An American Amnesia

Introduction : prosperity lost -- Coming up short -- The great divide -- The trouble with markets -- How America got rich -- "An established and useful reality" -- American amnesia -- We're not in Camelot anymore -- This is not your father's party -- The modern robber barons -- A crisis of authority -- Conclusion : the positive-sum society.

January 27th, 1973: the United States, South Vietnam, North Vietnam, and the Viet Cong sign the Paris Peace Accords, guaranteeing the right of self-determination to the South Vietnamese people. April 30th, 1975: President Duong Van Minh of South Vietnam announces the nation's unconditional surrender to the North, ending the decade-long conflict and enabling the merger of both countries into the Socialist Republic of Vietnam. What happened in two short years to cause such a dramatic reversal? In An American Amnesia, respected political commentator Bruce Herschensohn re-examines the incredible actions taken by the 94th Congress and by many American citizens which forced South Vietnam's surrender, an event that brought about immense tragedy for Southeast Asians and haunts our political landscape to this day. Drawing on notes, speeches, and writings from his own experiences in Southeast Asia, as well as in the United States Information Agency and in the White House, Herschensohn fills in important facts in that period of history and warns against the danger of succumbing to a similar voluntary amnesia in the future.

“A remarkable book, from its title and subtitle to its last words . . . A stirring indictment of American sentimentality about war.” —Robert G. Kaiser, The Washington Post In Looking for the Good War, Elizabeth D. Samet reexamines the literature, art, and culture that emerged after World War II, bringing her expertise as a professor of English at West Point to bear on the complexity of the postwar period in national life. She exposes the confusion about American identity that was expressed during and immediately after the war, and the deep national ambivalence toward war, violence, and veterans—all of which were suppressed in subsequent decades by a dangerously sentimental attitude toward the United States’ “exceptional” history and destiny. Samet finds the war's ambivalent legacy in some of its most heavily mythologized figures: the war correspondent epitomized by Ernie Pyle, the character of the erstwhile G.I. turned either cop or criminal in the pulp fiction and feature films of the late 1940s, the disaffected Civil War veteran who looms so large on the screen in the Cold War Western, and the resurgent military hero of the post-Vietnam period. Taken together, these figures reveal key elements of postwar attitudes toward violence, liberty, and nation—attitudes that have shaped domestic and foreign policy and that respond in various ways to various assumptions about national identity and purpose established or affirmed by World War II. As the United States reassesses its roles in Afghanistan and the Middle East, the time has come to rethink our national mythology: the way that World War II shaped our sense of national destiny, our beliefs about the use of American military force throughout the world, and our inability to accept the realities of the twenty-first century’s decades of devastating conflict.

Gore Vidal has been described as the last 'noble defender" of the American republic. In Imperial America, Vidal steals the thunder of a right wing America -- those who have camouflaged their extremist rhetoric in the Old Glory and the Red, White, and Blue -- by demonstrating that those whose protest arbitrary and secret government, those who defend the bill of rights, those who seek to restrain America's international power, are the true patriots. "Those Americans who refuse to plunge blindly into the maelstrom of European and Asiatic politics are not defeatist or neurotic," he writes. "They are giving evidence of sanity, not cowardice, of adult thinking as distinguished from infantilism. They intend to preserve and defend the Republic. America is not to be Rome or Britain. It is to be America."

“A deeply moving account of amnesia that . . . reminds us how we are all always trying to find a version of ourselves that we can live with.” —Los Angeles Times On October 17, 2002, David MacLean “woke up” on a train platform in India with no idea who he was or why he was there. No money. No passport. No identity. Taken to a mental hospital by the police, MacLean then started to hallucinate so severely he had to be tied down. He could remember song lyrics, but not his family, his friends, or the woman he was told he loved. The illness, it turned out, was the result of a commonly prescribed antimalarial medication he had been taking. Upon his return to the United States, he struggled to piece together the fragments of his former life. In this “mesmerizing, unsettling memoir about the ever-echoing nature of identity—written in vivid, blooming detail,” he tells the harrowing, absurd, and unforgettable story of his journey back to himself (Gillian Flynn, author of Gone Girl). “[MacLean] is an exceedingly entertaining psychotic. . . . [A] raw, honest and beautiful memoir.” —The New York Times “If bad things are going to happen, we are lucky when they happen to someone with the wit, humanity and sweetness—to say nothing of an eye for detail and a gift for pacing—that MacLean brings to this wrenching tale. . . . Readers who flip open the book will find MacLean, preserved between pages, goofy and serious, lost and found.” —Chicago Tribune “[MacLean] writes eloquently about the bizarre and disturbing experience of having his sense of self erased and then reconstructed from scratch.” —The New Yorker

From the two-time Booker Prize winner: a masterful, exceedingly timely new novel--at once dark, suspenseful and seriously funny--that takes us on a journey to the place where the cyber underworld of radicals and hackers collides with international power politics. When an internet virus throws open the gates at thousands of American prisons, the hacker turns out to be an unlikely young Australian woman. Has she declared cyber war on the United States or was her "Angel Worm" intended only to free the victims of Australia's immigration policies? Is she innocent? Can she be saved? The answers are up to journalist Felix Moore, a.k.a. Felix Moore-or-less-correct. His career is tanking when he gets this chance to write a biography that will vindicate the young woman. Funding is to be provided by an old friend--an outrageous millionaire property developer--and further impetus by an old flame: the young woman's actress mother whom Felix worshipped when they were at university together. And it will be our great good fortune to see the world through Felix's comic, cowardly, angry, yet fundamentally humane eyes as he attempts to save the young woman--and redeem himself in the bargain.

"Applying the metaphor of Alzheimer's disease to our national state of mind, Bertman offers a chilling prognosis for our country's future unless radical steps for recovery are taken. ... [He] looks beyond the classroom to the larger social forces that conspire to alienate Americans from their past: a materialistic creed that celebrates transience and disposability, and an electronic faith that worships the present to the exclusion of all other dimensions of time."--Jacket.

Far-right movements, parties, and governments are changing the language and logic of international order. Zero-sum geopolitics - from Donald Trump to Brexit - and the rhetoric of putting the national interest "first" are back, and along with them come a deep fascination with the values of patriarchy, masculinity, and strength. Putting these dramatic shifts in contemporary American and European foreign policy into wider historical and intellectual context, Geopolitical Amnesia explores the liberal crisis beneath the resurgence of far-right ideas. Drawing on memory studies, it addresses the ways in which the new geopolitics intersects and interplays with an exhausted and amnesiatic liberalism. Scholars with expertise on national and regional ideological traditions look at contemporary memory wars - competing revisionist histories - from Washington to Warsaw, and from the Anglosphere to Southern, Western, and Eastern Europe. They address the changing conditions of memory and nostalgia and discuss how and why it matters that the new geopolitics takes place in an age of accelerated, fragmented, and digitalized global media. Timely and ambitious, this accessible collection reveals the far-right ideas behind the return of geopolitics and the crisis of liberalism that paved its way.