right to be shielded from state interference, as well as who will be afforded or denied this protection. This conflation of religion with privacy gave rise, the book argues, to a “secular sensibility” that was especially invested in authenticity and the exposure of hypocrisy in others. The second story examines the development of this “secular sensibility” of privacy through nineteenth-century novels. The preoccupation of the novel form with private life, and especially its dependence on revelations of private desire and sexual secrets, made it the perfect vehicle for suggesting that exposure might be synonymous with morality itself. Each chapter places key authors into wider contexts of popular fiction and periodical press debates. From fears over religious infidelity to controversies over what constituted a modern marriage and conspiracy theories about abolitionists, these were the contests, Justine S. Murison argues, that helped privacy emerge as both a sensibility and a right in modern, secular America.

Over the past few decades, the writings of Charles Brockden Brown (1771-1810) have reclaimed a place of prominence in the American literary canon. Yet despite the explosion of teaching, research, and an ever-increasing number of doctoral dissertations, there remains no up-to-date overview of Brown's work. The Oxford Handbook of Charles Brockden Brown provides a state-of-the-art survey of the life and writings of Charles Brockden Brown, a key writer of the Atlantic revolutionary age and U.S. Early Republic. The seven novels he published during his lifetime are now studied for their narrative complexity, innovations in genre, and social-political commentaries on life in early America and the revolutionary Atlantic. Through the late twentieth century, Brown was best known as an author of political romances in the gothic mode that proved to be widely influential in romantic era, and has generated large amounts of scholarship as a crucial figure in the history of the American novel. This Handbook extends its focus beyond the well-known novels to address the full range of Brown's prolific literary career. The Handbook includes original essays on all of Brown's fiction and nonfiction writings, and offers new interpretations of the contexts of his work: from the literary, social, political, and economic to the scientific, commercial, and religious. The thirty-five contributors in this volume speak in new ways about Brown's depictions of literary theory, social justice, sexuality, and property relations, as well as colonialism, slavery, Native Americans, and women's rights. Brown's perspectives on American and global history, emerging modernity, selfhood and otherness, and other topics, are explained in comprehensible and up-to-date terms. In addition to opening up new avenues of research, The Oxford Handbook of Charles Brockden Brown provides the intellectual foundations needed to understand Brown's enduring impact and literary legacy.

What is our definition of "modernismif we imagine it stretching from 1865 to 1965 instead of 1890 to 1945? How does the captivity narrative change when we consider it as a contemporary, not just a "colonial,genre? What does the course of American literature look like set against the backdrop of federal denials of Native sovereignty or housing policies that exacerbated segregation? Filled with challenges to scholars, inspirations for teachers (anchored by an appendix of syllabi), and entry points for students, Timelines of American Literature gathers some of the most exciting new work in the field to showcase the revelatory potential of fresh thinking about how we organize the literary past.

"Nineteenth-Century American Literature in Transition provides an omnibus account of American literature and its ever-evolving field of study. Emphasizing the ways in which American literature has been in transition ever since its founding, this revisionary series examines four phases of American literary history, focusing on the movements, forms, and media that developed from the late eighteenth to the early twentieth century. The mutable nature of American literature is explored throughout these volumes, which consider a diverse and dynamic set of authors, texts, and methods. Encompassing the full range of today's literary scholarship, this series is an essential guide to the study of nineteenth-century American literature and culture"--