Amok And Other Stories

A DOCTOR IN the Dutch East Indies torn between his medical duty to help and his own mixed emotions; a middle-aged maidservant whose devotion to her master leads her to commit a terrible act; a hotel waiter whose love for an unapproachable aristocratic beauty culminates in an almost lyrical death and a prisoner-of-war longing to be home again in Russia. In these four stories, Stefan Zweig shows his gift for the acute analysis of emotional dilemmas. His four tragic and moving cameos of the human condition are played out against cosmopolitan and colonial backgrounds in the first half of the twentieth century.

A doctor in the Dutch East Indies torn between his medical duty to help and his own mixed emotions; a middle-aged maidservant whose devotion to her master leads her to commit a terrible act; a hotel waiter whose love for an unapproachable aristocratic beauty culminates in an almost lyrical death and a prisoner-of-war longing to be home again in Russia. In these four stories, Stefan Zweig shows his gift for the acute analysis of emotional dilemmas. His four tragic and moving cameos of the human condition are played out against cosmopolitan and colonial backgrounds in the first half of the twentieth century.

What is faith, except hope in desperation? All Putera Mikal wants is to gain the Amok Strength, the supernatural power granted by Kudus to the Mahan royal family. No matter how religiously Mikal keeps his vows, Kudus still denies him the Strength—whilst his father, Sultan Simson, flaunts the Strength despite his blatant defiance of the Temple and the priests’ visions of coming doom. Then the prophecies come true. Taken captive, Mikal must find a way to liberate his people and restore his throne in Maha—and the key to this is the Amok Strength. But what does it take to gain Kudus’ favour?

These four stories illustrate the wide range of Zweig’s subject matter dating from quite early in his career as a writer of fiction (The Governess, rooted in a world of strict Edwardian morality), to late (Did He Do It?, almost an English detective story set near Bath, where Zweig lived in exile). In addition The Miracles of Life, set in 16th-century Antwerp during the time of Protestant iconoclasm, and Downfall of a Heart both address the theme of anti-Semitism. Pushkin Collection editions feature a spare, elegant series style and superior, durable components. The Collection is typeset in Monotype Baskerville, litho-printed on Munken Premium White Paper and notch-bound by the independently owned printer TJ International in Padstow. The covers, with French flaps, are printed on Colorplan Pristine White Paper. Both paper and cover board are acid-free and Forest Stewardship Council (FSC) certified.

These four Stefan Zweig stories, newly translated by the award-winning Anthea Bell, are among his most celebrated and compelling work. The titular tale is a devastating depiction of unrequited love, which inspired a classic Hollywood film, directed by Max Ophüls and starring Joane Fontaine. Elsewhere in the collection, a young man mistakes the girl he loves for her sister, two erstwhile lovers meet after an age spent apart, and a married woman repays a debt of gratitude to her childhood sweetheart. Expertly paced, laced with the acutely accurate psychological detail and empathy that are Zweig's trademarks, this is a powerful addition to Pushkin's growing collection of his work. From the Trade Paperback edition.

THE COMBATANTS Two godlike blood enemies engaged in a war older than history. THE BATTLEGROUND An out-of-control nuclear plant whose cataclysmic destruction will spell the end of the Earth. REFUGE None - on a planet swept up in the awesome terror of the last panic.

A dangerous psychopath has taken over a leading radio station and is holding everyone inside hostage in the terrifying and twisted new thriller from Sebastian Fitzek. Good morning. It's 7.35 A.M. And you're listening to your worst nightmare. This morning a dangerous psychopath is playing an old game with new rules. He's taken six people hostage at the city's leading radio station. Every hour, a telephone will ring somewhere. Maybe it will be in your house. Or your office. And if you can't play the game, a hostage will die. Renowned police psychologist Ira Samin is rushed to the scene, where she is forced to negotiate live on air. With the nation listening, the kidnapper makes his sole demand: find his fiancée and bring her to the station. But she is dead. Burnt to a crisp in a devastating car accident eight months ago. Facing an impossible demand and a police commander who seems hell-bent on keeping secrets, Ira must race against the clock to resolve one of the hardest negotiations of her career. All the while... somewhere... a telephone is ringing. 'Fitzek's thrillers are breathtaking, full of wild twists' Harlan Coben 'Sebastian Fitzek is simply amazing... A true master of his craft' Chris Carter 'Sebastian Fitzek is without question one of the crime world's most evocative storytellers' Karin Slaughter 'Another absorbing psychological thriller from Sebastian Fitzek' Promoting Crime Fiction