An African Story The Marriage

G. Pascal Zachary is a foreign correspondent for The Wall Street Journal when he finds love in, of all places, the zoo in Accra, Ghana. That is where he meets Chizo Okon, the surrogate mother for an orphaned chimpanzee. In Married to Africa, Zachary tells their warm and humorous story, which is as much about the marriage of two cultures as it is about the marriage of two people. Chizo introduces Zachary to an Africa usually overlooked by visitors. He learns about the spiritual fervor of ordinary Africans, the mysterious power of juju and the rewards of eating bushmeat and other African dishes. He learns how to haggle effectively, pick a reliable taxi driver, live on "Africa time" and adapt to being a white minority in a black society. Chizo, meanwhile, deftly adapts to living with her obruni, the local nickname for a white person. As their romance deepens, the couple learns how differently things can appear to them. While Zachary indulges a passion for traditional African art, Chizo worries about the possible evil spirits harbored in his wooden statues. When the two move to San Francisco, Chizo must learn to navigate a new world. The result is a different kind of immigrant story, powered by a series of wacky, wonderful and unforgettable tales -- such as Chizo taking a machete to Zachary's ex-wife's garden (not out of malice, of course), driving enthusiastically without a license, charming her hard-boiled Jewish mother-in-law and managing requests from poor relatives in Africa. The arrival of Chizo's teenage daughter marks the end of the beginning and the start of a new saga in this uniquely American love story. Married to Africa is a tender and charming account of a marriage and a fascinating look at how two people come to know each other across culture and race.

"These stories are mostly magnificent", wrote Elizabeth Gleick in Elle. All are set in Africa and focus on the expatriat experience.

Ekinadose wants his uncle to get married - then he can go to a wedding. One day, he sees people welcomed into his grandfather's house. These visitors have come to collect their bride - and Ekinadose will be going not just to one wedding ceremony, but two! The stunning sights of a Nigerian wedding are vividly brought to life in this picture book.

Sun and Moon must leave their earthly home after Sun invites the Sea to visit.

"An anthology of African folktales playfully interpreted by modern cartoonists."--

In 1948, a young white English woman, Ruth Williams, made headline news all over the world. For she had met, fallen in love with, and married Seretse Khama, an African prince and heir to the chieftainship of a tribe of more than 100,000 people—the Bamangwato. At first, the marriage was no more welcome in Africa than in government circles in London. Within a year of their wedding, the young couple had provoked an astonishing series of events that had never been explained. The British government was determined to prevent Seretse taking his rightful place at the head of his tribe. The Bamangwato, to their credit, accepted the marriage and welcomed Ruth as their queen. Attlee’s Labour government embarked on what appeared to be a vendetta against them, robbing Seretse of his birthright and his people of their chief. In the process, Seretse and Ruth were forcibly separated while she awaited the birth of their first child. Now having access to Ministerial telegrams and Cabinet documents, the author can tell the full story. Includes photos provided by Lady Ruth Khama.

The deep forest and broad savannah, the campsites, kraals, and villages—from this immense area south of the Sahara Desert the distinguished American folklorist Roger D. Abrahams has selected ninety-five tales that suggest both the diversity and the interconnectedness of the people who live there. The storytellers weave imaginative myths of creation and tales of epic deeds, chilling ghost stories, and ribald tales of mischief and magic in the animal and human realms. Abrahams renders these stories in a narrative voice that reverberates with the rhythms of tribal song and dance and the emotional language of universal concerns. With black-and-white drawings throughout Part of the Pantheon Fairy Tale and Folklore Library