An African Story The Marriage

G. Pascal Zachary is a foreign correspondent for The Wall Street Journal when he finds love in, of all places, the zoo in Accra, Ghana. That is where he meets Chizo Okon, the surrogate mother for an orphaned chimpanzee. In Married to Africa, Zachary tells their warm and humorous story, which is as much about the marriage of two cultures as it is about the marriage of two people. Chizo introduces Zachary to an Africa usually overlooked by visitors. He learns about the spiritual fervor of ordinary Africans, the mysterious power of juju and the rewards of eating bushmeat and other African dishes. He learns how to haggle effectively, pick a reliable taxi driver, live on "Africa time" and adapt to being a white minority in a black society. Chizo, meanwhile, deftly adapts to living with her obruni, the local nickname for a white person. As their romance deepens, the couple learns how differently things can appear to them. While Zachary indulges a passion for traditional African art, Chizo worries about the possible evil spirits harbored in his wooden statues. When the two move to San Francisco, Chizo must learn to navigate a new world. The result is a different kind of immigrant story, powered by a series of wacky, wonderful and unforgettable tales -- such as Chizo taking a machete to Zachary's ex-wife's garden (not out of malice, of course), driving enthusiastically without a license, charming her hard-boiled Jewish mother-in-law and managing requests from poor relatives in Africa. The arrival of Chizo's teenage daughter marks the end of the beginning and the start of a new saga in this uniquely American love story. Married to Africa is a tender and charming account of a marriage and a fascinating look at how two people come to know each other across culture and race.

"These stories are mostly magnificent", wrote Elizabeth Gleick in Elle. All are set in Africa and focus on the expatriat experience.

Ekinadose wants his uncle to get married - then he can go to a wedding. One day, he sees people welcomed into his grandfather's house. These visitors have come to collect their bride - and Ekinadose will be going not just to one wedding ceremony, but two! The stunning sights of a Nigerian wedding are vividly brought to life in this picture book.

Sun and Moon must leave their earthly home after Sun invites the Sea to visit.

A Commonwealth Prize–winning novel of “intense power . . . examining the role of women in modern African society” by the acclaimed Ghanaian author (Publishers Weekly). Living in Ghana’s capital city of Accra with a postgraduate degree and a career in data analysis, Esi Sekyi is a thoroughly modern African woman. Perhaps that is why she decides to divorce her husband after enduring yet another morning’s marital rape. Though her friends and family are baffled by her decision (after all, he doesn’t beat her!), Esi holds fast. When she falls in love with a married man—wealthy, and able to arrange a polygamous marriage—the modern woman finds herself trapped in a new set of problems. Witty and compelling, Aidoo’s novel, according to Manthia Diawara, “inaugurates a new realist style in African literature.” In an afterword to this edition, Tuzyline Jita Allan “places Aidoo’s work in a historical context and helps introduce this remarkable writer [who] sheds light on women’s problems around the globe” (Publishers Weekly).

In recent years, scholarly interest in love has flourished. Historians have addressed the rise of romantic love and marriage in Europe and the United States, while anthropologists have explored the ways globalization has reshaped local ideas about those same topics. Yet, love in Africa has been peculiarly ignored, resulting in a serious lack of understanding about this vital element of social life—a glaring omission given the intense focus on sexuality in Africa in the wake of HIV/AIDS. Love in Africa seeks both to understand this failure to consider love and to begin to correct it. In a substantive introduction and eight essays that examine a variety of countries and range in time from the 1930s to the present, the contributors collectively argue for the importance of paying attention to the many different cultural and historical strands that constitute love in Africa. Covering such diverse topics as the reception of Bollywood movies in 1950s Zanzibar, the effects of a Mexican telenovela on young people’s ideas about courtship in Niger, the models of romance promoted by South African and Kenyan magazines, and the complex relationship between love and money in Madagascar and South Africa, Love in Africa is a vivid and compelling look at love’s role in African society.

The stories in Mukoma's Marriage and Other Stories capture the lives of Zimbabwean men and the women they marry, and the lives of women and the men they fall in love with, each revealing the complexities of cultural and gender expectations against the backdrop of a changing country (war in the 1970s, political uncertainty in the 1980s and economic structural adjustment in the 1990s). Fati sets out to tell Mukoma's story, but ends up also telling his wives' stories. By telling his brother's story, and that of his women, he ends up telling his own story. Fati is a new and interesting protagonist in Zimbabwean literature with a voice at times innocent, yet increasingly incisive, humorous and engaging. These stories are deeply personal yet universal in their treatment of human relationships, ambitions, and misplaced cultural and gender expectations. Whether he is telling the story of his brother's first marriage, or remembers his brother's fights at a Parents Day event at Mhototi School, whether he recalls the night Mukoma took him to see a new baby in the alleyways of Glen View, Fati renders these stories with a measured, composed voice which doesn`t fail to delight with its unusual humour.