Among The Dead Cities

In Among the Dead Cities, the acclaimed philosopher A. C. Grayling asks the provocative question, how would the Allies have fared if judged by the standards of the Nuremberg Trials? Arguing persuasively that the victor nations have never had to consider the morality of their policies during World War II, he offers a powerful, moral re-examination of the Allied bombing campaigns against civilians in Germany and Japan, in the light of principles enshrined in the post-war conventions on human rights and the laws of war. Grayling begins by narrating the Royal Air Force's and U. S. Army Air Force's dramatic and dangerous missions over Germany and Japan between 1942 and 1945. Through the eyes of survivors, he describes the terrifying experience on the ground as bombs created inferno and devastation among often-unprepared men, women, and children. He examines the mindset and thought-process of those who planned the campaigns in the heat and pressure of war, and faced with a ruthless enemy. Grayling chronicles the voices that, though in the minority, loudly opposed attacks on civilians, exploring in detail whether the bombings ever achieved their goal of denting the will to wage war. Based on the facts and evidence, he makes a meticulous case for, and one against, civilian bombing, and only then offers his own judgment. Acknowledging that they in no way equated to the death and destruction for which Nazi and Japanese aggression was responsible, he nonetheless concludes that the bombing campaigns were morally indefensible, and more, that accepting responsibility, even six decades later, is both a historical necessity and a moral imperative.

Is it ever right to target civilians in a time of war? Or do the ends sometimes justify the means? The twentieth century - the age of 'total war' - marked the first time that civilian populations came to be seen as legitimate military targets. At this policy's most terrible extreme came the dropping of the atomic bomb on Hiroshima and Nagasaki but it is an issue that remains relevant today with the needs of the 'War on Terror' used to justify the use of drone strikes. In Among the Dead Cities, A.C. Grayling explores these moral issues in all their complexity with a detailed examination of the Allied bombing of German cities during World War 2. Considering the cases for and against the area bombing and the experiences of the bombed and the bombers, Grayling asks: was the targeting of civilians in Germany a crime? Now available in the Bloomsbury Revelations series, the book includes a new afterword by the author considering the issues in light of later conflicts up to the present day.

Among the Dead Cities is a re-examination of the Allied Forces' aerial bombing campaign of World War II. The purpose of this book is not to question the moral courage of the soldiers who fought in the war and it is clear that the author has deep admiration for these men. However, he argues that we in the 'victor nations' have never really had to examine the morality of the Allies' policies during the war and that ours in the generation who now must undertake this examination. Grayling asks the controversial questions 'Did the Allies commit crimes against humanity during their World War II aerial bombing campaigns against Germany and Japan?' and 'Should victory in the war allow us to draw a cloak over crimes against humanity, if they occurred?' In the light of the human principles that emerged from the titanic struggles of the 1940s, we need to examine anew the nature, motivations and consequences of the Allied World War II bombing campaigns. We need to ask whether the Allies committed crimes against humanity during World War II? Among the Dead Cities will be an important, fascinating book from one of Britain's leading thinkers and writers.

In the early eighteenth century, a delegation of Iroquois visited Britain, exciting the imagination of the London crowds with images of the “feathered people” and warlike “Mohocks.” Today, performing in a popular Afrodiasporic tradition, “Mardi Gras Indians” or “Black Masking Indians” take to the streets of New Orleans at carnival time and for weeks thereafter, parading in handmade “suits” resplendent with beadwork and feathers. What do these seemingly disparate strands of culture share over three centuries and several thousand miles of ocean? Interweaving theatrical, musical, and ritual performance along the Atlantic rim from the eighteenth century to the present, Cities of the Dead explores a rich continuum of cultural exchange that imaginatively reinvents, recreates, and restores history. Joseph Roach reveals how performance can revise the unwritten past, comparing patterns of remembrance and forgetting in how communities forge their identities and imagine their futures. He examines the syncretic performance traditions of Europe, Africa, and the Americas in the urban sites of London and New Orleans, through social events ranging from burials to sacrifices, auctions to parades, encompassing traditions as diverse as Haitian Voudon and British funerals. Considering processes of substitution, or surrogation, as enacted in performance, Roach demonstrates the ways in which people and cultures fill the voids left by death and departure. The twenty-fifth anniversary edition of this classic work features a new preface reflecting on the relevance of its arguments to the politics of performance and performance in contemporary politics.

Exploring the history of Civil War commemorations from both sides of the color line, William Blair places the development of memorial holidays, Emancipation Day celebrations, and other remembrances in the context of Reconstruction politics and race relations in the South. His grassroots examination of these civic rituals demonstrates that the politics of commemoration remained far more contentious than has been previously acknowledged. Commemorations by ex-Confederates were intended at first to maintain a separate identity from the U.S. government, Blair argues, not as a vehicle for promoting sectional healing. The burial grounds of fallen heroes, known as Cities of the Dead, often became contested ground, especially for Confederate women who were opposed to Reconstruction. And until the turn of the century, African Americans used freedom celebrations to lobby for greater political power and tried to create a national holiday to recognize emancipation. Blair's analysis shows that some festive occasions that we celebrate even today have a divisive and sometimes violent past as various groups with conflicting political agendas attempted to define the meaning of the Civil War.

Exploring Toronto’s history through the stories of its most fascinating and shadowy deaths. If these streets could talk... With morbid tales of war and plague, duels and executions, suicides and séances, Toronto’s past is filled with stories whose endings were anything but peaceful. The Toronto Book of the Dead delves into these: from ancient First Nations burial mounds to the grisly murder of Toronto’s first lighthouse keeper; from the rise and fall of the city’s greatest Victorian baseball star to the final days of the world’s most notorious anarchist. Toronto has witnessed countless lives lived and lost as it grew from a muddy little frontier town into a booming metropolis of concrete and glass. The Toronto Book of the Dead tells the tale of the ever-changing city through the lives and deaths of those who made it their final resting place.

Hiroshima is the story of six people—a clerk, a widowed seamstress, a physician, a Methodist minister, a young surgeon, and a German Catholic priest—who lived through the greatest single manmade disaster in history. In vivid and indelible prose, Pulitzer Prize–winner John Hersey traces the stories of these half-dozen individuals from 8:15 a.m. on August 6, 1945, when Hiroshima was destroyed by the first atomic bomb ever dropped on a city, through the hours and days that followed. Almost four decades after the original publication of this celebrated book, Hersey went back to Hiroshima in search of the people whose stories he had told, and his account of what he discovered is now the eloquent and moving final chapter of Hiroshima.