An Anthology On The Ror Caste

It describes the evolution of Rors, who they are, why they are the way, they are today, how they were in the recent past, and how they are occupying the most fertile heartland in Haryana & Doab in UP & UK. This book, for many Rors, who want to know their caste & its status vis-à-vis similar status castes, is a lucidly compiled, unparalleled readily available source.

About the book: It describes the evolution of Rors, who they are, why they are the way, they are today, how they were in the recent past, and how they are occupying the most fertile heartland in Haryana & Doab in UP & UK. This book, for many Rors, who want to know their caste & its status vis-à-vis similar status castes, is a lucidly compiled, unparalleled readily available source.

Papers presented at a seminar held at Chandigarh during 1-2 February 2005.

Two prominent translators present the first complete English-language edition of one of India's greatest works of classical literature: the Purananuru. This anthology of four hundred poems by more than 150 poets between the first and third centuries CE in old Tamil—the literary language of ancient Tamilnadu—was composed before Aryan influence had penetrated the south. It is thus a unique testament to pre-Aryan India. Beyond its importance for understanding the development of South Asia's history, culture, religion, and linguistics, the Purananuru is a great work of literature, reflecting accurately and profoundly the life of southern India 2,000 years ago. One of the few works of classical India that confronts life without the insulation of a philosophical facade and that makes no basic assumptions about karma and the afterlife, the Purananuru has universal appeal. It faces the world as a great and unsolved mystery, delving into living and dying, despair, love, poverty, and the changing nature of existence. To this hidden gem of world literature George L. Hart and Hank Heifetz add a helpful appendix, an annotated bibliography, and an excellent introduction describing the work and placing it in its social and historical context.

The editors and contributors to Color of Violence ask: What would it take to end violence against women of color? Presenting the fierce and vital writing of organizers, lawyers, scholars, poets, and policy makers, Color of Violence radically repositions the antiviolence movement by putting women of color at its center. The contributors shift the focus from domestic violence and sexual assault and map innovative strategies of movement building and resistance used by women of color around the world. The volume's thirty pieces—which include poems, short essays, position papers, letters, and personal reflections—cover violence against women of color in its myriad forms, manifestations, and settings, while identifying the links between gender, militarism, reproductive and economic violence, prisons and policing, colonialism, and war. At a time of heightened state surveillance and repression of people of color, Color of Violence is an essential intervention. Contributors. Dena Al-Adeeb, Patricia Allard, Lina Baroudi, Communities Against Rape and Abuse (CARA), Critical Resistance, Sarah Deer, Eman Desouky, Ana Clarissa Rojas Durazo, Dana Erekat, Nirmala Erevelles, Sylvanna Falcón, Rosa Linda Fregoso, Emi Koyama, Elizabeth "Betita" Martínez, maina minahal, Nadine Naber, Stormy Ogden, Julia Chinyere Oparah, Beth Richie, Andrea J. Ritchie, Dorothy Roberts, Loretta J. Ross, s.r., Puneet Kaur Chawla Sahota, Renee Saucedo, Sista II Sista, Aishah Simmons, Andrea Smith, Neferti Tadiar, TransJustice, Haunani-Kay Trask, Traci C. West, Janelle White

Dismantling Glory deals with the poetry written about the honors and horrors of battle by the very soldiers who put their lives on the line. Focusing on American and English poetry from World Wars I and II and the Vietnam War, Lorrie Goldensohn presents the move from a poetry largely bound to trench warfare to a global war poetry dominated by air power, invasion, and occupation. Civilians, prisoners, and children enter this poetry in new and compelling ways, as do issues of race and gender, changing and complicating the representation of war, and expanding the scope of antiwar thinking.

Laski [1893-1950] intended this work to be a sequel to Studies in the Problem of Sovereignty (1917). He argues that sovereignty is best understood as a type of authority, and he supports his case with examples drawn principally from modern French history. After tracing the origins of his subject, Laski considers the significance of Bonald, Lamennais, Royer-Collard and the Syndicalist movement.

"Challenges and revises our understanding of the historical and contemporary role of Dalits in Indian society. A pathbreaking book that rightfully restores the historical agency of and gives voice to Dalits in North India." --Anand A. Yang, University of Washington --